"A Select Collection of English Songs," London, 1783
1783
2
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
3
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
4
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
5
William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
6
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
7
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
8
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
9
William Blake, 1757–1827
A Select Collection of English Songs
1783
10
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
11
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
12
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
13
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
14
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
15
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
16
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
17
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
18
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
20
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
21
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
22
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
24
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
28
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
29
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
30
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
31
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
32
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
33
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
34
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
35
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
36
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
37
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
38
William Blake, 1757–1827
Ballads
1805
39
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
40
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
41
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
42
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
43
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
44
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
45
Text by John Gay, 1685–1732
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1
1793
46
Published by John Stockdale, ca. 1749–1814
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2
1793
47
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
48
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
49
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page