Search the collections

Peter Oliver, 1589–1647

A Woman Seated and Holding an Image

(undated)

• Materials & TechniquesWatercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 2 15/16 × 3 11/16 inches (7.5 × 9.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Hamilton Mortimer, 1740–1779

Studies of Academics

(undated)

• Materials & TechniquesPen and brown ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 5/8 x 7 5/8 inches (29.5 x 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Allan Ramsay, 1713–1784

Study for the Portrait of a Woman

(undated)

• Materials & TechniquesBlack chalk on medium, slightly textured, brown laid paper
• DimensionsSheet: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Benjamin Robert Haydon, 1786–1846

Study For, Christ's Entry into Jerusalem

(1810 to 1820)

• Materials & TechniquesGraphite on medium, moderately textured, cream laid paper
• DimensionsSheet: 5 1/2 × 2 15/16 inches (14 × 7.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Richard Dadd, 1817–1886

Portrait of a Monk

(1857)

• Materials & TechniquesWatercolor over graphite on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 7 1/2 x 4 5/8 inches (19.1 x 11.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Allan Ramsay, 1713–1784

Study for a Portrait of a Woman

(undated)

• Materials & TechniquesBlack chalk and white chalk on medium, moderately textured, brown laid paper
• DimensionsSheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Frederick Lewis, 1804–1876

Seated Turk

(between 1840 and 1841)

• Materials & TechniquesWatercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 17 x 11 5/8 inches (43.2 x 29.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Smirke, 1752–1845

Prospero Conjuring a Masque for Ferdinand and Miranda

(ca. 1810)

• Materials & TechniquesPen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm), Image: 4 9/16 x 6 3/16 inches (11.6 x 15.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Smirke, 1752–1845

Claudio and Isabella

(1823)

• Materials & TechniquesPen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 5 1/8 x 4 inches (13 x 10.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Smirke, 1752–1845

Feste, as Sir Topas, addressing Malvolio

(1822)

• Materials & TechniquesPen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm), Image: 5 1/4 x 4 inches (13.3 x 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Smirke, 1752–1845

Isabella and Mariana Kneeling Before the Duke

(1822)

• Materials & TechniquesPen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 5 1/8 x 4 inches (13 x 10.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Pars, 1742–1782

Measured Drawing of Sculpture in Gymnasium at Ephesus

(undated)

• Materials & TechniquesPen and black ink, gray ink, brown ink and graphite on medium, moderately textured, beige laid paper
• DimensionsSheet: 12 7/8 × 6 7/16 inches (32.7 × 16.4 cm), Image: 12 5/8 × 6 1/8 inches (32.1 × 15.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Pars, 1742–1782

Figures with a Bull From Parthenon Frieze

(undated)

• Materials & TechniquesGraphite and pen and gray ink on medium, moderately textured, cream laid paper
• DimensionsSheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Two Figures

(undated)

• Materials & TechniquesGray wash and pen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 3 1/2 × 2 1/2 inches (8.9 × 6.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Romney, 1734–1802

A Procession of the Damned: Study for Dante's "Inferno"

(1780s)

• Materials & TechniquesBrown wash with pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

David Roberts, 1796–1864

Studies of Figures in a Church

(undated)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 4 1/4 × 8 inches (10.8 × 20.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection