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Shows 1 - 40 from 81 results
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Accessible in the Study Room
Enid Marx, 1902–1998
The Zoo: Noah's Ark
(1957)
- Materials & TechniquesChromolithography
- DimensionsSheet: 39 15/16 x 24 15/16 inches (101.4 x 63.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Anthony Eckersley, born 1937
Old St. Paul's
(1964)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 x 25 inches (99.1 x 63.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Betty Ritchie, active 1934
L.N.E.R. Service
(1934)
- Materials & TechniquesGraphite and gouache
- DimensionsSheet: 19 3/4 x 13 7/16 inches (50.2 x 34.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Stella Marsden, active 1955
Engraved Brasses
(1955)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 3/4 x 49 7/8 inches (101 x 126.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Bruce Angrave, 1914–1983
Sir Christopher Wren
(1964)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 38 3/8 x 25 inches (97.5 x 63.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Joy Simpson, active 1965
Local Museums
(1968)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 39 1/8 x 25 inches (99.4 x 63.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
C. R. W. Nevinson, 1889–1946
Walkers, For a Good Start Use the Motor-Bus
(1921)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 39 3/4 x 24 15/16 inches (101 x 63.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Clive Gardiner, 1891–1960
The Tower of London
(1927)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 39 3/4 x 25 inches (101 x 63.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Andrew Johnson, active 1935
Woodhall Spa
(after 1938)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 39 3/4 x 25 inches (101 x 63.5 cm), Mount: 41 3/4 x 26 15/16 inches (106 x 68.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Frank Newbould, 1887–1951
North Berwick
(between 1923 and 1948)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 39 7/8 x 49 7/8 inches (101.3 x 126.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Andrew Johnson, active 1935
Woodhall Spa: It's Quicker By Rail
(1938)
- Materials & TechniquesGouache
- DimensionsSheet: 41 7/8 x 24 3/4 inches (106.4 x 62.9 cm), Frame: 42 7/8 x 25 7/8 inches (108.9 x 65.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Tom Purvis, 1888–1959
Yorkshire Moors
(1930)
- Materials & TechniquesChromolithograph
- DimensionsFrame: 41 x 51 inches (104.1 x 129.5 cm), Sheet: 39 1/2 x 49 1/2 inches (100.3 x 125.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Frank Newbould, 1887–1951
Penny a Mile
(1935)
- Materials & TechniquesLithograph on canvas
- DimensionsSheet: 39 3/4 x 24 7/8 inches (101 x 63.2 cm), Mount: 43 1/2 x 28 3/4 inches (110.5 x 73 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Tony Sarg, 1880–1942
Flying at Hendon
(1914)
- Materials & TechniquesChromolithograph on board
- DimensionsSheet: 38 3/8 x 23 1/2 inches (97.5 x 59.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Dora M. Batty, 1900–1966
For Picnics and Rambles from Town to Open Country
(1925)
- Materials & TechniquesLithograph on canvas
- DimensionsSheet: 40 1/8 x 25 1/8 inches (101.9 x 63.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Austin Cooper, 1890–1964
Natural History Museum: Lepidoptera
(1928)
- Materials & TechniquesChromolithograph on backed with linen
- DimensionsSheet: 39 3/4 x 25 inches (101 x 63.5 cm), Mount: 42 3/4 x 28 inches (108.6 x 71.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Edward McKnight Kauffer, 1890–1954
Official for Winter: Double Shell Lubricating Oil
(1936)
- Materials & TechniquesGouache maquette
- DimensionsImage: 10 3/8 x 22 3/8 inches (26.3 x 56.8 cm), Frame: 18 1/16 x 29 3/4 x 13/16 inches (45.9 x 75.5 x 2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Edward McKnight Kauffer, 1890–1954
Official for Winter: Shell Lubricating Oil
(1936)
- Materials & TechniquesLithograph
- DimensionsSheet: 29 3/4 x 44 5/8 inches (75.6 x 113.3 cm), Mount: 33 1/16 x 48 7/16 inches (84 x 123 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Edward McKnight Kauffer, 1890–1954
Outposts of Britain: A Postman in Northern Scotland
(1937)
- Materials & TechniquesLithograph
- DimensionsSheet: 19 7/8 x 25 1/16 inches (50.5 x 63.7 cm), Mount: 23 3/4 x 29 inches (60.3 x 73.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Edward McKnight Kauffer, 1890–1954
Eno's Fruit Salt
(1929)
- Materials & TechniquesLithograph on wove paper mounted on canvas
- DimensionsMount: 33 11/16 x 24 1/16 inches (85.6 x 61.1 cm), Sheet: 29 3/4 x 20 3/16 inches (75.6 x 51.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Tom Purvis, 1888–1959
Getting Ready for the East Coast: Travel L.N.E.R
(1937)
- Materials & TechniquesLithograph
- DimensionsFrame: 46 x 56 1/4 inches (116.8 x 142.9 cm), Image: 38 3/4 x 49 1/8 inches (98.4 x 124.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Tom Eckersley, 1914–1997
Ceremonial London
(1976)
- Materials & TechniquesScreen print on wove paper mounted to canvas
- DimensionsSheet: 40 x 25 1/16 inches (101.6 x 63.7 cm), Mount: 44 1/8 x 29 1/4 inches (112.1 x 74.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Charles Paine, 1895–1967
Hampton Court
(1921)
- Materials & TechniquesColor lithograph
- DimensionsMount: 35 3/4 x 26 inches (90.8 x 66 cm), Sheet: 29 13/16 x 19 15/16 inches (75.7 x 50.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Fred Taylor, 1875–1963
By Tram from Hammersmith, Wimbledon or Shepherd's Bush
(1922)
- Materials & TechniquesChromolithograph on canvas
- DimensionsSheet: 40 3/8 x 25 inches (102.6 x 63.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
John Hassall, 1868–1948
Skegness is so Bracing
(between 1923 and 1932)
- Materials & TechniquesChromolithograph on canvas
- DimensionsSheet: 40 x 49 3/4 inches (101.6 x 126.4 cm), Mount: 43 15/16 x 53 9/16 inches (111.6 x 136 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Andrew Power, 1898–1992
Football
(1933)
- Materials & TechniquesLithograph on canvas
- DimensionsSheet: 39 5/8 x 24 7/16 inches (100.6 x 62.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Print made by Austin Cooper, 1890–1964
Lowestoft
(1932)
- Materials & TechniquesLithograph mounted on canvas
- DimensionsMount: 42 1/8 x 52 1/16 inches (107 x 132.2 cm), Sheet: 40 1/16 x 50 1/16 inches (101.8 x 127.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Maxwell Armfield, 1881–1972
Go to Kew
(1915)
- Materials & TechniquesChromolithograph
- DimensionsMount: 30 15/16 x 20 5/8 inches (78.6 x 52.4 cm), Sheet: 29 1/2 x 19 3/8 inches (74.9 x 49.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Accessible in the Study Room
Tom Eckersley, 1914–1997
Aldershot Tattoo
(1936)
- Materials & TechniquesLithograph
- DimensionsSheet: 10 1/16 x 12 3/8 inches (25.6 x 31.4 cm), Mount: 13 7/8 x 16 3/16 inches (35.2 x 41.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Gerald Spencer Pryse, 1882–1956
The Famous Bathing Pool at Hastings & St. Leonards
(1934)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 39 5/8 x 49 7/8 inches (100.6 x 126.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Percy Drake Brookshaw, 1907–1993
Boat Race
(1937)
- Materials & TechniquesLithograph
- DimensionsSheet: 9 15/16 x 12 7/16 inches (25.2 x 31.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Accessible in the Study Room
Dorrit Dekk, born 1917
We Londoners
(1961)
- Materials & TechniquesLithograph
- DimensionsSheet: 40 1/16 x 25 1/16 inches (101.8 x 63.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Walter E. Spradbery, 1889–1969
Hastings & St. Leonards: Britain's Best Tonic
(1932)
- Materials & TechniquesLithograph
- DimensionsSheet: 40 x 49 5/8 inches (101.6 x 126 cm), Frame: 45 3/8 x 55 3/8 inches (115.3 x 140.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
William Fenton, 1920–1993
Flowers
(1952)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 7/8 x 25 inches (101.3 x 63.5 cm), Mount: 42 1/16 x 27 3/16 inches (106.8 x 69.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Hans Unger, 1915–1975
Christopher Wren, Architect, Died 1723
(1957)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 3/4 x 25 inches (101 x 63.5 cm), Mount: 41 1/4 x 26 3/4 inches (104.8 x 67.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Mary Adshead, 1904–1995
Shared Joys Are Doubled
(1937)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 7/8 x 24 15/16 inches (101.3 x 63.3 cm), Mount: 43 9/16 x 28 3/4 inches (110.6 x 73 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Edward McKnight Kauffer, 1890–1954
At the Museum of Science
(1923)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 3/4 x 24 3/4 inches (101 x 62.9 cm), Mount: 42 1/4 x 27 1/4 inches (107.3 x 69.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
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Image not yet availableAccessible in the Study Room
Horace Taylor, 1881–1934
To Summer Sales by Underground
(1926)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 7/16 x 24 3/4 inches (100.2 x 62.9 cm), Mount: 43 1/16 x 28 3/16 inches (109.4 x 71.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Tom Purvis, 1888–1959
East Coast by LNER
(1929)
- Materials & TechniquesLithograph
- DimensionsSheet: 40 1/8 x 50 1/16 inches (101.9 x 127.2 cm), Mount: 43 3/8 x 53 1/16 inches (110.2 x 134.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Aldo Cosomati, 1915–1938
Shop by Underground
(1926)
- Materials & TechniquesLithograph
- DimensionsSheet: 40 x 24 7/8 inches (101.6 x 63.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund