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Shows 1 - 15 from 15 results
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Accessible in the Study Room
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
(between 1797 and 1798)
- Materials & TechniquesWatercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
- DimensionsSheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
(between 1797 and 1798)
- Materials & TechniquesWatercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
- DimensionsSheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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On view
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
(ca. 1825)
- Materials & TechniquesWatercolor with pen and black ink on medium, moderately textured, cream wove paper
- DimensionsSheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
(1797)
- Materials & TechniquesWatercolor and pen and black ink on medium, slightly textured, cream wove paper
- DimensionsSheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
(ca. 1815)
- Materials & TechniquesWatercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
- DimensionsSheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
John Varley, 1778–1842
An Arch at Holy Island, Northumberland
(1809)
- Materials & TechniquesWatercolor and graphite on thick, moderately textured, beige wove paper
- DimensionsSheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
(ca. 1785)
- Materials & TechniquesWatercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
Travelling in France
(between 1785 and 1789)
- Materials & TechniquesWatercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
- DimensionsSheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Sir David Wilkie, 1785–1841
Grace Before Meat
(1839)
- Materials & TechniquesWatercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
- DimensionsSheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
James Pollard, 1792–1867
The Greengrocer
(ca. 1819)
- Materials & TechniquesWatercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
- DimensionsSheet: 9 × 10 7/8 inches (22.9 × 27.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Paul Sandby, 1731–1809
An Encampment in St. James Park
(ca. 1780)
- Materials & TechniquesWatercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
- DimensionsSheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
(1790)
- Materials & TechniquesWatercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
- DimensionsSheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
(ca. 1793)
- Materials & TechniquesWatercolor over graphite on medium, slightly textured, cream laid paper
- DimensionsSheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm), Mount: 9 11/16 x 11 5/8 inches (24.6 x 29.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
(1798)
- Materials & TechniquesWatercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
- DimensionsMount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm), Sheet: 4 13/16 x 7 3/8 inches (12.2 x 18.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
A Woodcutter's Picnic
(undated)
- Materials & TechniquesPen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
- DimensionsMount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm), Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection