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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
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1
- Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
- ca. 1803
2
- Cottage on Fire at Night
- between 1785 and 1793
3
- Cavern, near Naples
- 1774
4
- An Ornithologist, Possibly John Latham
- 1802
5
- Muslim Lady Reclining
- 1789
6
- Limekiln at Coalbrookdale
- ca. 1797
7
- Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
- 1814
8
- Burial Ground in the South Seas
- ca. 1777
9
- Seated Turk
- 1826
10
- Henry Fuseli
- 1817
11
- A Philosopher in a Moonlit Churchyard
- 1790
12
- Charles James Fox
- 1792
13
- Self-Portrait
- 1830
14
- Vesuvius from Posillipo
- ca. 1788
15
- Belshazzar's Feast
- 1820
16
- The Mandrake: A Charm
- exhibited RA 1785
17
- Mountain Valley with Figures and Distant Village
- between 1773 and 1777
![William Hodges A View of Matavai Bay in the Island of Otaheite [Tahiti]](https://media.collections.yale.edu/thumbnail/ycba/dc0aab37-e7fd-47d3-91b0-7fbcd3de83f2)
18
- A View of Matavai Bay in the Island of Otaheite [Tahiti]
- 1776
19
- George James Welbore Agar-Ellis, later first Baron Dover
- 1823 to 1824
20
- A Mountain Chieftain's Funeral
- ca. 1848
21
- Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
- 1818
22
- Shuja-ud-Daula, Nawab of Oudh
- 1772
23
- Hadleigh Castle
- 1828 to 1829
24
- Somerset House Terrace from Waterloo Bridge
- ca. 1819
25
- Hampstead Heath, with a Bonfire
- ca. 1822
26
- A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
- 1815
27
- A Lion Attacking a Horse
- 1762
28
- Dedham Lock
- between 1819 and 1820
29
- The Destruction of the Children of Niobe
- 1760
30
- The Harvest Moon
- ca. 1833
31
- Joshua Commanding the Sun to Stand Still
- ca. 1840
32
- Dido
- 1781
33
- Virgin and Child
- 1825
34
- Anne Wilson and Her Daughter, Sybill
- between 1776 and 1777
35
- Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
- ca. 1790
36
- Beached Vessels and a Wagon near Trouville
- ca. 1825
37
- The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
- 1800
38
- The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
- 1849
39
- Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
- between 1833 and 1834
40
- Near Quillebeuf
- between 1824 and 1825
41
- Clouded Leopards
- ca. 1825
42
- Ploughing Scene in Suffolk
- 1824 to 1825
43
- A Cloud Study, Sunset
- ca. 1821
44
- Study of a Cloudy Sky
- ca. 1825
45
- Cloud Study
- 1821
46
- Cloud Study
- 1821
47
- Undergrowth
- ca. 1821
48
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
49
- In the Forest at Fontainebleau
- ca. 1825
50
- The Artist and His Son Raphael
- 1773
51
- Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
- 1829
52
- Inverary Pier, Loch Fyne: Morning
- ca. 1845
53
- The Deluge
- 1834
54
- Staffa, Fingal's Cave
- 1831 to 1832
55
- Corso Sant'Anastasia, Verona
- 1828
56
- Matlock Tor by Moonlight
- between 1777 and 1780
57
- Dedham Lock
- between 1819 and 1820
58
- Lord Granville Leveson-Gower, later first Earl Granville
- between 1804 and 1809
59
- Sir Charles Nicholson
- 1854
60
- L'Enfant du Regiment
- 1854 to 1855
61
- William Charles Wentworth
- 1854
62
- Stormy Sea, Brighton
- ca. 1828
63
- Mary Freer
- 1809
64
- Cloud Study
- 1822
65
- A Fish-market near Boulogne
- 1824
66
- Cloud Study
- ca. 1821
67
- Zebra
- 1763
68
- Stratford Mill
- 1819 to 1820
69
- Off the Nore
- between 1840 and 1845
70
- Admiral John Markham
- ca. 1793
71
- The Rest on the Flight into Egypt
- ca. 1827
72
- Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
- 1795 to 1806
73
- Tryfan, Carnarvonshire
- 1826
74
- A Human Skeleton
- undated
75
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
76
- Portia and Bassanio
- ca. 1826
77
- A Human Skeleton
- undated
78
- Self-Portrait
- between 1771 and 1775
79
- Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
- between 1795 and 1806
80
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
81
- Castle Acre Priory, Norfolk
- ca. 1804
82
- Get Thee Behind Me, Satan
- between 1783 and 1787
83
- The Creation of the Heavens
- ca. 1790
84
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834
85
- The Parable of the Wise and Foolish Virgins
- ca. 1825
86
- Tree Study
- between 1800 and 1805
87
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
88
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
89
- Jerusalem, Plate 76
- 1804 to 1820
90
- Jerusalem, Plate 57, "And the voices of Bath...."
- 1804 to 1820
91
- Cavalry Charging
- 1801
92
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
93
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
94
- America. A Prophecy, Plate 2, Title Page
- 1793
95
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
96
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
97
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
98
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
99
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
100
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793