A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
2
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
3
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
4
William Blake, 1757–1827
A Father's Memoirs of His Child
1806
5
Peter Simon, 1750–1810
A Midsummer Night's Dream, Act IV, Scene I
c.1796
6
William Blake, 1757–1827
A Select Collection of English Songs
1783
7
William Blake, 1757–1827
A Select Collection of English Songs
1783
8
William Blake, 1757–1827
A Select Collection of English Songs
1783
9
William Blake, 1757–1827
A Select Collection of English Songs
1783
10
William Blake, 1757–1827
A Select Collection of English Songs
1783
11
William Blake, 1757–1827
A Select Collection of English Songs
1783
12
William Blake, 1757–1827
A Select Collection of English Songs
1783
13
William Blake, 1757–1827
A Select Collection of English Songs
1783
14
William Blake, 1757–1827
A Select Collection of English Songs
1783
15
William Blake, 1757–1827
A Select Collection of English Songs
1783
16
William Blake, 1757–1827
A Select Collection of English Songs
1783
17
William Blake, 1757–1827
A Select Collection of English Songs
1783
18
William Blake, 1757–1827
A Select Collection of English Songs
1783
19
William Blake, 1757–1827
A Select Collection of English Songs
1783
20
William Blake, 1757–1827
A Select Collection of English Songs
1783
21
William Blake, 1757–1827
A Select Collection of English Songs
1783
22
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
23
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
24
Print made by William Blake, 1757–1827
Air; Plate 6
1793
25
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
26
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
28
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
31
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
32
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
33
William Blake, 1757–1827
Ballads
1805
34
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
35
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
36
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
37
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
38
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
39
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
40
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
41
Print made by William Blake, 1757–1827
Earth; Plate 5
1793
42
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
43
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
44
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
45
Print made by William Blake, 1757–1827
Fire; Plate 7
1793
46
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise, Title Page; Plate 2
1793
47
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
48
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
49
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
50
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
51
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
52
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
53
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
54
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
55
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
56
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
57
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
58
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
59
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
61
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
62
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
63
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
64
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
65
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
70
James Barry, 1741–1806
Job Reproved by his Friends
1777
71
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
72
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
73
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
74
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
75
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
76
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
77
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
78
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
79
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
80
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
81
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
82
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
83
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
84
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
85
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
86
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'