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Date 1831

Remove constraint Date: 1831

Period 19th century

Remove constraint Period: 19th century

Exhibition History Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)

Remove constraint Exhibition History: Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)

Classification Prints

Remove constraint Classification: Prints

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Coaching: The Blenheim, Leaving the Star Hotel, Oxford
Creator:
Frederick James Havell, 1801–1840
Date:
1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 3/4 x 21in. (34.9 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coaching: The Royal Mails Preparing to Start for the West of England
Creator:
Frederick Rosenberg, active 1816–1832
Date:
1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 3/4 x 25 3/8in. (50.2 x 64.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Coaching]: Highgate Tunnel
Creator:
George Hunt, active 1820–1840
Date:
1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)
Creator:
S. G. Hughes, active 1832
Date:
1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)
Creator:
S. G. Hughes, active 1832
Date:
1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection