The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
6
James Gillray, 1756–1815
A London Street Crier
undated
7
unknown artist
Four Figures on a Sheet
undated
8
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
9
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
10
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
11
James Gillray, 1756–1815
A Morning Ride
1804
12
Print made by James Gillray, 1756–1815
The Sick Prince
1787
13
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
14
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
15
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
16
James Gillray, 1756–1815
The Soliloquy
1782
17
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
18
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
19
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
20
James Gillray, 1756–1815
The Battle of Bow-Street
1788
21
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
22
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
23
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
24
James Gillray, 1756–1815
The Legacy
1786
25
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
26
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
27
James Gillray, 1756–1815
A Hackney Meeting
1796
28
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
29
James Gillray, 1756–1815
The Tottering Pyramid
1784
30
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
31
James Gillray, 1756–1815
The English Regency
1789
32
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
33
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
34
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
35
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
36
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
37
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
38
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
39
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
40
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
41
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
42
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
43
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
44
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
45
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
46
James Gillray, 1756–1815
French Liberty - British Slavery
1792
47
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
48
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
49
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
50
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
51
James Gillray, 1756–1815
The Introduction
1791
52
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
53
James Gillray, 1756–1815
The Finishing Touch
1791
54
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
55
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
56
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
57
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
58
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
59
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
60
James Gillray, 1756–1815
The Royal Society
1786
61
James Gillray, 1756–1815
Love's Last Shift
1787
62
James Gillray, 1756–1815
The Prodigal Son
1787
63
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
64
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
65
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
66
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
67
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
68
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
69
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
70
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
71
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
72
James Gillray, 1756–1815
Le Coup de Maitre
1797
73
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
74
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
75
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
76
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
77
James Gillray, 1756–1815
The Death of the Great Wolf
1795
78
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
79
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
80
James Gillray, 1756–1815
The Lover's Dream
1795
81
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
82
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
83
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
84
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
85
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
86
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
87
James Gillray, 1756–1815
What a Cur ' tis
1795
88
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
89
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
90
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
91
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
92
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
93
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
94
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
95
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
96
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
97
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
98
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
99
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar