Period: 18th century - YCBA Collections Search Search Results

1. Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black

Creator:: unknown artist
Date:: 18th century
Materials & Techniques:: Enamel transfer-printed in black on ceramic
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Queen Charlotte

Creator:: Modeled by William Hackwood, died 1836
Date:: ca. 1776
Materials & Techniques:: Wedgwood and Bentley blue and white jasper, with contemporary ormolu frame with pierced ribbon finials
Dimensions:: Overall: 2 1/4in. (5.7cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Hudibras Vanquished by Trulla

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

4. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Hudibras's First Adventure (no.3)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

6. Hudibras Catechiz'd (no.9)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

7. Hudibras Vanquish'd by Trulla (no.5)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

8. Burning ye Rumps at Temple-Barr (no.11)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

9. Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Hand-colored engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

10. Fair Scene

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Simon, Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection

12. Pit Ticket

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. Arthur F. Tuttle

13. Hudibras Sallying Forth (no.2)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

14. Hudibras Encounters the Skimmington (no.12)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

15. Hudibras Triumphant (no.4)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16. Frontispiece and its Explanation (no.1)

Creator:: William Hogarth, 1697–1764
Date:: 1726
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

17. Hudibras in Tribulation (no.6)

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

18. William Hogarth

Creator:: William Hogarth, 1697–1764
Date:: 1764
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Prospectus print "Crown & Mitre"

Creator:: William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Paul before Felix

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

22. The Distressed Poet

Creator:: William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

23. Mr. Garrick in the Character of Richard III

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

24. Beer Street

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

25. Figure Composition Study 20

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 7 inches (14 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Plate 13 (page 23): 'We censure nature for a span too short'

Creator:: Engravings by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Plate 6 (page 10): 'Disease invades the chastest temperence'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plate 8 (page 13): 'The present moment terminates our sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Plate 9 (page 15):' The longest night though longer far, would fail'

Creator:: Engravings by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "The Book of Thel William Blake Original Wrappers 1789"

Creator:: William Blake, 1757–1827
Date:: 1789
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Beggar's Opera, Act III

Creator:: William Blake, 1757–1827
Date:: 1790
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

65. May-Day in London

Creator:: William Blake, 1757–1827
Date:: 1784
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

Creator:: William Blake, 1757–1827
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The March to Finchley

Creator:: Luke Sullivan, 1705–1771
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Untitled

Creator:: John Bowles, 1701–1779
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

69. Untitled

Creator:: John Bowles, 1701–1779
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

70. Untitled

Creator:: John Bowles, 1701–1779
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

71. The Silver Age

Creator:: Charles West, Active c. 1778
Date:: 1782
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

72. Untitled

Creator:: John Bowles, 1701–1779
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

73. Parish Orphans

Creator:: William Baillie, 1723–1810
Date:: 1770
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

74. Untitled

Creator:: Francois Vivares, 1709–1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

75. The Forest

Creator:: John Browne Walworth, active 1800
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

76. The Journalist, with a view of Auchinleck or the Land of Stones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

77. The Storm

Creator:: Peter P. Benazech, 1767–1794
Date:: 1779
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

78. A View in the Island of Jamaica

Creator:: James Mason, 1710–1783
Date:: 1778
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

79. Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

80. Goldsmith's "Deserted Village"

Creator:: Anker Smith, 1759–1819
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

81. The Tempest, Act I Sc. 3

Creator:: Print made by William Sharp, 1749–1824
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

82. All's Well... Act III, Sc. V

Creator:: W. Taylor, active 1790–1810
Date:: 1791
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

83. Taming... Act II, Sc. I

Creator:: Page, fl. 1784–1803
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

84. Grandison, Plate XXVIII

Creator:: Print made by William Walker, 1729–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

85. Much Ado About Nothing Act IV, Sc. I

Creator:: William Angus, 1752–1821
Date:: 1785
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

86. Two Gentlemen of Verona, Act I, Sc. II

Creator:: William Angus, 1752–1821
Date:: 1790
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

87. Merchant of Venice, Act III, Sc. I

Creator:: J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

88. Head-piece, Book XI, Paradise Lost

Creator:: Print made by John Augustus Richter, active 1722–1799
Date:: 1795
Materials & Techniques:: Etching and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

89. Much Ado About Nothing

Creator:: unknown artist
Date:: 1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

90. Untitled

Creator:: unknown artist
Date:: 1778
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

91. The Two Gentlemen of Verona, Act III, Sc. I

Creator:: unknown artist
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

92. Merchant...Act V, Scene 1

Creator:: Page, fl. 1784–1803
Date:: 1790
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

93. "-the Stag repells each bold assault."

Creator:: John Neagle, 1796–1865
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

94. George Lambart

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

95. George Lambart

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

96. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

97. Untitled

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. Arms of the Cutchess of Kendal

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

99. First Design for the Enraged Musician

Creator:: unknown artist
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

100. View of the Town and Cathedral of Carlisle

Creator:: Thomas Morris, born 1771
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Period 18th century

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1. Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black

2. Queen Charlotte

3. Hudibras Vanquished by Trulla

4. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

5. Hudibras's First Adventure (no.3)

6. Hudibras Catechiz'd (no.9)

7. Hudibras Vanquish'd by Trulla (no.5)

8. Burning ye Rumps at Temple-Barr (no.11)

9. Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)

10. Fair Scene

11. Simon, Lord Lovat

12. Pit Ticket

13. Hudibras Sallying Forth (no.2)

14. Hudibras Encounters the Skimmington (no.12)

15. Hudibras Triumphant (no.4)

16. Frontispiece and its Explanation (no.1)

17. Hudibras in Tribulation (no.6)

18. William Hogarth

19. Prospectus print "Crown & Mitre"

20. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

21. Paul before Felix

22. The Distressed Poet

23. Mr. Garrick in the Character of Richard III

24. Beer Street

25. Figure Composition Study 20

26. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

27. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

28. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

29. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

30. Plate 13 (page 23): 'We censure nature for a span too short'

31. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

32. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

33. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

34. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

35. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

36. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

37. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

38. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

39. Plate 21 (page 37): 'Love, and love only, is the loan for love'

40. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

41. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

42. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

43. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

44. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

45. Plate 6 (page 10): 'Disease invades the chastest temperence'

46. Plate 7 (page 12): 'Its favours here are trials, not rewards'

47. Plate 8 (page 13): 'The present moment terminates our sight'

48. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

49. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

50. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

51. Plate 22 (page 40): ' Angels should paint it, angels ever there'

52. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

53. Plate 9 (page 15):' The longest night though longer far, would fail'

54. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

55. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

56. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

57. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

58. Plate 37 (page 86): 'His hand the good man fastens on the skies'

59. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

60. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

61. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

62. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

63. "The Book of Thel William Blake Original Wrappers 1789"

64. Beggar's Opera, Act III

65. May-Day in London

66. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

67. The March to Finchley

68. Untitled

69. Untitled

70. Untitled

71. The Silver Age

72. Untitled

73. Parish Orphans

74. Untitled