Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
135
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
136
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
137
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
138
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
139
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
140
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
141
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
142
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
143
William Blake, 1757–1827
May-Day in London
1784
144
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
145
William Blake, 1757–1827
Beggar's Opera, Act III
1790
146
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
147
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
148
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
149
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
150
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
151
unknown artist
Fancy subject; Miss G
undated
152
unknown artist
Mrs. J. Gomeldon
undated
153
Pieter Schenck I, 1660–1719
The Duchess of Grafton
undated
154
John Faber the Younger, ca. 1695–1756
Her Grace the Duchess of Grafton
155
John Faber the Younger, ca. 1695–1756
Mrs Mary Ann Granville
156
James McArdell, ca. 1729–1765
Lady Grammont
157
William Dickinson, 1746–1823
Jane Duchess of Gordon
1775
158
Richard Purcell, active 1746–1766
Miss Greenway
159
John Smith, 1652–1743
Portraits of Ladies
160
Print made by unknown artist
Miss Harriote
1750s
161
John Smith, 1652–1743
The Honorable Madame Constantia Hare
162
unknown artist
Mrs Hamilton
undated
163
Print made by William Faithorne the Younger, ca. 1669–1703
The Honorable Mrs. Mariamne Herbert
between 1690 and 1703
164
Robert Williams, active 1680–1704
Madam Hewse (Margaret Hughes)
165
John Dean, 1754–1798
Miss Hill
1777
166
John Faber the Younger, ca. 1695–1756
Mrs. Howard
undated
167
James McArdell, ca. 1729–1765
Miss Horneck
168
Richard Purcell, active 1746–1766
The Right Honorable Lady Charlotte Johnston
169
Print made by James Watson, 1740–1790
Miss Jones
170
Francis Stephen Cary, 1808–1880
Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
171
A. Birrell, ca.1770–ca. 1820
Baynard's Castle (published by Harding); page 28 (Volume One)
1790
172
unknown artist
A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
173
Alfred William Warren, active 1791–1809
Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)
174
unknown artist
Barry's House; page 25 (Volume One)
175
John Rogers, 1808–ca.1888
Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
176
Matthew Urlwin Sears, active 1826–1859
Boscobel House; page 35 (Volume One)
177
unknown artist
Biebrich; page 33 (Volume One)
178
Robert Scott, 1771–1841
Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)
179
Samuel Rawle, 1771–1860
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
182
unknown artist
Burn House; page 51 (Volume One)
183
Matthew Urlwin Sears, active 1826–1859
Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
184
unknown artist
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
185
unknown artist
Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)
186
Thomas Barber, ca. 1768–1843
Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
197
Print made by Henry Wallis, 1805–1890
The Coliseum, Regent's Park; page 72 (Volume One)
1827
198
J. Steed, active 1830–1832
Conservatory at Weisbaden; [not numbered] (Volume One)
199
John Greig, active 1803–1853
View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)
200
unknown artist
Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)