"...esq. of Nottinghamshire (B)rown Mare Almost Black"
ca. 1749
3
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
4
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
5
James Bruce, 1730–1794
"Arch of Marcus Aurelius at Tripoli "
ca. 1766
6
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
7
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
8
unknown artist
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
9
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
10
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
11
William Woollett, 1735–1785
"Maid of the Mill"
ca. 1765
12
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
13
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
14
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
15
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
16
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
17
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
18
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
19
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
20
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
21
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
22
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
23
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
24
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
25
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
26
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
27
unknown artist
'A Mapp of St. Andrews Holborn Parish...'
undated
28
unknown artist
'A Mapp of the Parish of St. Anns'
undated
29
George Townly Stubbs, 1748–1815
'Anvil'
1794
30
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
31
George Townly Stubbs, 1748–1815
'Baronet'
1794
32
George Townly Stubbs, 1748–1815
'Baronet'
1794
33
George Townly Stubbs, 1748–1815
'Dungannon'
1794
34
William Pether, ca. 1738–1821
'Gimcrack'
1766
35
George Townly Stubbs, 1748–1815
'Mambrino'
1794
36
George Townly Stubbs, 1748–1815
'Mambrino'
1794
37
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
38
George Townly Stubbs, 1748–1815
'Protector'
1794
39
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
40
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
41
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
42
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
43
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
44
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
45
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
46
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
47
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
48
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
49
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
50
George Townly Stubbs, 1748–1815
'Volunteer'
1794
51
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
52
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
53
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
54
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
55
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
56
John Rocque, 1704?–1762
...Plan of Windsor Park
1738
57
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
58
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
59
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
60
Charles Loraine Smith, 1751–1835
1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..
1792
61
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
62
Charles Catton the elder RA, 1728–1798
1. Partridge Shooting
1789
63
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
64
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
65
T. Simpson, active 1790–1814
2. Hare Shooting
1790
66
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
67
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
68
T. Simpson, active 1790–1814
3. Duck Shooting
1790
69
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
70
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
71
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
72
J. Wells, active 1780–1791
4. Snipe Shooting
1789
73
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
74
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
75
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
76
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
77
Paul Sandby, 1731–1809
93 Etchings of Landscape and Genre Scenes
1750-1752
78
Francesco Bartolozzi, 1728–1815
? Poet addressing a Queen on a Throne surrounded by Muses
79
Luigi Balugani, 1737–1770
?Chloris (Rhodes Grass): finished drawing of flowering grass
undated
80
Bolton, James, active 1775–1795
?House wren (Troglodytes aedon) and eggs, with a specimen from the rose family (Rosaceae), Peacock butterflies (Nymphalis io), both closed and open, and butterfly chrysalis, larva caterpillar, daddy longlegs spider (Phalangida) egg case, and snout beetle, from the natural history cabinet of Anna Blackburne
circa 1768
81
Bolton, James, active 1775–1795
?Subalpine warbler (Sylvia cantillans), male, and eggs, with strawberry (Fragaria L.), and Red Admiral (Vanessa atalanta), both closed and open, with wasp cocoon, ants and cocoons, from the natural history cabinet of Anna Blackburne
circa 1768
82
Bolton, James, active 1775–1795
?White-cheeked Starling (Sturnus cineraceus), with bramble (Rubus fruticosus L.), and Eurasian Comma (Polygonia c-album), both closed and open, and Seven-Spotted Ladybird Beetle (Coccinella septumpunctata) on leaf, from the natural history cabinet of Anna Blackburne
circa 1768
83
unknown artist
[ man with a candle ]
178-?
84
unknown artist
[ The Desponding Hero of the Coldstream ]
1790
85
James Gillray, 1756–1815
[ untitled ]
1800
86
Buck, Samuel, 1696–1779
[A collection of engravings of castles, abbeys, etc. in England and Wales, by Saml. and Nathl. Buck]
1726-42
87
Engraved by Richard Earlom, 1743–1822
[A Soft Tumble after a Hard Ride]
ca. 1790
88
Pennant, Thomas, 1726–1798
[A tour in Wales MDCCLXX
1778-1781]
89
Attributed to Jeremiah Bridges, fl.1751
[Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber
90
Print made by John Murphy, ca. 1748–1820
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
91
George Morland, 1763–1804
[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
1794
92
George Edwards, 1694–1773
[Beetle]
ca. 1758
93
George Edwards, 1694–1773
[Bird]
ca. 1758
94
George Edwards, 1694–1773
[Bird]
ca. 1758
95
George Edwards, 1694–1773
[Black Bird]
ca. 1758
96
unknown artist
[Black-Fryers] Bridge
1795
97
George Edwards, 1694–1773
[Blue Bird]
ca. 1758
98
George Edwards, 1694–1773
[Brown Bird]
ca. 1758
99
Coade's Artificial Stone Manufactory
[Catalog for Coade's Artificial Stone Manufactory]