Exhibition History: William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)

1. Zebra

Creator:: George Stubbs, 1724–1806
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 × 50 1/4 inches (102.9 × 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Ecorché Figure

Creator:: Edward Burch, 1730–1814
Date:: ca. 1767
Materials & Techniques:: Bronze
Dimensions:: Overall: 10 × 4 × 4 inches (25.4 × 10.2 × 10.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 inches (44.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of two platemarks
Dimensions:: Sheet: 14 1/2 x 19 7/8 inches (36.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 14 1/2 inches (50.8 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite; verso: graphite, and pen with red ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/8 inches (51.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

14. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. John Hunter, F.R.S.

Creator:: Print made by William Sharp, 1749–1824
Date:: 1788
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 31 1/2 × 23 1/4 inches (80 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Male with Arms Spread Wide Seen from Behind

Creator:: James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, black chalk, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 11 3/4 inches (50.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 x 28 7/8 inches (52.4 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. An Academy

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1773
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 19 3/8 inches (31.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina

Creator:: Print made by John Smith, 1652–1743
Date:: 1717
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. A catalogue of a sundry elegant solid gold snuff-boxes, of rich workmanship : a fine single-stone brilliant, and other diamond rings : gold repeating, and other watches, one by Graham : Dresden, Brussels, and fine point ruffles : gold-headed canes, swords, fine cameos and intaglios : and a number of other curious and valuable articles of an eminent physician, lately deceased : which will be sold by auction, by Mr. Hutchins, at his rooms in King-Street and Hart-Street, Covent-Garden, on Thursday, the 22nd of May 1783, punctually at twelve o'clock.

A catalogue of a sundry elegant solid gold snuff-boxes, of rich workmanship : a fine single-stone brilliant, and other diamond rings : gold repeating, and other watches, one by Graham : Dresden, Brussels, and fine point ruffles : gold-headed canes, swords, fine cameos and intaglios : and a number of other curious and valuable articles of an eminent physician, lately deceased : which will be sold by auction, by Mr. Hutchins, at his rooms in King-Street and Hart-Street, Covent-Garden, on Thursday, the 22nd of May 1783, punctually at twelve o'clock.

Creator:: Hutchins, Mr. (Hassil), active 1779–1789
Date:: [1783]
Physical Description:: 4 pages ; 26 cm
Collection:: Rare Books and Manuscripts

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Exhibition History William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)

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1. Zebra

2. Ecorché Figure

3. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

4. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

5. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

6. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

7. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

8. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

9. Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)

10. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

11. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

12. Analysis of Beauty, Plate I: A Statuary's Yard

13. The Fourth Stage of Cruelty: The Reward of Cruelty

14. Study of a Female Nude

15. John Hunter, F.R.S.

16. Male with Arms Spread Wide Seen from Behind

17. Life School at the Royal Academy

18. An Academy

19. Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina