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British, Neoclassical frame
Creator:
Design Robert Adam, 1728–1792
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
workshop of Robert Adam, 1728–1792
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
workshop of Robert Adam, 1728–1792
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Original pattern by Thomas Allwood, ca. 1750–ca.1800
Date:
early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Dimensions:
Frame: 45 1/2 × 58 × 4 inches (115.6 × 147.3 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
attributed to Thomas Allwood, ca. 1750–ca.1800
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding, and oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Thomas Allwood, ca. 1750–ca.1800
Date:
late 18th century
Materials & Techniques:
Carved wood, regilded over original water gilding; sanded spandrels
Dimensions:
Frame: 50 3/4 × 60 1/2 inches (128.9 × 153.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc.
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Monument of Richard II and his Queen Anne 1395-1399
Creator:
Print made by James Basire the younger, 1769–1822
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Broad Street and Cornhill Wards
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Langborne Ward with its Division into Parishes
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Cheape Ward with its Division into Parishes
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Bishopsgate, Street Ward
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Breadstreet Ward and Cordwainer Ward
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Aldersgate Ward and St. Martins le Grand Liberty
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Billingsgate Ward and Bridge Ward Within
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art