Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
7
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
8
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
9
John Thomas Smith, 1766–1833
The Smock Exposed
1817
10
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
11
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
12
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
13
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
14
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
15
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
16
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
17
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
18
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
19
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
20
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
21
Thomas Shotter Boys, 1803–1874
A Christening
undated
22
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
23
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
24
John Thomas Smith, 1766–1833
The Reconcilation
1817
25
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
26
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
27
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
28
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
29
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
30
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
31
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
32
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
33
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
34
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
35
Thomas Rowlandson, 1756–1827
The Family Picture
1817
36
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
37
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
38
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
39
Print made by Richard Earlom, 1743–1822
A Landscape
1817
40
Thomas Rowlandson, 1756–1827
A Tub Thumper
between 1817 and 1820
41
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
42
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
43
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817