Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 16

John Constable, 1776–1837, British

Somerset House Terrace from Waterloo Bridge

ca. 1819

On view at YUAG

Francis Danby, 1793–1861, Irish

A View across the Artist's Garden from his House at Exmouth, Devonshire

mid-19th century

Not on view

John Constable, 1776–1837, British

Horse and Cart

ca. 1814

Not on view

Attributed to John Constable, 1776–1837, British

Flatford Mill

between 1810 and 1811

Not on view

John Constable, 1776–1837, British

A View at Hampstead with Stormy Weather

ca. 1830

Not on view

Attributed to Thomas Webster, 1800–1886, British

A Study of 'The Schoolroom'

ca. 1820

Not on view

William Anderson, 1757–1837, British

A View of Westminster Bridge and the Abbey from the South Side

1818

Not on view

William Anderson, 1757–1837, British

London Bridge, with St. Paul's Cathedral in the distance

1815

Not on view

unknown artist, nineteenth century

Seapiece with Boats: Evening

ca. 1815

Not on view

Julius Caesar Ibbetson, 1759–1817, British

The Shooting Party

ca. 1800

Not on view

Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)

Study of a Fox

between 1810 and 1830

Not on view

Attributed to George Sidney Shepherd, 1784–1862, British

The Serpentine, Hyde Park

mid-19th century

Not on view

William James Muller, 1812–1845, British

Cleve Toot, near Bristol

ca. 1840

Not on view

Sawrey Gilpin, 1733–1807, British

Mares and Foals

between 1770 and 1780

Not on view

John Martin, 1789–1854, British

Landscape with a Castle

between 1815 and 1820

Not on view

Francis Danby, 1793–1861, Irish

The Haunted Wood

undated

copy after Richard Wilson RA, 1713/4–1782, British, active in Italy (1750–56)

Three Figures Standing by Rocky Cliffs, Two Horsemen in Distance Left

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

An Ancient Barn at Shoreham

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

John Constable, 1776–1837, British

Mary Constable Reading

1812

Joseph Mallord William Turner, 1775–1851, British

Waterfall of Lodore, Cumberland

undated

Joseph Mallord William Turner, 1775–1851, British

Lulworth Castle, Dorset

ca. 1820

Joseph Mallord William Turner, 1775–1851, British

Margate

ca. 1822

Edward Lear, 1812–1888, British

A Study of Ferns, Civitella

1842

Edward Lear, 1812–1888, British

Tollygunge, Calcutta

undated

Edward Lear, 1812–1888, British

Gozo, near Malta

1866

Edward Lear, 1812–1888, British

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

George Romney, 1734–1802, British

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated