Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

John Constable, 1776–1837, British

Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

1829

On view at YUAG

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

Joseph Mallord William Turner, 1775–1851, British

Folkestone Harbour and Coast to Dover

ca. 1829

Print made by Thomas Girtin, 1775–1802, British

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Print made by William Miller, 1796–1882, British

The Grand Canal, Venice

1838

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1818

Print made by Thomas Girtin, 1775–1802, British

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame

1803

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Two Country Carts and Figures

1779 to 1780

Print made by Edward Calvert, 1799–1883, British

The Ploughman

1827

Thomas Girtin, 1775–1802, British

View of Pont Neuf, The Mint etc

1802

Print made by Edward Calvert, 1799–1883, British

The Sheep of His Pasture

ca. 1828

Print made by Edward Calvert, 1799–1883, British

The Return Home

1830

Print made by Edward Calvert, 1799–1883, British

The Bride

1828

Print made by Richard Parkes Bonington, 1802–1828, British

Façade de l'Eglise de Brou

1825

Joseph Stannard, 1797–1830, British

Whitlingham

1824

Print made by David Lucas, 1802–1881, British

River Stour, Suffolk

1831

Print made by David Lucas, 1802–1881, British

River Stour, Suffolk

1831

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

Colebrook Dale

1825

Joseph Stannard, 1797–1830, British

Boats in a Dock

between 1824 and 1827

Joseph Stannard, 1797–1830, British

Landscape with Bridge

1824 to 1827

Print made by David Lucas, 1802–1881, British

Summer Evening

1831

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by William Miller, 1796–1882, British

Rouen

1834

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by Robert Brandard, 1805–1862, British

Between Quilleboeuf and Villequier

1834

John Piper, 1903–1992, British

Swansea Chapel

1966

Print made by Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, & c

1803

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Priory Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Maur's Farm

1913

Print made by Robert Wallis, 1794–1878, British

Dudley, Worcestershire

1835

Print made by William Radclyffe, 1780–1855, British

Keswick Lake, Cumberland

1837

Joseph Stannard, 1797–1830, British

The Beach at Mundesley

1827

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, etc

ca. 1802

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Paul Drury, 1903–1987, British

September

1928

Joseph Stannard, 1797–1830, British

The Footbridge

1824 to 1827

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by John Sell Cotman, 1782–1842, British

Cader Idris

between 1824 and 1830

Print made by Charles Turner, 1774–1857, British

Shields, on the River Tyne

1823

Print made by John Sell Cotman, 1782–1842, British

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Print made by John Sell Cotman, 1782–1842, British

Lakenham, near Norwich

ca. 1808

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by David Lucas, 1802–1881, British

Salisbury Cathedral

1837

Print made by David Lucas, 1802–1881, British

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Print made by David Lucas, 1802–1881, British

Summer Afternoon, After a Shower

1831

Print made by David Lucas, 1802–1881, British

Vignette, Hampstead Heath, Middlesex

1831

Edward Rooker, 1724–1774, British

The Summit of Cader Idris Mountain

1775

Thomas Girtin, 1775–1802, British

View of the Pont Neuf, The Mint & etc

c.1802

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Print made by Richard Parkes Bonington, 1802–1828, British

Rue du Gros-Horloge, Rouen

1824

Print made by James Duffield Harding, 1798–1863, British

Leeds

1823

Print made by William Miller, 1796–1882, British

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878, British

Stone Henge

1829

Sir Richard Long, born 1945, British

Untitled (D-vertical)

1994

Print made by John Robert Cozens, 1752–1797, British

Spruce Fir

1789

Print made by John Robert Cozens, 1752–1797, British

Oak

1789

Print made by John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

William Blake, 1757–1827, British

And now behold the sun's departing ray

1821, reprinted 1977

William Blake, 1757–1827, British

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake, 1757–1827, British

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake, 1757–1827, British

My sheep quite spent through travel and ill fare

1821, reprinted 1977

Graham Sutherland, 1903–1980, British

Pecken Wood

1925

Hamish Fulton, born 1946, British

Fourteen Coast to Coast Walks

1989

Print made by Peter Doig, born 1959, British

Country Rock

2001

Print made by Richard Cooper the Younger, 1740–1814, British

Landscape with Fallen Tree

1806

Graham Sutherland, 1903–1980, British

Number Forty-Nine

1924

Print made by John Crome, 1768–1821, British

Mousehold Heath, Norwich

between 1810 and 1811

Print made by Paul Drury, 1903–1987, British

Nicol's Farm

1925

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by David Lucas, 1802–1881, British

The Cornfield

1833

Print made by Charles Turner, 1774–1857, British

A Shipwreck

1806

Print made by unknown artist

Turner's Haunts - a map

Print made by William Bernard Cooke, 1778–1855, British

Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

1823 to 1827

Donald Maxwell, 1877–1936, British

The Weald of Kent

1924

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