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Shows 1 - 40 from 115 results
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John Constable, 1776–1837
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
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John Constable, 1776–1837
Cloud Study
1821
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John Constable, 1776–1837
Sir Richard Steele's Cottage, Hampstead
1831 to 1832
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John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
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John Constable, 1776–1837
East Bergholt Church
1809
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On view
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
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On view
Samuel Palmer, 1805–1881
The Harvest Moon
ca. 1833
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On view
George Stubbs, 1724–1806
Zebra
1763
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George Stubbs, 1724–1806
Turf, with Jockey up, at Newmarket
ca. 1766
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On view
George Stubbs, 1724–1806
Pumpkin with a Stable-lad
1774
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George Stubbs, 1724–1806
Sleeping Leopard
1777
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On view
William Hogarth, 1697–1764
The Beggar's Opera
1729
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On view
Joseph Mallord William Turner, 1775–1851
Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
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On view
William Blake, 1757–1827
The Horse
ca. 1805
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Accessible in the Study Room
John Constable, 1776–1837
Fulham Church from across the River
1818
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Accessible in the Study Room
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
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Accessible in the Study Room
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
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Accessible in the Study Room
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Finished Study for Table V)
between 1795 and 1806
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Accessible in the Study Room
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
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Accessible in the Study Room
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
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Accessible in the Study Room
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of... [Read more]
1795 to 1806
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
ca. 1815 (formerly dated ca. 1803)
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Venice, The Mouth of the Grand Canal
1832
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
A Paddle-Steamer in a Storm on Lake Lucerne
ca. 1841
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
On the Washburn (Study)
ca. 1809–15
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
ca. 1818–20
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Joseph Mallord William Turner, 1775–1851
Staffa, Fingal's Cave
exhibited 1832
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Leeds
1816
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
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Accessible in the Study Room
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
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On view
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
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On view
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon... [Read more]
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
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Richard Parkes Bonington, 1802–1828
Grand Canal, Venice
1826
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On view
Jan Siberechts, 1627–ca. 1703
Wollaton Hall and Park, Nottinghamshire
1697
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Richard Wilson, ca. 1712–1782
Rome from the Villa Madama
1753
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On view
Johan Joseph Zoffany, 1733–1810
The Drummond Family
ca. 1769
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Joseph Wright of Derby, 1734–1797
An Academy by Lamplight
1769
