<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Image Available Available

Remove constraint Image Available: Available

Search Results

John Constable Stratford Mill
John Constable, 1776–1837, British
Stratford Mill
1819 to 1820
On view at YUAG
John Constable Hadleigh Castle
John Constable, 1776–1837, British
Hadleigh Castle
1828 to 1829
On view at YUAG
John Constable Dedham Lock
John Constable, 1776–1837, British
Dedham Lock
between 1819 and 1820
On view at YUAG
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1821
On view at YUAG
John Constable Ploughing Scene in Suffolk
John Constable, 1776–1837, British
Ploughing Scene in Suffolk
1824 to 1825
On view at YUAG
John Constable Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
John Constable, 1776–1837, British
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
ca. 1821
On view at YUAG
John Constable Somerset House Terrace from Waterloo Bridge
John Constable, 1776–1837, British
Somerset House Terrace from Waterloo Bridge
ca. 1819
On view at YUAG
John Constable Stormy Sea, Brighton
John Constable, 1776–1837, British
Stormy Sea, Brighton
ca. 1828
On view at YUAG
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1821
On view at YUAG
John Constable Study of a Cloudy Sky
John Constable, 1776–1837, British
Study of a Cloudy Sky
ca. 1825
On view at YUAG
George Stubbs Zebra
George Stubbs, 1724–1806, British
Zebra
1763
On view at YUAG
Joseph Mallord William Turner Limekiln at Coalbrookdale
Joseph Mallord William Turner, 1775–1851, British
Limekiln at Coalbrookdale
ca. 1797
On view at YUAG
Joseph Mallord William Turner Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
Joseph Mallord William Turner, 1775–1851, British
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
between 1833 and 1834
On view at YUAG
Joseph Mallord William Turner Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
Joseph Mallord William Turner, 1775–1851, British
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
On view at YUAG
Joseph Mallord William Turner Off the Nore
Joseph Mallord William Turner, 1775–1851, British
Off the Nore
between 1840 and 1845
On view at YUAG
Joseph Mallord William Turner Staffa, Fingal's Cave
Joseph Mallord William Turner, 1775–1851, British
Staffa, Fingal's Cave
1831 to 1832
On view at YUAG
Joseph Mallord William Turner Inverary Pier, Loch Fyne: Morning
Joseph Mallord William Turner, 1775–1851, British
Inverary Pier, Loch Fyne: Morning
ca. 1845
On view at YUAG
George Romney Anne Wilson and Her Daughter, Sybill
George Romney, 1734–1802, British
Anne Wilson and Her Daughter, Sybill
between 1776 and 1777
On view at YUAG
Francis Danby A Mountain Chieftain's Funeral
Francis Danby, 1793–1861, Irish
A Mountain Chieftain's Funeral
ca. 1848
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1822
Not on view
John Constable Dedham Lock
John Constable, 1776–1837, British
Dedham Lock
between 1819 and 1820
Not on view
John Constable Hampstead Heath, with a Bonfire
John Constable, 1776–1837, British
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
John Constable Mary Freer
John Constable, 1776–1837, British
Mary Freer
1809
Not on view
John Constable Undergrowth
John Constable, 1776–1837, British
Undergrowth
ca. 1821
Not on view
John Constable A Cloud Study, Sunset
John Constable, 1776–1837, British
A Cloud Study, Sunset
ca. 1821
Not on view
Samuel Palmer The Harvest Moon
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Harvest Moon
ca. 1833
Not on view
George Stubbs A Lion Attacking a Horse
George Stubbs, 1724–1806, British
A Lion Attacking a Horse
1762
Not on view
Richard Parkes Bonington Beached Vessels and a Wagon near Trouville
Richard Parkes Bonington, 1802–1828, British
Beached Vessels and a Wagon near Trouville
ca. 1825
On view at YUAG
Richard Parkes Bonington A Fish-market near Boulogne
Richard Parkes Bonington, 1802–1828, British
A Fish-market near Boulogne
1824
On view at YUAG
Richard Parkes Bonington Near Quillebeuf
Richard Parkes Bonington, 1802–1828, British
Near Quillebeuf
between 1824 and 1825
On view at YUAG
Sir John Everett Millais L'Enfant du Régiment
Sir John Everett Millais, 1829–1896, British
L'Enfant du Régiment
1854 to 1855
On view at YUAG
Richard Parkes Bonington Corso Sant'Anastasia, Verona
Richard Parkes Bonington, 1802–1828, British
Corso Sant'Anastasia, Verona
1828
On view at YUAG
Richard Parkes Bonington In the Forest at Fontainebleau
Richard Parkes Bonington, 1802–1828, British
In the Forest at Fontainebleau
ca. 1825
On view at YUAG
Sir Thomas Lawrence George James Welbore Agar-Ellis, later first Baron Dover
Sir Thomas Lawrence, 1769–1830, British
George James Welbore Agar-Ellis, later first Baron Dover
1823 to 1824
On view at YUAG
William Blake Virgin and Child
William Blake, 1757–1827, British
Virgin and Child
1825
Not on view
Richard Parkes Bonington Seated Turk
Richard Parkes Bonington, 1802–1828, British
Seated Turk
1826
Not on view
Henry Fuseli Dido
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Dido
1781
Not on view
William Hodges Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
William Hodges, 1744–1797, British
Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
ca. 1790
Not on view
Joseph Wright of Derby Cottage on Fire at Night
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Cottage on Fire at Night
between 1785 and 1793
Not on view
Joseph Wright of Derby Vesuvius from Posillipo
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Vesuvius from Posillipo
ca. 1788
Not on view
George Henry Harlow Henry Fuseli
George Henry Harlow, 1787–1819, British
Henry Fuseli
1817
Not on view
Philippe-Jacques de Loutherbourg A Philosopher in a Moonlit Churchyard
