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John Neagle "-the Stag repells each bold assault."
John Neagle, 1796–1865
"-the Stag repells each bold assault."
1796
Sawrey Gilpin "...esq. of Nottinghamshire (B)rown Mare Almost Black"
Sawrey Gilpin, 1733–1807
"...esq. of Nottinghamshire (B)rown Mare Almost Black"
ca. 1749
Pierre Charles Canot "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
James Bruce "Arch of Marcus Aurelius at Tripoli "
James Bruce, 1730–1794
"Arch of Marcus Aurelius at Tripoli "
ca. 1766
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
James Seymour "Fearnought Going to Run Against The D: of Devon: Smart"
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
unknown artist "Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
unknown artist
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
William Woollett "Maid of the Mill"
William Woollett, 1735–1785
"Maid of the Mill"
ca. 1765
Garnet Terry "Mr. John Farley" Cook at the London Tavern
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
James Seymour "Panton's Doctor": With Jockey Up, Walking to Left
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
John Hamilton Mortimer "Richard II", Act III, Scene II
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
James Gillray "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
John Kay "Why, Sir John, my face does you no harm..."
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
unknown artist 'A Mapp of St. Andrews Holborn Parish...'
unknown artist
'A Mapp of St. Andrews Holborn Parish...'
undated
unknown artist 'A Mapp of the Parish of St. Anns'
unknown artist
'A Mapp of the Parish of St. Anns'
undated
George Townly Stubbs 'Anvil'
George Townly Stubbs, 1748–1815
'Anvil'
1794
George Vertue 'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
George Townly Stubbs 'Dungannon'
George Townly Stubbs, 1748–1815
'Dungannon'
1794
William Pether 'Gimcrack'
William Pether, ca. 1738–1821
'Gimcrack'
1766
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
John Hamilton Mortimer 'Poet, from A Midsummer Night's Dream, Act V, Scene i'
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
George Townly Stubbs 'Protector'
George Townly Stubbs, 1748–1815
'Protector'
1794
George Townly Stubbs 'Pumpkin'
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
James Seymour 'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Thomas Rowlandson 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
George Townly Stubbs 'Volunteer'
George Townly Stubbs, 1748–1815
'Volunteer'
1794
Thomas Rowlandson (The) A Grand Battle between the Famous English Cock and Russian Hen!
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
Thomas Rowlandson (The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
James Gillray -Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
Daniel Nikolaus Chodowieki ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
John Rocque ...Plan of Windsor Park
John Rocque, 1704?–1762
...Plan of Windsor Park
1738
Francesco Bartolozzi ...Scuote, il Lembo Pieno; e Nella Torbida Onda...
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
James Bruce 1 of 2 finished drawings of Arch at Hydra and a double page of details
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
James Bruce 1 of 2 finished drawings of Arch at Hydra and a double page of details
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
Charles Loraine Smith 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...
Charles Loraine Smith, 1751–1835
1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..
1792
Pierre Charles Canot 1. Going Out / Depart de Chasse
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
Charles Catton the elder RA 1. Partridge Shooting
Charles Catton the elder RA, 1728–1798
1. Partridge Shooting
1789
Luigi Balugani 2 birds "Aroust el Bahar"
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
James Bruce 2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
T. Simpson 2. Hare Shooting
T. Simpson, active 1790–1814
2. Hare Shooting
1790
Pierre Charles Canot 2. Two Hunters / Deux Chevaux de Chasse
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
Charles Loraine Smith 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
T. Simpson 3. Duck Shooting
T. Simpson, active 1790–1814
3. Duck Shooting
1790
Charles Loraine Smith 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
Pierre Charles Canot 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
Charles Loraine Smith 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
J. Wells 4. Snipe Shooting
J. Wells, active 1780–1791
4. Snipe Shooting
1789
Pierre Charles Canot 4. The Earthing of the Fox / Renard dans son Terrier
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
Pierre Charles Canot 5. Coming at the Death / Halte de Chasse
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
Pierre Charles Canot 6. The Death of the Fox / Mort du Renard
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
Pierre Charles Canot 7. Returning from the Chase / Retour de Chasse
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
Luigi Balugani ?Chloris (Rhodes Grass): finished drawing of flowering grass
Luigi Balugani, 1737–1770
?Chloris (Rhodes Grass): finished drawing of flowering grass
undated
Bolton, James, active 1775-1795, artist. ?House wren (Troglodytes aedon) and eggs, with a specimen from the rose family (Rosaceae), Peacock butterflies (Nymphalis io), both closed and open, and butterfly chrysalis, larva caterpillar, daddy longlegs spider (Phalangida) egg case, and snout beetle, from the natural history cabinet of Anna Blackburne.
Bolton, James, active 1775–1795
?House wren (Troglodytes aedon) and eggs, with a specimen from the rose family (Rosaceae), Peacock butterflies (Nymphalis io), both closed and open, and butterfly chrysalis, larva caterpillar, daddy longlegs spider (Phalangida) egg case, and snout beetle, from the natural history cabinet of Anna Blackburne
circa 1768
Bolton, James, active 1775-1795, artist. ?Subalpine warbler (Sylvia cantillans), male, and eggs, with strawberry (Fragaria L.), and Red Admiral (Vanessa atalanta), both closed and open, with wasp cocoon, ants and cocoons, from the natural history cabinet of Anna Blackburne.
