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Period 18th century
Remove constraint Period: 18th centurySubject Terms baby
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1
- The Old Water Mill
- 1790
- Not on view
2
- Classical Landscape: Morning
- between 1740 and 1745
- Not on view
3
- Birth of the Heir
- ca. 1799
- Not on view
4
- The Artist and His Family
- ca. 1772
- Not on view
5
- Mountain Valley with Figures and Distant Village
- between 1773 and 1777
- Not on view
6
- The Angel of Mercy
- ca. 1746
- Not on view
7
- A Woman and her Child, Probably Olive Sharpe (née Cartwright) and her son John
- 1731
- Not on view
8
- Family Group
- between 1774 and 1780
- Not on view
9
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
10
- Mother and Children
- undated
11
- Mother and Child
- undated
12
- Mother and Child
- undated
13
- Howard Visiting a Prison
- undated
14
- Prison Scene
- undated
15
- Howard Visiting a Prison
- undated
16
- Reclining Nude
- undated
17
- Prison Scene
- undated
18
- Prison Scene
- undated
19
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
20
- What is Man!, Frontispiece; Plate 1
- 1793
21
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
22
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
23
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
24
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
25
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
26
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
27
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
28
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
29
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
30
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
31
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
32
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
33
- Songs of Innocence and of Experience
- 1789-1794
34
- Traveling Potter Outside a Cottage
- 1798
35
- London Cries: A Fishmonger
- ca. 1759
36
- Donnybrook Fair
- 1788
37
- Alum Bay and the Needles
- 1799
38
- Alum Bay and the Needles
- 1799
39
- Guardian Angels
- 1786
40
- The Infant Jupiter
- 1775
41
- Moses in the Bulrushes
- 1786
42
- Alope
- 1787
43
- Virgin and Child
- undated
44
- Repose in Egypt
- ca. 1776
45
- Repose in Egypt
- ca. 1776
46
- Carlisle
- 1797
47
- Alum Bay and the Needles
- 1799
48
- The Virgin and Child
- 1770
49
- Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
- 1760
50
- Four O'Clock in the Country
- between 1788 and 1790
51
- A Lady and Her Children Relieving a Cottager
- 1784
52
- The Virgin and Child
- 1770
53
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
54
- The Finding of Moses
55
- Bathing Machine on the Common, near Southsea Castle
- 1788
56
- Reapers
- 1790
57
- King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
- 1791
58
- Study
- 1789-1790
59
- Study
- 1789-1790
60
- Lincoln Cathedral
- ca. 1795
61
- Wooded Landscape with Figures
- ca. 1788
62
- Fisherpeople on a Junk
- 1793
63
- Country Lane with Gypsies Resting
- between 1760 and 1765
64
- A Young Girl Holding a Child
- ca. 1780
65
- Wooded Landscape with Figures outside a Cottage Door
- between 1775 and 1780
66
- Man Holding a Claude Glass
- undated
67
- Antigonus Disposing of Perdita
- ca. 1781
68
- Hampton Court Church
- undated
69
- Princess Charlotte Augusta Matilda
- ca. 1797