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John Constable Lane near Dedham
John Constable, 1776–1837, British
Lane near Dedham
1802
Not on view
John Constable Dedham Vale
John Constable, 1776–1837, British
Dedham Vale
1802
Not on view
Joseph Mallord William Turner Tummel Bridge, Perthshire
Joseph Mallord William Turner, 1775–1851, British
Tummel Bridge, Perthshire
between 1802 and 1803
Not on view
Joseph Mallord William Turner Chateaux de St. Michael, Bonneville, Savoy
Joseph Mallord William Turner, 1775–1851, British
Chateaux de St. Michael, Bonneville, Savoy
1802 to 1803
Not on view
Jacques-Laurent Agasse Nine Greyhounds in a Landscape
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Nine Greyhounds in a Landscape
ca. 1807
Not on view
Ramsay Richard Reinagle An Ornithologist, Possibly John Latham
Ramsay Richard Reinagle, 1775–1862, British
An Ornithologist, Possibly John Latham
1802
Not on view
James Ward Landscape with Cottages
James Ward, 1769–1859, British
Landscape with Cottages
between 1802 and 1827
Not on view
Daniel Turner Lambeth Palace from the West
Daniel Turner, active 1782–1805, British
Lambeth Palace from the West
1802
Not on view
James Ward An Overshot Mill
James Ward, 1769–1859, British
An Overshot Mill
between 1802 and 1807
Not on view
unknown artist Avenue with Figures
unknown artist, nineteenth century
Avenue with Figures
ca. 1807
Not on view
Benjamin Marshall The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
Benjamin Marshall, 1768–1835, British
The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851, British
Lake Geneva and Mount Blanc
1802 to 1805
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
John William Upham The Abbey Barn, Abbotsbury
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Lane with Figures, May 1802
1802
Paul Sandby A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Paul Sandby, 1731–1809, British
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge
John Varley, 1778–1842, British
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832, British
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
Cornelius Varley Tygwyn Ferry
Cornelius Varley, 1781–1873, British
Tygwyn Ferry
1802
Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
Thomas Girtin View of the Pantheon from the Arsenal
Thomas Girtin, 1775–1802, British
View of the Pantheon from the Arsenal
1802
Thomas Girtin View of the Pantheon, Paris
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
James Hook A Regency Pair
James Hook, ca. 1772–1828, British
A Regency Pair
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
James Malton Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
Patrick Nasmyth Netley Abbey
Patrick Nasmyth, 1787–1831, British
Netley Abbey
undated
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828, British
A Regency Pair: Man with Walking Stick
1802
John Glover The Thames at Isleworth
John Glover, 1767–1849, British
The Thames at Isleworth
ca. 1807
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817, British
The Poor House, Hadley, Hertfordshire
1802
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
James Malton, 1761–1803, British
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802, British
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Amos Green Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
Patrick Nasmyth Battersea Fields, Painted for Charles Matthews, Esq.
Patrick Nasmyth, 1787–1831, British
Battersea Fields, Painted for Charles Matthews, Esq
undated
James Basire the younger Inside View of the East End of Merton College Chapel
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College Chapel
1802
Cornelius Varley Carnarvon Castle
Cornelius Varley, 1781–1873, British
Carnarvon Castle
1802
unknown artist Cupid in Search of Venus' Dove, Prior's Poems, Vol. II
unknown artist, ( Armstrong )
Cupid in Search of Venus' Dove, Prior's Poems, Vol. II
1802
Amos Green Views in England, Scotland and Wale: View near Bolton Abbey
Amos Green, 1735–1807, British
Views in England, Scotland and Wale: View near Bolton Abbey
1802
Amos Green Views in England, Scotland and Wales: Landscape with Stream
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Landscape with Stream
1802
Amos Green Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802, British
View of the City with the Louvre & Taken from Pont Marie
1802
James de Carle Sowerby Zebra
James de Carle Sowerby, 1787–1871, British
Zebra
undated
James de Carle Sowerby A Parrot
James de Carle Sowerby, 1787–1871, British
A Parrot
undated
James de Carle Sowerby A Parrot
James de Carle Sowerby, 1787–1871, British
A Parrot
undated
James de Carle Sowerby A Crane
