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unknown artist A Gardener
Unknown artist, eighteenth century
A Gardener
ca. 1750
Not on view
John R. Skeaping Open Ditch
John R. Skeaping, 1901–1980, British
Open Ditch
1962
John R. Skeaping Coming Home Alone
John R. Skeaping, 1901–1980, British
Coming Home Alone
1963
John R. Skeaping Imitation Australian
John R. Skeaping, 1901–1980, British
Imitation Australian
1962
John R. Skeaping Pulling Up
John R. Skeaping, 1901–1980, British
Pulling Up
1962
John R. Skeaping Taking Down Steady
John R. Skeaping, 1901–1980, British
Taking Down Steady
1963
John R. Skeaping Setting Off, No. 1
John R. Skeaping, 1901–1980, British
Setting Off, No. 1
1963
John R. Skeaping No Danger
John R. Skeaping, 1901–1980, British
No Danger
1963
Robert Polhill Bevan Horse Dealers (Ward's Repository, No.1)
Robert Polhill Bevan, 1865–1925, British
Horse Dealers (Ward's Repository, No.1)
1919
Robert Polhill Bevan Sussex Cart Horse
Robert Polhill Bevan, 1865–1925, British
Sussex Cart Horse
between 1905 and 1906
Robert Polhill Bevan Found, with further sketches in the margin
Robert Polhill Bevan, 1865–1925, British
Found, with further sketches in the margin
Robert Polhill Bevan Fields Farm, Clayhidon
Robert Polhill Bevan, 1865–1925, British
Fields Farm, Clayhidon
1917
Robert Polhill Bevan The Hunt
Robert Polhill Bevan, 1865–1925, British
The Hunt
undated
Robert Polhill Bevan Hounds in Covert
Robert Polhill Bevan, 1865–1925, British
Hounds in Covert
ca. 1896
Robert Polhill Bevan The Flying Pack
Robert Polhill Bevan, 1865–1925, British
The Flying Pack
undated
Robert Polhill Bevan Hay Carts, Cumberland Market (sketch)
Robert Polhill Bevan, 1865–1925, British
Hay Carts, Cumberland Market (sketch)
ca. 1915
Robert Polhill Bevan Horse Dealers
Robert Polhill Bevan, 1865–1925, British
Horse Dealers
ca. 1918
Robert Polhill Bevan Horse Dealers at the Barbican (Barbican No. 2)
Robert Polhill Bevan, 1865–1925, British
Horse Dealers at the Barbican (Barbican No. 2)
1921
Robert Polhill Bevan Horse in Breton Yard
Robert Polhill Bevan, 1865–1925, British
Horse in Breton Yard
undated
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925, British
The Meet
1898
Robert Polhill Bevan The Pink Apron
Robert Polhill Bevan, 1865–1925, British
The Pink Apron
ca. 1904
Robert Polhill Bevan Study for Hay Carts, Cumberland Market
Robert Polhill Bevan, 1865–1925, British
Study for Hay Carts, Cumberland Market
ca. 1915
Robert Polhill Bevan Horses Threshing, Pont Aven
Robert Polhill Bevan, 1865–1925, British
Horses Threshing, Pont Aven
1893
Robert Polhill Bevan Study for the Horse Dealers
Robert Polhill Bevan, 1865–1925, British
Study for the Horse Dealers
ca. 1917
Robert Polhill Bevan The Meet, with further sketches in margin
Robert Polhill Bevan, 1865–1925, British
The Meet, with further sketches in margin
Robert Polhill Bevan Two Bridges
Robert Polhill Bevan, 1865–1925, British
Two Bridges
1912-1913
Robert Polhill Bevan The Caller at the Mill, with sketches outside margin
Robert Polhill Bevan, 1865–1925, British
The Caller at the Mill, with sketches outside margin
1918-1919
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925, British
The Meet
between 1901 and 1925
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
ca. 1898
Robert Polhill Bevan A Sussex Cart Horse
Robert Polhill Bevan, 1865–1925, British
A Sussex Cart Horse
between 1905 and 1906
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
William Hogarth Album Collection of Sixty-six Engravings after William Hogarth
after William Hogarth, 1697–1764, British
Album Collection of Sixty-six Engravings after William Hogarth
William Hogarth Simon, Lord Lovat
after William Hogarth, 1697–1764, British
Simon, Lord Lovat
1746
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851, British
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Edward Lear Sketchbook
Edward Lear, 1812–1888, British
Sketchbook
1845-1846
William Blake Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
William Blake Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
William Blake Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
William Blake Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
William Blake Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
William Blake Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
William Blake Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
William Blake Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
William Blake Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
William Blake And now behold the sun's departing ray
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 13: `Psyche Repents.'
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents.'
1796
William Blake Pl. 14: `Venus Counsels Cupid'
William Blake, 1757–1827, British
Pl. 14: `Venus Counsels Cupid'
1796
William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Pl. 13: `Psyche Repents'
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents'
1796
William Blake Pl. 18: `Iron Age'
William Blake, 1757–1827, British
Pl. 18: `Iron Age'
1796
William Blake Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
William Blake Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
William Blake Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
William Blake Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
William Blake Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
William Blake Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
William Blake Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
William Blake Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William Blake The Book of Thel
William Blake, 1757–1827, British
The Book of Thel
1789
William Blake "A Select Collection of English Songs," London, 1783
William Blake, 1757–1827, British
"A Select Collection of English Songs," London, 1783
1783
William Blake The Triumphs of Temper
William Blake, 1757–1827, British
The Triumphs of Temper
1803
William Blake The Life of George Romney
William Blake, 1757–1827, British
The Life of George Romney
1809
William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827, British
Illustrations to Dante's "Divine Comedy"
William Blake The Life, and Posthumous Writings, of William Cowper (volume 2)
Print made by William Blake, 1757–1827, British
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
William Blake Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
William Blake, 1757–1827, British
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826