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William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Sharp Maternal Affection (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837
Maternal Affection (Volume of 102 lithographs)
between 1821 and 1838
unknown artist Alter in the Chapel of St. Blase at Westminster Abbey
unknown artist
Alter in the Chapel of St. Blase at Westminster Abbey
1821
Thomas Sutherland The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
Thomas Sutherland, ca. 1785–1838
The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1821
James Ward Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
unknown artist Two women standing in gateway at Salisbury
unknown artist
Two women standing in gateway at Salisbury
ca. 1826
unknown artist View of a City Street with Houses and a Church
unknown artist
View of a City Street with Houses and a Church
ca. 1826
unknown artist Kirstall Abbey, near Leeds Yorkshire
unknown artist
Kirstall Abbey, near Leeds Yorkshire
ca. 1826
unknown artist Study for a willow tree branch
unknown artist
Study for a willow tree branch
ca. 1826
unknown artist Study of a tree top
unknown artist
Study of a tree top
ca. 1826
unknown artist House beside a river dam (?)
unknown artist
House beside a river dam (?)
ca. 1826
unknown artist Preston Church
unknown artist
Preston Church
ca. 1826
unknown artist Scene of woman walking down lane towards house, in Ashcoombe, Devonshire
unknown artist
Scene of woman walking down lane towards house, in Ashcoombe, Devonshire
ca. 1826
unknown artist Three figures set between a tree and a small house, with boats on the sea in the distance
unknown artist
Three figures set between a tree and a small house, with boats on the sea in the distance
ca. 1826
unknown artist Landscape with trees set at base of low hills
unknown artist
Landscape with trees set at base of low hills
ca. 1826
unknown artist Study of a ruined abbey
unknown artist
Study of a ruined abbey
ca. 1826
unknown artist View from Putney Bridge, of several figures in sailboats on a river
unknown artist
View from Putney Bridge, of several figures in sailboats on a river
ca. 1826
unknown artist Study of the Ruins of Brambletye House, Sussex
unknown artist
Study of the Ruins of Brambletye House, Sussex
ca. 1826
unknown artist Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.
unknown artist
Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur
ca. 1826
James Pollard Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
James Pollard Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course
1821
James Pollard Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom
1821
James Pollard Racing [set of four]: Coursing. Plate 4. View near Epsom
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 4. View near Epsom
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Charles Turner The Interior of the Fives Court with Randall and Turner Sparring
Charles Turner, 1774–1857
The Interior of the Fives Court with Randall and Turner Sparring
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
unknown artist Samuel Johnson
unknown artist
Samuel Johnson
1821
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
Quarenghi, Giacomo, 1744-1817, author, illustrator. Fabbriche e disegni di Giacomo Quarenghi, architetto di S.M. l'Imperatore di Russia :
Quarenghi, Giacomo, 1744–1817
Fabbriche e disegni di Giacomo Quarenghi, architetto di S.M. l'Imperatore di Russia
MDCCCXXI [1821]