A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
4
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
5
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
6
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
7
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
8
Print made by T. Thornton, active 1780–1789
The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
1780
9
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
10
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
11
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
12
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
13
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
14
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
15
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
16
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
17
unknown artist
The Whore of Babylons Caravan with a Cargo of Popish Blessings
1780
18
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
19
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
20
unknown artist
[ man with a candle ]
178-?
21
James Gillray, 1756–1815
National Discourse
1780
22
Robert Blyth, 1750–1784
Fisherman
1780
23
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
24
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
25
Robert Blyth, 1750–1784
Rustick Dance
1780
26
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
27
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
28
William Watts, 1752–1851
The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb
1780
29
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
30
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
31
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
32
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
33
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
34
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
35
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
36
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
37
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
38
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
39
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
40
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
41
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
42
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
43
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
44
Francesco Bartolozzi, 1728–1815
Socrates
1780
45
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
46
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
47
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
48
Print made by unknown artist
James Northcote
between 1780 and 1820
49
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
50
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
51
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
52
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
53
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
54
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
55
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
56
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
57
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
58
unknown artist
The Old Boat Public House, Cromer Street, Judd Street
1780
59
unknown artist
The Three Hats Public-house and other Old House, Islington
1780
60
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
61
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
62
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
63
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
64
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
65
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
66
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
67
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
68
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
69
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
70
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
71
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
72
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
73
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
74
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
75
unknown artist
Bishop Bonner's House, formerly in Lambeth Marsh in 1780
1780
76
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
77
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
78
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
79
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion