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Period 20th century

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Exhibition History Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)

Remove constraint Exhibition History: Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)

Rights Unknown

Remove constraint Rights: <span title="Copyright yet to be determined">Unknown</span>

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Eduardo Paolozzi Futurism at Lenabo
Eduardo Paolozzi, 1924–2005, British
Futurism at Lenabo
1965
Eduardo Paolozzi The Spirit of the Snake
Eduardo Paolozzi, 1924–2005, British
The Spirit of the Snake
1965
Eduardo Paolozzi Wittgenstein the Soldier
Eduardo Paolozzi, 1924–2005, British
Wittgenstein the Soldier
1965
Eduardo Paolozzi Assembling Reminders for a Particular Purpose
Eduardo Paolozzi, 1924–2005, British
Assembling Reminders for a Particular Purpose
1965
Eduardo Paolozzi Wittgenstein at the Cinema Admires Betty Gable
Eduardo Paolozzi, 1924–2005, British
Wittgenstein at the Cinema Admires Betty Gable
1965
Eduardo Paolozzi Parrot
Eduardo Paolozzi, 1924–2005, British
Parrot
1965
Eduardo Paolozzi He Must, So To Speak, Throw Away the Ladder
Eduardo Paolozzi, 1924–2005, British
He Must, So To Speak, Throw Away the Ladder
1965
Eduardo Paolozzi VI: Wittgenstein in New York from As Is When
Eduardo Paolozzi, 1924–2005, British
VI: Wittgenstein in New York from As Is When
1965
Eduardo Paolozzi Artificial Sun
Eduardo Paolozzi, 1924–2005, British
Artificial Sun
1965
Eduardo Paolozzi II: Tortured Life from As Is When
Eduardo Paolozzi, 1924–2005, British
II: Tortured Life from As Is When
1965
Eduardo Paolozzi Reality
Eduardo Paolozzi, 1924–2005, British
Reality
1965
Eduardo Paolozzi Experience
Eduardo Paolozzi, 1924–2005, British
Experience
1965