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Period 18th century
Remove constraint Period: 18th centuryGenre literary theme
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1
- "King Lear", Act V, Scene III
- 1792
2
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
3
- 'Poet, from A Midsummer Night's Dream, Act V, Scene i'
- 1775
4
- 'The Gamester,' Act V, Scene IV
- 1792
5
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
6
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
7
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
8
- ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
- 1778
9
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
10
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
11
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
12
- A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
- undated
13
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
14
- Adelaide
- 1798
15
- Adelaide
- 1798
16
- Alcander and Nerina
- 1784
17
- Alexander and Nerina
- 1784
18
- Alphonso and Aciloe
- 1788
19
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
20
- Angelica And Medora
- 1787
21
- Angelica and Medoro
22
- Angelica and Medoro
- 1768
23
- Angelica, e Medoro in Varj Modi..
- 1773
24
- Angelina
- 1776
25
- Anthony and Cleopatra, Act 3, Scene II
- 1794
26
- Antigonus Disposing of Perdita
- ca. 1781
27
- Antony and Cleopatra, Act I, Scene II
- 1794
28
- April
- 1790
29
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
30
- As You Like It, Act IV, Orlando and Oliver
- 1788
31
- August
- 1793
32
- Bathsheba Bringing Abishag to David
- 1779
33
- Bellsane and Parcival under the Enchantment of Urma
- 1782
34
- Benjamin Johnson
- 1738
35
- Burchell Reading the Ballad
- 1776
36
- Caliban, from The Tempest
- 1775
37
- Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
- between 1768 and 1769
38
- Catherine Macaulay (née Sawbridge)
- 1764
39
- Cecilia
- 1783
40
- Celadon and Amelia
- 1766
41
- Celadon and Amelia
- 1782
42
- Celadon and Amelia
- 1766
43
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
44
- Cephalus lamenting the Death of Procris
- 1783
45
- Ceres and Abas: Ovid, Metamorphoses, Book 5
- ca. 1723
46
- Chryseis Restored To Her Father
- 1786
47
- Clara
- 1777
48
- Clara at the tomb of Eloisa
- 1786
49
- Comedies
- ca. 1776
50
- Concert Ticket For The Benefit of Madame Banti
- 1795
51
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
52
- Cordelia
- 1784
53
- Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
- between 1770 and 1780
- Not on view
54
- Coriolanus, Act 5, Scene III
- 1783
55
- Count Ugolino della Gherardesca and His Sons in Prison
- 1774
56
- Cymon and Iphigenia
- ca. 1766
- Not on view
57
- Cymon and Iphigenia
- 1797
58
- Daphnis and Chloe
- undated
59
- David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
- 1753
- Not on view
60
- David Garrick as Richard III
- 1772
61
- David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
- 1768
62
- David Garrick in the Character of 'Kitely'
- 1769
63
- David Garrick in the Character of 'Kitely'
- 1769
64
- David Garrick in the Character of Richard III
- 1798
65
- David Garrick Leaning on a bust of William Shakespeare
- 1769
66
- David Garrick, Esq
- 1779
67
- Death of Dido
68
- Dido and Aeneas
- 1787
69
- Die Maussalle.... - "Hamlet," Act III, Scene II
- between 1778 and 1780
70
- Die Unschuldige Susana - Susanna Innocens
- undated
71
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
72
- Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
- 1797
73
- Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
- 1797
74
- Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
- 1797
75
- Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
- 1797
76
- Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
- 1797
77
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
78
- Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
- 1797
79
- Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
- 1797
80
- Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
- 1797
81
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
82
- Don Ferdinand
- 1777
83
- Don Ferdinand
- 1777
84
- Dr. Goldsmith
- 1770
85
- Dr. John Reynolds, S.T.B
- 1757
86
- E d'Uccider se Stesso in Pensier Venne..
- 1773
87
- Edgar, from King Lear, Act III, Scene iii
88
- Edmond Malone, Esqr
- 1787
89
- Edmund Spenser
- 1727
90
- Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
- 1767
- Not on view
91
- Edwin
- 1776
92
- Edwin
- 1776
93
- Edwin and Angelina
- 1785
94
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
95
- Ella, or the Sweets of Constancy
- 1786
96
- Eloisa
- 1792
97
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
98
- Fable I. The Dog and the Fox
- 1793
99
- Fable I. The Lion, the Tiger, and the Traveller
- 1793
100
- Fable II. The Spaniel and the Cameleon
- 1793