Search the collections

Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

Shows 1 - 40 from 194 results

Grid

Accessible in the Study Room
Francis Danby, 1793–1861

Oberon and Titania

1837
Accessible in the Study Room
Constable, John, 1776–1837

Letter to John Thomas Smith

1797, between January 16 and March 23
Accessible in the Study Room
Robert Polhill Bevan, 1865–1925

The Bayhorse, Tattersall’s

1921
Accessible in the Study Room
Robert Polhill Bevan, 1865–1925

Timber Hauling

ca. 1917
Accessible in the Study Room
John Constable, 1776–1837

Fulham Church from across the River

1818
Accessible in the Study Room
Samuel Palmer, 1805–1881

Ancient Trees, Lullingstone Park

1828
Accessible in the Study Room
Samuel Palmer, 1805–1881

A Moonlit Scene with a Winding River

ca. 1827
Accessible in the Study Room
Samuel Palmer, 1805–1881

The Weald of Kent

between 1833 and 1834
Accessible in the Study Room
Samuel Palmer, 1805–1881

Sunset

ca. 1861
Accessible in the Study Room
George Stubbs, 1724–1806

Fowl Skeleton, Lateral View (Finished Study for Table V)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Human Figure, Anterior View (Finished Study of Final Stage of... [Read more]

1795 to 1806
Accessible in the Study Room
Print made by George Stubbs, 1724–1806

A Sleeping Leopard

1791
Accessible in the Study Room
Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1788
Accessible in the Study Room
George Stubbs, 1724–1806

Study for the Self-portrait in Enamel

ca. 1781
Accessible in the Study Room
William Hogarth, 1697–1764

The First Stage of Cruelty

ca. 1750
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Vesuvius in Eruption

ca. 1818–20
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Mer de Glace, in the Valley of Chamonix

ca. 1815 (formerly dated ca. 1803)
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Venice, The Mouth of the Grand Canal

1832
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

On the Washburn (Study)

ca. 1809–15
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

A Paddle-Steamer in a Storm on Lake Lucerne

ca. 1841
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Leeds

1816
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

The Channel Sketchbook

ca. 1845
Accessible in the Study Room
Edward Lear, 1812–1888

A View of the Pine Woods Above Cannes

1869
Accessible in the Study Room
William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798
On view
Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820
On view
Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820
On view
Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon... [Read more]

1804 to 1820
On view
William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798
On view
William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805
Accessible in the Study Room
William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798
Accessible in the Study Room
Robert Adam, 1728–1792

Headfort House, Ireland: Elevation of the Eating Parlor

1775
Accessible in the Study Room
Robert Adam, 1728–1792

Headfort House, Ireland: Elevation of the Eating Parlor

1771
Accessible in the Study Room
William Turner of Oxford, 1789–1862

Donati's Comet

between 1858 and 1859
Accessible in the Study Room
Edward Francis Burney, 1760–1848

The Triumph of Music

ca. 1815
Accessible in the Study Room
Paul Sandby, 1731–1809

Roslin Castle, Midlothian

ca. 1780
Accessible in the Study Room
Giovanni Battista Borra, 1713–1770

The Basilica at Pergamon

ca. 1750
Accessible in the Study Room
Francis Barlow, 1622–1704

Man Hunting with a Pointed Staff and a Hound

ca. 1645-1650
Accessible in the Study Room
Richard Westall, 1765–1836

Rosebud, or the Judgment of Paris

1791
Accessible in the Study Room
Canaletto, 1697–1768

The City of Westminster from Near the York Water Gate

between 1746 and 1747