Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
A plan of mathematical learning taught in the Royal Academy, Portsmouth
approximately 1798-1799
2
Hogarth, William, 1697–1764
The analysis of beauty
1753
3
Hipwell, John
The elements of navigation
1759
4
Sandby, Paul, 1731–1809
A collection of landskips, and figures, &c.
January 12, 1773
5
Smith, John Thomas, 1766–1833
Remarks on rural scenery
1797
6
Parkinson, Thomas, active 1769–1789
Flower painting made easy
[1760?]
7
Introduction to drawing ships
[1788]
8
The florist
[ca. 1760]
9
Russell, John, 1745–1806
Elements of painting with crayons
MDCCLXXII [1772]
10
Austin, William, 1721–1820
A specimen of sketching landscapes, in a free and masterly manner, with a pen or pencil
1781
11
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.
1751
12
Grignion, Charles, 1721–1810
The triumph of painting
[1794]
13
Junius, Franciscus, 1589–1677
The painting of the ancients, in three bookes: declaring by historicall observations and examples, the beginning, progresse, and consvmmation of that most noble art. And how those ancient artificers attained to their still so much admired excellencie
1638
14
[Flower groups]
[1798]
15
Lavater, Johann Caspar, 1741–1801
Essays on physiognomy
MDCCLXXXIX-MDCCXCVIII [1789-1798, i.e. 1799]
16
Dubreuil, Jean, 1602–1670
Perspective practical
1698
17
Bickham, George, 1706?-1771
An introduction to the art of drawing,
[17--]
18
A curious collection of beasts, horses, and birds
[ca. 1750]
19
The artist's vade mecum
1766
20
The student's treasure
MDCCLXXXIX [1789]
21
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art
MDCCLII [1752]
22
Langton, John, active 1700–1727
A new copy-book of the small Italian hand
[1727?]
23
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
24
Bowles, Carington, 1724–1793
All draughtsmen's assistant, or, Drawing made easy
[177-?]
25
Le Brun, Charles, Sir, 1619–1690
A method to learn to design the passions
1734
26
Orme's Pocket sketch book
[1799]
27
Le Brun, Charles, Sir, 1619–1690
Bowles's Passions of the soul
[1800?]
28
Gilpin, William, 1724–1804
Observations on the river Wye,
1792
29
A new drawing-book of out-lines &c. : very proper for the first-practice of all who are willing to excell in that noble-art =
1722
30
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
31
The excellency of the pen and pencil,
1688
32
Gwynn, John, 1713–1786
An essay on design
1749
33
Bowles, Carington, 1724–1793
Bowles's polite recreation in drawing
[1779]
34
Ackermann, Rudolph, 1764–1834
Lessons for beginners in the fine art
[1796]
35
Richardson, Jonathan, 1665–1745
An essay on the theory of painting
1715
36
Ditton, Humphry, 1675–1715
A treatise of perspective, demonstrative and practical
1712
37
A new drawing book of heads, from Castiglione
[176-?]
38
Bickham, George, 1684?-1758?
The museum of arts
1745?]
39
Malton, Thomas, 1726–1801
A compleat treatise on perspective, in theory and practice;
1776
40
The principles of drawing, design, and engraving;
1800
41
Sir, there is a scheme set on foot for erecting a publick academy for the improvement of the arts of painting, sculpture and architecture ..
1753
42
Goeree, Willem, 1635–1711
An introduction to the general art of drawing,
1674
43
Craig, William Marshall, 1763 or 1764–1829
An essay on the study of nature in drawing landscape