James de Carle Sowerby, 1787–1871, British
A Crane
undated
James de Carle Sowerby A Parrot
James de Carle Sowerby, 1787–1871, British
A Parrot
undated
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816, British
Conway, North Wales: The Castle and the Old College House
1802
Amos Green Views in England, Scotland and Wales: Watenlath, August 30, 1802
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
Isaac Weld Dunloh Castle, Killarney, Ireland
Isaac Weld, 1774–1856, Irish
Dunloh Castle, Killarney, Ireland
ca. 1807
Cornelius Varley Carnarvon
Cornelius Varley, 1781–1873, British
Carnarvon
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Henry Edridge Windsor Castle from the Brocas
Henry Edridge, 1769–1821, British
Windsor Castle from the Brocas
1802
Isaac Weld Killarney (Ireland)
Isaac Weld, 1774–1856, Irish
Killarney (Ireland)
ca. 1807
Samuel Rawle A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
Samuel Rawle, 1771–1860, British
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
James Godby The Drinking Well in Hyde Park
James Godby, active 1790–1820, British
The Drinking Well in Hyde Park
1802
James Godby The Dipping Well in Hyde Park
James Godby, active 1790–1820, British
The Dipping Well in Hyde Park
1802
Joseph Constantine Stadler The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic
Joseph Constantine Stadler, active 1780–1812, British
The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic
1802
unknown artist Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
Richard Earlom Vulcan's Forge
Print made by Richard Earlom, 1743–1822, British
Vulcan's Forge
1802
Henry Fuseli O Evening thou Bringest All
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
O Evening thou Bringest All
1802
William Ward Sailors Conversation
William Ward, 1766–1826, British
Sailors Conversation
1802
Samuel Rawle Part of Audley House, Dukes Place
Samuel Rawle, 1771–1860, British
Part of Audley House, Dukes Place
1802
William Ward The Snake in the Grass
Print made by William Ward, 1766–1826, British
The Snake in the Grass
1802
Richard Earlom Tiger Hunting in the East Indies
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
Robert Hills Studies of Haymakers
Robert Hills, 1769–1844, British
Studies of Haymakers
ca. 1807
William Say The Cottar's Door
Print made by William Say, 1768–1834, British
The Cottar's Door
1802
William Daniell Sir Charles Bingham, first Earl of Lucan
Print made by William Daniell, 1769–1837, British
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
Charles Wilkin The Right Honourable Lady Catherine Howard
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable Lady Catherine Howard
1802
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834, British
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Robert Thew Shakespeare, Macbeth Act IV, Scene I
Robert Thew, 1758–1802, British
Shakespeare, Macbeth Act IV, Scene I
1802
Sir Robert Smirke the younger Sir Robert Smirke's Continental Tour
Sir Robert Smirke the younger, 1781–1867, British
Sir Robert Smirke's Continental Tour
1802-1804
Sir Robert Smirke the younger The Source of the Vaucluse
Sir Robert Smirke the younger, 1781–1867, British
The Source of the Vaucluse
1802
Sir Robert Smirke the younger Arles, France
Sir Robert Smirke the younger, 1781–1867, British
Arles, France
1802-1804
Sir Robert Smirke the younger Near Arles
Sir Robert Smirke the younger, 1781–1867, British
Near Arles
1802-1804
Sir Robert Smirke the younger Genoa From a HIll on the Side Near the Lazaretto
Sir Robert Smirke the younger, 1781–1867, British
Genoa From a HIll on the Side Near the Lazaretto
1802
Sir Robert Smirke the younger Portofino, The Italian Riviera of Genoa
Sir Robert Smirke the younger, 1781–1867, British
Portofino, The Italian Riviera of Genoa
1802
Sir Robert Smirke the younger Aix-en-Provence
Sir Robert Smirke the younger, 1781–1867, British
Aix-en-Provence
1802-1804
Sir Robert Smirke the younger From the Ramparts on the East Side of Genoa
Sir Robert Smirke the younger, 1781–1867, British
From the Ramparts on the East Side of Genoa
1802
Sir Robert Smirke the younger Near Genoa
Sir Robert Smirke the younger, 1781–1867, British
Near Genoa
1802-1804
Sir Robert Smirke the younger Part of the New Town of Misistra
Sir Robert Smirke the younger, 1781–1867, British
Part of the New Town of Misistra
1802-1804
Sir Robert Smirke the younger Moldings on the Pillars
Sir Robert Smirke the younger, 1781–1867, British
Moldings on the Pillars
1802-1804
Sir Robert Smirke the younger Antique Fragments In the Capital
Sir Robert Smirke the younger, 1781–1867, British
Antique Fragments In the Capital
1802-1804