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unknown artist

Boxers of Bangor of Messengers of Peace

1796

unknown artist

Future Prospects, or, Symptoms of Love in High Life

1796

Print made by William S. Leney, 1769–1831

The Antient Habit & Armour, of a Knight Templar. The Sublime Degree of Masonry

1796

John Thomas Smith, 1766–1833

Houses on the South Side of Leadenhall Street

1796

unknown artist

Market Day

1796

Isaac Cruikshank, 1764–1811

Lord Mum Sucking His Thumb

1796

William Westall, 1781–1850

Entrance to Newmarket

undated

Cornelius Varley, 1781–1873

Study near Harlech Castle

undated

Thomas Daniell, 1749–1840

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

1796

Thomas Ryder, 1746–1810

King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince... [Read more]

1796

William Mason, 1724–1797

Racing: Preparing to Start

1796

William Mason, 1724–1797

Racing: Preparing to Start

1796

Daniel Orme, 1766–1837

Animals [a pair]: 1. Morning or the Higlers preparing for Market

1796

Isaac Cruikshank, 1764–1811

Lord Mum Overwhelmed with Parisian Embraces

1796

Isaac Cruikshank, 1764–1811

A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded

1796

Attributed to Isaac Cruikshank, 1764–1811

A Brace of Blessings

1796

Attributed to Isaac Cruikshank, 1764–1811

A Brace of Blessings

1796

Isaac Cruikshank, 1764–1811

The Messenger of Peace

1796

George Moutard Woodward, ca. 1760–1809

Johnny in a Flatting Mill

1796

James Gillray, 1756–1815

The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of... [Read more]

1796

James Gillray, 1756–1815

The Caneing in Conduit Street - Dedicated to the Flag Officers of the... [Read more]

1796

James Gillray, 1756–1815

No Flower that Blows, Is Like this Rose

1796

James Gillray, 1756–1815

To Be Paid For - The Dog Tax

1796

Thomas Daniell, 1749–1840

Bijaigarh

ca. 1801

Wickham, Harriet, 1766–1847

Album of watercolors of flowering plants in Yorkshire and Cumbria

1796-1803

unknown artist

East View of the Cast Iron Bridge Over the River Wear at Sunderland in the... [Read more]

1796

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Attributed to William Capon, 1757–1827

Entrance to the House of Lords

1796

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

Thomas Rowlandson, 1756–1827

Modern Grace...The Ballet of Alonzo e Cara

1796

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with... [Read more]

1796

Stedman, John Gabriel, 1744–1797

Narrative, of a five years' expedition, against the revolted Negroes of Surinam,... [Read more]

1796

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Park, Nottingham: South Elevation

ca. 1801

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Hall, Nottingham: Elevation

ca. 1801

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Park, Nottingham: Elevation

ca. 1801

Thomas Girtin, 1775–1802

St. Bride's, Fleet Street, London

ca. 1801

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Park, Nottingham: South Elevation

ca. 1801

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Park, Nottingham: East Elevation

ca. 1801

Studio of Sir Jeffry Wyatville, 1766–1840

Wollaton Hall, Nottingham: Elevation

ca. 1801

Garneray, Jean-François, 1755–1837

Collection des nouveaux costumes des autorités constituées, civils... [Read more]

[1796]