Bolton, James, active 1775–1795
?Subalpine warbler (Sylvia cantillans), male, and eggs, with strawberry (Fragaria L.), and Red Admiral (Vanessa atalanta), both closed and open, with wasp cocoon, ants and cocoons, from the natural history cabinet of Anna Blackburne
circa 1768
Bolton, James, active 1775-1795, artist. ?White-cheeked Starling (Sturnus cineraceus), with bramble (Rubus fruticosus L.), and Eurasian Comma (Polygonia c-album), both closed and open, and Seven-Spotted Ladybird Beetle (Coccinella septumpunctata) on leaf, from the natural history cabinet of Anna Blackburne.
Bolton, James, active 1775–1795
?White-cheeked Starling (Sturnus cineraceus), with bramble (Rubus fruticosus L.), and Eurasian Comma (Polygonia c-album), both closed and open, and Seven-Spotted Ladybird Beetle (Coccinella septumpunctata) on leaf, from the natural history cabinet of Anna Blackburne
circa 1768
unknown artist [ man with a candle ]
unknown artist
[ man with a candle ]
178-?
unknown artist [ The Desponding Hero of the Coldstream ]
unknown artist
[ The Desponding Hero of the Coldstream ]
1790
James Gillray [ untitled ]
James Gillray, 1756–1815
[ untitled ]
1800
Buck, Samuel, 1696-1779. [A collection of engravings of castles, abbeys, etc. in England and Wales, by Saml. and Nathl. Buck]
Buck, Samuel, 1696–1779
[A collection of engravings of castles, abbeys, etc. in England and Wales, by Saml. and Nathl. Buck]
1726-42
Richard Earlom [A Soft Tumble after a Hard Ride]
Engraved by Richard Earlom, 1743–1822
[A Soft Tumble after a Hard Ride]
ca. 1790
Pennant, Thomas, 1726-1798. [A tour in Wales MDCCLXX.
Pennant, Thomas, 1726–1798
[A tour in Wales MDCCLXX
1778-1781]
John Murphy [Animals: an eagle with a dead pheasant, watched by a fox]
Print made by John Murphy, ca. 1748–1820
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
George Morland [Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
George Morland, 1763–1804
[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
1794
Lingley, John (Brewer) [Bill of receipt by John Lingley, for the purchase of beer by Captain Richey, 1783].
Lingley, John (Brewer)
[Bill of receipt by John Lingley, for the purchase of beer by Captain Richey, 1783]
1783
Watson, Nicholas, active 1793. [Bill of receipt by Nicholas Watson, on behalf of his mother Ann Watson, for the purchase of coffee and sugar by Mrs. De Sausmarez, 1793].
Watson, Nicholas, active 1793
[Bill of receipt by Nicholas Watson, on behalf of his mother Ann Watson, for the purchase of coffee and sugar by Mrs. De Sausmarez, 1793]
1793
Holmes & Griffin (Firm : London, England) [Bill of receipt for the purchase of a sedan chair by W. Murdoch of Madeira, London, 1788]
Holmes & Griffin (Firm : London, England)
[Bill of receipt for the purchase of a sedan chair by W. Murdoch of Madeira, London, 1788]
1788
Roberts, John (Hosier), creator. [Billhead of John Roberts, hosier, London, recording purchases by B. Buggin].
Roberts, John (Hosier)
[Billhead of John Roberts, hosier, London, recording purchases by B. Buggin]
1773
unknown artist [Black-Fryers] Bridge
unknown artist
[Black-Fryers] Bridge
1795
Coade's Artificial Stone Manufactory. [Catalog for Coade's Artificial Stone Manufactory]
Coade's Artificial Stone Manufactory
[Catalog for Coade's Artificial Stone Manufactory]
[1784?]
William Ward [Fox-hunting] Outside of a Country Alehouse
William Ward, 1766–1826
[Fox-hunting] Outside of a Country Alehouse
1797
George Townly Stubbs [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
William Elliot [Horse-racing] Set of six: 1.The Cullen Arabian &c.
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 1.The Cullen Arabian &c
1758
William Elliot [Horse-racing] Set of six: 2. Brood Mares with their Foles
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 2. Brood Mares with their Foles
1758
William Elliot [Horse-racing] Set of six: 3. Catching the Colts
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 3. Catching the Colts
1758
William Elliot [Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar
1758
William Elliot [Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training
1758
William Elliot [Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'
1758
Barker, Robert, 1739-1806, artist. [London from the roof of the Albion Mills] /
Barker, Robert, 1739–1806
[London from the roof of the Albion Mills]
1792-1793
William Ward [No. 5] Prints / of the / Improved British Cattle: Holderness Cow / Taken from His Majesty's Stock at Windsor
William Ward, 1766–1826
[No. 5] Prints / of the / Improved British Cattle: Holderness Cow / Taken from His Majesty's Stock at Windsor
1798