Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
2
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
3
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
4
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
5
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
6
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
7
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
8
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
9
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
10
John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
11
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
12
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
13
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
14
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
15
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
16
Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
17
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
18
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
19
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
20
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
21
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
22
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
23
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
24
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
25
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
26
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
27
Samuel William Reynolds, 1773–1835
Meditation
1827
28
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827
29
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
30
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
31
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
32
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
33
George Hunt, active 1820–1840
Stage Coach
1827
34
George Hunt, active 1820–1840
1st of September
1827
35
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
36
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
37
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
38
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
39
George Hunt, active 1820–1840
1st of September
1827
40
George Hunt, active 1820–1840
1st of October
1827
41
George Hunt, active 1820–1840
1st of October
1827
42
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
43
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
44
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
45
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
46
unknown artist
Vine Cottage
1827
47
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
48
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
49
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827
50
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
51
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
52
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
53
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
54
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
55
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
56
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
57
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
58
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
59
Print made by unknown artist
Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!
1827
60
Print made by unknown artist
The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery
1827
61
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
62
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
63
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
64
Gentleman of Philadelphia County
The American shooter's manual
1827
65
Christie, James, 1773–1831
A catalogue of the very choice collection of modern pictures, which have constituted the very distinguished and universally admired gallery of that accomplished and truly spirited patron of the arts, the Rt. Hon. Lord de Tabley, deceased, at no. 24, Hill Street, Berkely Square