Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) and The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Etched by Joseph Mallord William Turner, 1775–1851

Peat Bog, Scotland

1812

Etched by Joseph Mallord William Turner, 1775–1851

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816

Joseph Mallord William Turner, 1775–1851

Folkestone Harbour and Coast to Dover

ca. 1829

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Thomas Girtin, 1775–1802

View of the Pont Neuf, The Mint & etc

c.1802

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by David Lucas, 1802–1881

Vignette, Hampstead Heath, Middlesex

1831

Print made by David Lucas, 1802–1881

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Print made by John Sell Cotman, 1782–1842

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Print made by Charles Turner, 1774–1857

Shields, on the River Tyne

1823

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by David Lucas, 1802–1881

Salisbury Cathedral

1837

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by Edward Calvert, 1799–1883

The Bride

1828

Print made by Edward Calvert, 1799–1883

The Ploughman

1827

Print made by Edward Calvert, 1799–1883

The Return Home

1830

Print made by Edward Calvert, 1799–1883

The Sheep of His Pasture

ca. 1828

Thomas Girtin, 1775–1802

View of Pont Neuf, The Mint etc

1802

Print made by John Horsburgh, 1791–1869

Folkstone: Harbour, and Coast to Dover, Kent

1831

Print made by Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, & c

1803

William Blake, 1757–1827

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake, 1757–1827

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake, 1757–1827

And now behold the sun's departing ray

1821, reprinted 1977

William Blake, 1757–1827

My sheep quite spent through travel and ill fare

1821, reprinted 1977

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

1813

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