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William Lee Hankey, 1869–1952

On the Sussex Downs

(1916)

• Materials & TechniquesEtching on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 10 3/8 x 14 3/16 inches (26.3 x 36.1 cm), Plate: 7 7/16 x 9 1/2 inches (18.9 x 24.2 cm), Image: 7 3/8 x 9 1/2 inches (18.8 x 24.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Stanley Roy Badmin, 1906–1989

Swinbrook Bridge

(1931)

• Materials & TechniquesEtching on moderately thick, smooth, white wove paper
• DimensionsSheet: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm), Plate: 3 11/16 x 5 11/16 inches (9.4 x 14.5 cm), Image: 3 5/8 x 5 9/16 inches (9.2 x 14.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Johnstone Baird, active 1900–1935

St. Paul's from Charing Cross

(undated)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 14 5/8 x 10 1/4 inches (37.1 x 26 cm), Plate: 11 1/8 x 5 5/8 inches (28.3 x 14.3 cm), Image: 11 1/8 x 5 5/8 inches (28.3 x 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Johnstone Baird, active 1900–1935

The Pool

(undated)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 17 1/4 x 11 1/8 inches (43.8 x 28.3 cm), Plate: 11 15/16 x 7 1/2 inches (30.3 x 19 cm), Image: 11 15/16 x 7 1/2 inches (30.3 x 19 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Johnstone Baird, active 1900–1935

The Monument

(undated)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 18 x 9 3/16 inches (45.7 x 23.4 cm), Plate: 13 7/16 x 5 3/16 inches (34.1 x 13.2 cm), Image: 13 7/16 x 5 3/16 inches (34.1 x 13.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

(1920s)

• Materials & TechniquesEtching on medium, slightly textured, beige laid paper
• DimensionsSheet: 13 3/8 x 17 3/16 inches (33.9 x 43.7 cm), Plate: 9 7/16 x 13 5/8 inches (24 x 34.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

Berry, Mary, 1763–1852

The Berry papers

(MCMXIV [1914])

• Materials & Techniques
• Dimensionsxviii, 448 pages, 27 leaves of plates : portraits, facsimiles ; 23 cm
• CollectionReference Library
• Credit line

Print made by Stanley Roy Badmin, 1906–1989

Priory Pond, Stroud

(1932)

• Materials & TechniquesEtching on moderately thick, smooth, white wove paper
• DimensionsSheet: 8 3/16 x 9 13/16 inches (20.8 x 24.9 cm), Plate: 5 5/16 x 6 1/8 inches (13.5 x 15.6 cm), Image: 5 1/4 x 6 inches (13.3 x 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Church monuments

(©1985-)

• Materials & Techniques
• Dimensionsvolumes : illustrations ; 25 cm
• CollectionReference Library
• Credit line

Sir William Russell Flint, 1880–1969

Her New Heir, Stokesay

(1930)

• Materials & TechniquesEtching and drypoint on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm), Plate: 9 1/16 x 13 11/16 inches (23 x 34.8 cm), Image: 8 15/16 x 13 9/16 inches (22.7 x 34.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Robert Polhill Bevan, 1865–1925

Hay Carts, Cumberland Market (sketch)

(ca. 1915)

• Materials & TechniquesBlack chalk on thin, smooth, beige wove tracing paper
• DimensionsSheet: 14 × 18 1/4 inches (35.6 × 46.4 cm), Image: 10 5/16 × 13 inches (26.2 × 33 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Study for Hay Carts, Cumberland Market

(ca. 1915)

• Materials & TechniquesBlack chalk on medium, smooth, cream wove paper
• DimensionsSheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Gaynor Chapman, 1935–2000

London Markets

(1961)

• Materials & TechniquesLithograph
• DimensionsSheet: 39 15/16 x 24 7/8 inches (101.4 x 63.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Abram Games, 1914–1996

Round London Sightseeing Tour

(1971)

• Materials & TechniquesLithograph
• DimensionsSheet: 39 x 25 inches (99.1 x 63.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Mary M. Kessel, 1914–1977

Kew Gardens

(1964)

• Materials & TechniquesLithograph
• DimensionsSheet: 39 x 24 15/16 inches (99.1 x 63.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965