<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Date 1853

Remove constraint Date: 1853

Work Type planographic print

Remove constraint Work Type: planographic print

Search Results

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.
Creator:
Print made by Thomas Picken, active 1838–died 1870
Date:
1853
Materials & Techniques:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 21 1/4 x 28 3/4in. (54 x 73cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Simpson, 1823–1899
Date:
1853
Materials & Techniques:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 28 3/4 × 21 5/16 inches (73 × 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Simpson, 1823–1899
Date:
1853
Materials & Techniques:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 28 3/4 × 21 3/8 inches (73 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:
1853
Materials & Techniques:
Lithograph on thick, smooth, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection
No cover image available
Creator:
Print made by George Baxter, 1804–1867
Date:
1853
Materials & Techniques:
Baxter print on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968