The Caller at the Mill, with sketches outside margin
1918-1919
28
Robert Polhill Bevan, 1865–1925, British
The Meet
between 1901 and 1925
29
Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
ca. 1898
30
Robert Polhill Bevan, 1865–1925, British
A Sussex Cart Horse
between 1905 and 1906
31
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
32
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
33
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
34
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
35
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
36
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
37
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
38
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
39
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
40
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
41
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
42
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
43
after William Hogarth, 1697–1764, British
Album Collection of Sixty-six Engravings after William Hogarth
44
after William Hogarth, 1697–1764, British
Simon, Lord Lovat
1746
45
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
46
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
47
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
48
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
49
Edward Lear, 1812–1888, British
Sketchbook
1845-1846
50
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
51
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
52
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
53
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
54
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
55
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
56
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
57
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
58
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
59
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
60
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
61
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
62
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents.'
1796
63
William Blake, 1757–1827, British
Pl. 14: `Venus Counsels Cupid'
1796
64
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
65
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
66
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
67
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
68
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
69
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
70
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
71
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
72
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
73
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
74
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
75
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
76
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
77
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
78
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
79
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents'
1796
80
William Blake, 1757–1827, British
Pl. 18: `Iron Age'
1796
81
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
82
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
83
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
84
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
85
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
86
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
87
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
88
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
89
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
90
William Blake, 1757–1827, British
The Book of Thel
1789
91
William Blake, 1757–1827, British
"A Select Collection of English Songs," London, 1783
1783
92
William Blake, 1757–1827, British
The Triumphs of Temper
1803
93
William Blake, 1757–1827, British
The Life of George Romney
1809
94
William Blake, 1757–1827, British
Illustrations to Dante's "Divine Comedy"
95
Print made by William Blake, 1757–1827, British
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
96
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
97
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
98
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
99
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
100
William Blake, 1757–1827, British
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]