The City of Westminster from Near the York Water Gate
between 1746 and 1747
6
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
7
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
8
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
9
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
10
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
11
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
12
unknown artist
Elevation of the Ordnance Office
after 1780
13
unknown artist
View of Cumberland Terrace
undated
14
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
16
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
17
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
18
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
19
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
21
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
34
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
35
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
39
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
41
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
42
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
43
Attributed to John Carter, 1748–1817
Springing of groins
1815
44
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
45
unknown artist
Henry VII Chapel, Westminster Abbey
undated
46
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
47
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
48
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
49
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
50
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
51
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
52
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
53
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
54
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
55
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
56
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
57
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
58
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
59
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
60
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
61
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
62
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
64
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
65
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
66
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
67
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
68
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
69
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
70
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
71
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
72
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
73
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
74
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
75
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
77
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
78
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
80
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
82
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel