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Collection
Prints and Drawings
506
Rare Books and Manuscripts
96
Creator
Haydon, Benjamin Robert, 1786–1846
110
Blake, William, 1757–1827
103
Smirke the Younger, Robert, Sir, 1781–1867
43
Martin, John, 1789–1854
29
Unknown artist
22
Greig, John, active 1803–1853
20
Smith, John Thomas, 1766–1833
19
Storer, James Sargant, 1771–1853
18
Christie, James, 1773–1831
13
Gillray, James, 1756–1815
11
Whichelo, C. John M., 1784–1865
9
Daniell, William, 1769–1837
8
Pugh, Edward, 1763–1813
8
Nash, Frederick, 1782–1856
7
Sneyd, John Rev., active 1804
7
Turner, William of Oxford, 1789–1862
7
Vollweiler, Georg Jacob, active 1805–1807
7
Fittler, James, 1758–1835
6
Stubbs, George, 1724–1806
6
Green, Amos, 1735–1807
5
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Creator
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Date
1800
1,488
1802
1,145
1834
849
1825
727
1830
709
1835
674
1827
670
1820
644
1832
631
1791
628
1804
[remove]
602
1826
582
1814
539
1823
520
1833
516
1840
501
1836
499
1803
498
1818
473
1808
464
1801
450
1821
444
1828
439
1807
432
1850
417
1824
415
1867
410
1853
409
1810
403
1839
399
1819
396
1815
391
1813
385
1805
382
1811
382
1817
382
1829
374
1837
372
1812
370
1831
367
1809
365
1822
362
1870
362
1855
359
1816
340
1838
323
1851
312
1806
302
1845
292
1860
285
1846
279
1854
277
1841
267
1880
257
1843
247
1842
239
1844
239
1877
234
1890
230
1859
225
1847
221
1857
219
1852
218
1848
212
1849
184
1868
176
1876
171
1869
164
1875
164
1861
158
1888
157
1865
152
1882
146
1896
145
1858
144
1856
139
1871
139
1874
139
1889
132
1862
131
1863
130
1866
124
1898
123
1881
122
1892
121
1887
119
1891
119
1873
118
1872
116
1864
114
1879
113
1897
113
1878
111
1893
111
1883
108
1884
106
1885
104
1899
96
1895
94
1894
90
On-site Access
Accessible by appointment in the Study Room
[remove]
602
Image Use
Free to Use
511
Under Certain Circumstances
91
Image Available
Available
497
Unavailable
105
Classification
Prints
269
Drawings & Watercolors
232
Books
83
Drawing & Watercolors-Architectural
5
Maps & Atlas (printed)
5
Drawings & Watercolors-Miniatures
2
Three-Dimensional Artifacts
2
Archives & Manuscripts
1
Paintings
1
Periodicals
1
Creator Gender
male
493
unknown
118
female
10
Collective Title
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
109
Jerusalem: The Emanation of The Giant Albion, Copy E
100
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Iconographie Anglaise par Reynolds et Autres
7
Specimens of Polyautography
7
"Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c.", J. T. Smith, 1807.
3
The Oxford Almanack
3
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
2
The Life, and Posthumous Writings, of William Cowper
2
The Winter's Tale
2
"Select Views of London and its Environs", James Storer, 1804.
1
Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c., J. T. Smith, 1807.
1
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
The Merchant of Venice
1
Period
19th century
[remove]
602
Materials & Techniques
wove paper
287
watercolor
156
graphite
138
black ink
130
relief etching
100
brown ink
93
pen
80
laid paper
70
black chalk
29
brown wash
26
white gouache
17
etching (printing process)
16
mezzotint
16
line engraving
15
gold
14
gouache
12
lithography
8
stipple engraving
8
gray wash
7
white chalk
7
more
Materials & Techniques
»
Height [cm]
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0
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128
Unknown
180
Width [cm]
Width [cm] range begin
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113
Unknown
180
Work Type
drawing
330
watercolor
182
relief print
100
intaglio print
52
aquatint
22
auction catalog
16
planographic print
8
drawing book
7
etching
7
engraving
6
map
5
soft-ground etching
4
wood engraving
3
poem
2
annotations (provenance)
1
armorial bindings (binding)
1
armorial bindings (provenance)
1
armorial bookplates (provenance)
1
board game
1
book prospectuse
1
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Work Type
»
Genre
religious and mythological subject
133
literary theme
113
figure study
70
architectural subject
64
landscape
42
portrait
36
genre subject
22
anatomical study
19
cityscape
10
military art
8
animal art
7
historical subject
5
marine art
4
Subject Terms
religious and mythological subject
131
literary theme
106
text
96
men
71
women
64
nudes
60
vines
32
trees
31
architectural subject
27
clouds
27
sky
27
fire
25
portrait
24
flames
23
landscape
21
man
21
sun
21
wings
21
anatomical study
19
nude
19
more
Subject Terms
»
Subject Period
19th century
10
18th century
6
20th century
3
Associated Places
England
45
United Kingdom
30
London
23
Great Britain
15
Europe
13
City of Westminster
6
Palace of Westminster
6
Oxford
4
Oxfordshire
4
Turkey
4
London (England)
3
Thames
3
University of Oxford
3
Cambridge (England)
2
China
2
Devon
2
Egypt
2
France
2
Hereford and Worcester
2
House of Lords
2
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
11
Shakespeare, William (1564–1616), playwright and poet
8
Jesus
4
Adam
2
Eve
2
Napoleon I, Emperor of the French, 1769–1821
2
Perdita (character in The Winter's Tale)
2
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
2
Satan
2
The Virgin Mary
2
Wyatt, James, 1746–1813
2
Abel
1
Addington, Henry, first Viscount Sidmouth (1757–1844), prime minister
1
Ananias
1
Annesley, Francis, active 1744
1
Annesley, Francis, fl. 1744
1
Baker, James, topographer
1
Bassiano (character in The Merchant of Venice)
1
Bassingthorp, Thomas Jackson
1
Bonelli, Angelo, [approximately -1803?]
1
more
Associated People
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
101
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
100
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
19
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
19
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
10
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
2
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
452
Yale Center for British Art, Paul Mellon Fund
11
Yale Center for British Art; Yale University Art Gallery Collection
8
Yale Center for British Art
4
Yale Center for British Art, Gift of George and Olga Kenney
4
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.
4
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art; Yale University Art Gallery Collection; Gift of George E. Dix, B.A. 1934, M.A. 1942
2
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dudley Snelgrove, Esq.
1
Yale Center for British Art, Gift of Ellen and Arthur Liman, Yale JD 1957
1
Yale Center for British Art, Gift of Jules D. Prown, Yale MA (HON.) 1971
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
1
Yale Center for British Art, Yale Art Gallery Collection
1
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Credit Line
»
Language
English
89
French
4
German
1
No linguistic content
1
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On-site Access
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Date
1804
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Period
19th century
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1
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
2
attributed to John Constable, 1776–1837
Pollarded Willows
undated, after 1804
3
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
4
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
5
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
6
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
7
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
8
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
9
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
10
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
12
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
13
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
14
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
15
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
16
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
18
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
19
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
20
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
21
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
25
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
26
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
27
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
28
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
29
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
31
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
32
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
33
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
34
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
35
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
36
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
37
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
39
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
40
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
41
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
42
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
43
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
44
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
45
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
46
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
47
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
48
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
49
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
50
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
51
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
52
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
53
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
54
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
55
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
56
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
57
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
58
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
59
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
60
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
61
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
62
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
63
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
64
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
65
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
66
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
67
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
68
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
69
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
70
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
71
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
72
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
73
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
74
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
75
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
76
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
77
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
78
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
79
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
80
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
81
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
82
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
83
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
84
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
85
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
86
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
87
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
88
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
89
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
90
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
91
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
92
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
93
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
94
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
95
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
96
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
97
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
98
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
99
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
100
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
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