Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
7
Luigi Balugani, 1737–1770
Aspis cornutus (Horned Viper or Cerastes)
1765-1773
8
Luigi Balugani, 1737–1770
Carthamus tinctorius L. (Safflower): finished drawing of flowering plant
1765-1773
9
Luigi Balugani, 1737–1770
Sphyrna zygaena (Hammer-headed Shark)
1765-1773
10
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
11
Bernard Lens III, 1682–1740
The Memorial of Lord Darnley
1728
12
Bernard Lens III, 1682–1740
Classical Landscape
1717
13
Hogarth, William, 1697–1764
The analysis of beauty
1753
14
Sandby, Paul, 1731–1809
A collection of landskips, and figures, &c.
January 12, 1773
15
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
16
Goeree, Willem, 1635–1711
An introduction to the general art of drawing,
1674
17
Bowles, Carington, 1724–1793
Bowles's polite recreation in drawing
[1779]
18
Hipwell, John
The elements of navigation
1759
19
Lavater, Johann Caspar, 1741–1801
Essays on physiognomy
MDCCLXXXIX-MDCCXCVIII [1789-1798, i.e. 1799]
20
Dubreuil, Jean, 1602–1670
Perspective practical
1698
21
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1788
22
Bowles, Carington, 1724–1793
All draughtsmen's assistant, or, Drawing made easy
[177-?]
23
Le Brun, Charles, Sir, 1619–1690
A method to learn to design the passions
1734
24
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
25
Parkinson, Thomas, active 1769–1789
Flower painting made easy
[1760?]
26
Smith, John Thomas, 1766–1833
Remarks on rural scenery
1797
27
A new drawing book of heads, from Castiglione
[176-?]
28
Malton, Thomas, 1726–1801
A compleat treatise on perspective, in theory and practice;
1776
29
Ditton, Humphry, 1675–1715
A treatise of perspective, demonstrative and practical
1712
30
[Flower groups]
[1798]
31
The excellency of the pen and pencil,
1688
32
Introduction to drawing ships
[1788]
33
Gilpin, William, 1724–1804
Observations on the river Wye,
1792
34
A new drawing-book of out-lines &c. : very proper for the first-practice of all who are willing to excell in that noble-art =
1722
35
Russell, John, 1745–1806
Elements of painting with crayons
MDCCLXXII [1772]
36
Orme's Pocket sketch book
[1799]
37
Le Brun, Charles, Sir, 1619–1690
Bowles's Passions of the soul
[1800?]
38
Gwynn, John, 1713–1786
An essay on design
1749
39
Austin, William, 1721–1820
A specimen of sketching landscapes, in a free and masterly manner, with a pen or pencil
1781
40
Junius, Franciscus, 1589–1677
The painting of the ancients, in three bookes: declaring by historicall observations and examples, the beginning, progresse, and consvmmation of that most noble art. And how those ancient artificers attained to their still so much admired excellencie
1638
41
The student's treasure
MDCCLXXXIX [1789]
42
Craig, William Marshall, 1763 or 1764–1829
An essay on the study of nature in drawing landscape
1793
43
The florist
[ca. 1760]
44
Bickham, George, 1684?-1758?
The museum of arts
1745?]
45
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.
1751
46
Sir, there is a scheme set on foot for erecting a publick academy for the improvement of the arts of painting, sculpture and architecture ..
1753
47
Grignion, Charles, 1721–1810
The triumph of painting
[1794]
48
Ackermann, Rudolph, 1764–1834
Lessons for beginners in the fine art
[1796]
49
Richardson, Jonathan, 1665–1745
An essay on the theory of painting
1715
50
The principles of drawing, design, and engraving;
1800
51
Bickham, George, 1706?-1771
An introduction to the art of drawing,
[17--]
52
A curious collection of beasts, horses, and birds
[ca. 1750]
53
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art