<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Exhibition History The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)

Remove constraint Exhibition History: The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)

Image Available Available

Remove constraint Image Available: Available

Search Results

Edward Francis Finden Temple of Minerva, Cape Colonna
Edward Francis Finden, 1791–1857, British
Temple of Minerva, Cape Colonna
ca. 1832
Edward Francis Finden The Bridge of Sighs, Venice
Edward Francis Finden, 1791–1857, British
The Bridge of Sighs, Venice
1832-1834
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Richard Earlom, 1743–1822, British
Colonel Mordaunt's Cock Match at Lucknow
1792
Edward Francis Finden The Field of Waterloo from Hougoumont
Edward Francis Finden, 1791–1857, British
The Field of Waterloo from Hougoumont
1832-1834
James Hardy Edmund Burke Esqr.
Print made by James Hardy, active 1770s
Edmund Burke Esqr
ca. 1780
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
Richard Earlom Horatio Nelson, Viscount Nelson
Richard Earlom, 1743–1822, British
Horatio Nelson, Viscount Nelson
1805
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
Luigi Schiavonetti William Blake, Frontispiece
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808, published 1813
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
Charles Turner Sir Walter Scott
Print made by Charles Turner, 1774–1857, British
Sir Walter Scott
1810
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
Johann Jacobé Omai
Johann Jacobé, 1733–1797, Austrian
Omai
1777
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
Frederick Bromley Arthur Wellesley, first Duke of Wellington, Writing the Waterloo Despatch
Frederick Bromley, active 1856–1860
Arthur Wellesley, first Duke of Wellington, Writing the Waterloo Despatch
1840
Francesco Bartolozzi RA The Death of Captain Cook
Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)
The Death of Captain Cook
1783
Robert Blyth John Hamilton Mortimer
Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
John Raphael Smith Colonel Tarleton
Print made by John Raphael Smith, 1752–1812, British
Colonel Tarleton
1782
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822, British
Sensibility
1789
Richard Parkes Bonington Glenfinlas
Print made by Richard Parkes Bonington, 1802–1828, British
Glenfinlas
1826
David Lucas Old Sarum
Print made by David Lucas, 1802–1881, British
Old Sarum
1829 to 1830
James Barry The Phoenix or the Resurrection of Freedom
James Barry, 1741–1806, Irish
The Phoenix or the Resurrection of Freedom
1776
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805, British
Fainasollis, Borbar and Fingal
1783
James Barry King Lear and Cordelia
Print made by James Barry, 1741–1806, Irish
King Lear and Cordelia
1776
John Martin The Deluge
Print made by John Martin, 1789–1854, British
The Deluge
1828
John Webber A Man of the Sandwich Islands
John Webber, 1752–1793, British
A Man of the Sandwich Islands
ca. 1784
William Blake Jerusalem, Plate 25, "And there was heard...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
John Hamilton Mortimer 'Poet, from A Midsummer Night's Dream, Act V, Scene i'
John Hamilton Mortimer, 1740–1779, British
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii
John Hamilton Mortimer, 1740–1779, British
Lear, from King Lear, Act III, Scene ii
1776
Samuel Cousins Robert Burns
Samuel Cousins, 1801–1887, British
Robert Burns
1830
Joseph Haynes Death on a Pale Horse
Joseph Haynes, 1760–1829, British
Death on a Pale Horse
1784
John Hamilton Mortimer Caliban, from The Tempest
John Hamilton Mortimer, 1740–1779, British
Caliban, from The Tempest
1775
John Hamilton Mortimer Edgar, from King Lear, Act III, Scene iii
John Hamilton Mortimer, 1740–1779, British
Edgar, from King Lear, Act III, Scene iii
William Blake The First Book of Urizen, Plate 15 (Bentley 14)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 15 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
1794
William Blake The First Book of Urizen, Plate 11 (Bentley 17)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11 (Bentley 17)
1794
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Jerusalem, Plate 62, "Repose on me...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
William Blake Jerusalem, Plate 46, "Bath, mild Physician...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
William Blake The First Book of Urizen, Plate 21 (Bentley 16)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 16)
1794
William Blake The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
1794
William Blake The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 25 (Bentley 26)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25 (Bentley 26)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
William Blake The First Book of Urizen, Plate 3 (Bentley 22)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
1794
William Blake The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
1794
Abraham Raimbach Key to the figures in "The Death of Chatham"
Abraham Raimbach, 1784–1868, British
Key to the figures in "The Death of Chatham"
1794
William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
John Hall William Penn's Treaty with the Indians
Print made by John Hall, 1739–1797, British
William Penn's Treaty with the Indians
1775
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
Francesco Bartolozzi RA The Death of Chatham
Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)
The Death of Chatham
1788
James T. Willmore Byron's Dream
James T. Willmore, 1800–1863, British
Byron's Dream
1833
John Raphael Smith African Hospitality
Print made by John Raphael Smith, 1752–1812, British
African Hospitality
1791
Agostino Brunias A Negroes Dance in the Island of Dominica
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Negroes Dance in the Island of Dominica
1779
Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870, British
Fingal's Cave, Staffa
1833
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868, British
Abbotsford
1834