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
A Philosopher in a Moonlit Churchyard
1790
Not on view
James Ward Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
James Ward, 1769–1859, British
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
John Webber Burial Ground in the South Seas
John Webber, 1752–1793, British
Burial Ground in the South Seas
ca. 1777
Not on view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833, British
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
James Ward Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
James Ward, 1769–1859, British
Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
David Roberts The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
David Roberts, 1796–1864, British
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
Joseph Wright of Derby Cavern, near Naples
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Cavern, near Naples
1774
Not on view
Francesco Renaldi Muslim Lady Reclining
Francesco Renaldi, 1755–after 1798, Italian, active in Britain (from 1777)
Muslim Lady Reclining
1789
Not on view
Ramsay Richard Reinagle An Ornithologist, Possibly John Latham
Ramsay Richard Reinagle, 1775–1862, British
An Ornithologist, Possibly John Latham
1802
Not on view
James Ward Self-Portrait
James Ward, 1769–1859, British
Self-Portrait
1830
Not on view
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854, British
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
Richard Wilson The Destruction of the Children of Niobe
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
The Destruction of the Children of Niobe
1760
Not on view
Jacques-Laurent Agasse Clouded Leopards
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Clouded Leopards
ca. 1825
Not on view
Richard Parkes Bonington A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Richard Parkes Bonington, 1802–1828, British
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
Benjamin West The Artist and His Son Raphael
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Artist and His Son Raphael
1773
Not on view
George Jones A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
George Jones, 1786–1869, British
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
Joseph Wright of Derby Matlock Tor by Moonlight
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Matlock Tor by Moonlight
between 1777 and 1780
Not on view
John Martin The Deluge
John Martin, 1789–1854, British
The Deluge
1834
Not on view
Sir Thomas Lawrence Lord Granville Leveson-Gower, later first Earl Granville
Sir Thomas Lawrence, 1769–1830, British
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
Tilly Kettle Shuja-ud-Daula, Nawab of Oudh
Tilly Kettle, 1735–1786, British, active in India (1769–76)
Shuja-ud-Daula, Nawab of Oudh
1772
Not on view
Henry Fuseli The Mandrake: A Charm
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Mandrake: A Charm
exhibited RA 1785
Not on view
Thomas Gainsborough Mountain Valley with Figures and Distant Village
Thomas Gainsborough, 1727–1788, British
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
John Linnell The Rest on the Flight into Egypt
John Linnell, 1792–1882, British
The Rest on the Flight into Egypt
ca. 1827
Not on view
William Hodges A View of Matavai Bay in the Island of Otaheite [Tahiti]
William Hodges, 1744–1797, British
A View of Matavai Bay in the Island of Otaheite [Tahiti]
1776
Not on view
John Martin Belshazzar's Feast
John Martin, 1789–1854, British
Belshazzar's Feast
1820
Not on view
Sir Thomas Lawrence Admiral John Markham
Sir Thomas Lawrence, 1769–1830, British
Admiral John Markham
ca. 1793
Not on view
Joseph Nollekens Charles James Fox
Joseph Nollekens, 1737–1823, British
Charles James Fox
1792
Not on view
Thomas Woolner William Charles Wentworth
Thomas Woolner, 1825–1892, British
William Charles Wentworth
1854
Not on view
Thomas Woolner Sir Charles Nicholson
Thomas Woolner, 1825–1892, British
Sir Charles Nicholson
1854
Not on view
Samuel Palmer A Moonlit Scene with a Winding River
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Moonlit Scene with a Winding River
ca. 1827
Samuel Palmer Foxgloves
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Foxgloves
undated
Samuel Palmer Brambles
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Brambles
undated
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer Ancient Trees, Lullingstone Park
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Ancient Trees, Lullingstone Park
1828
George Stubbs Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
George Stubbs, 1724–1806, British
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
George Stubbs Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851, British
The Channel Sketchbook
ca. 1845
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, in the Valley of Chamonix
1803
Joseph Mallord William Turner Saint Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851, British
Saint Augustine's Gate, Canterbury
ca. 1793
Joseph Mallord William Turner Upper Fall of the Reichenbach: Rainbow
Joseph Mallord William Turner, 1775–1851, British
Upper Fall of the Reichenbach: Rainbow
1810
Joseph Mallord William Turner Vesuvius in Eruption
Joseph Mallord William Turner, 1775–1851, British
Vesuvius in Eruption
between 1817 and 1820
Joseph Mallord William Turner Fluelen: Morning (looking towards the lake)
Joseph Mallord William Turner, 1775–1851, British
Fluelen: Morning (looking towards the lake)
1845
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Jerusalem, Plate 62, "Repose on me...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820