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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Subject Terms mountains

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Joseph Mallord William Turner Inverary Pier, Loch Fyne: Morning
Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne: Morning
ca. 1845
On view at YUAG
John Constable A Cloud Study, Sunset
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
John Webber Burial Ground in the South Seas
John Webber, 1752–1793
Burial Ground in the South Seas
ca. 1777
Not on view
Joseph Wright of Derby Vesuvius from Posillipo
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
Richard Wilson The Destruction of the Children of Niobe
Richard Wilson, 1713/4–1782
The Destruction of the Children of Niobe
1760
Not on view
William Hodges A View of Matavai Bay in the Island of Otaheite [Tahiti]
William Hodges, 1744–1797
A View of Matavai Bay in the Island of Otaheite [Tahiti]
1776
Not on view
Joseph Mallord William Turner Fluelen: Morning (looking towards the lake)
Joseph Mallord William Turner, 1775–1851
Fluelen: Morning (looking towards the lake)
1845
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
George Fennell Robson Tryfan, Carnarvonshire
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
Anthony Vandyke Copley Fielding A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
1834