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Exhibition History Pre-Raphaelites (Tate) (Tate Britain, 1984-03-07 - 1984-05-28)

Remove constraint Exhibition History: Pre-Raphaelites (Tate) (Tate Britain, 1984-03-07 - 1984-05-28)

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L'Enfant du Régiment
Creator:
Sir John Everett Millais, 1829–1896
Date:
1854 to 1855
Materials & Techniques:
Oil on paper, laid on canvas, mounted on board
Dimensions:
17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view at YUAG
"One Step to the Deathbed"
Creator:
William Holman Hunt, 1827–1910
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
Rejected
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 6 7/8 inches (25.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Accepted
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 7/8 inches (25.1 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Blind Man
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Dying Man
Creator:
Sir John Everett Millais, 1829–1896
Date:
ca. 1853
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 5/8 inches (20 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund