Search the collections

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made by William Blake, 1757–1827

Thomas Hayley, the Disciple of John Flaxman, from a Medallion

1800

Print made by William Blake, 1757–1827

Thomas Hayley the Disciple of John Flaxman, from a Medallion

1800

Print made by John Keyse Sherwin, c.1751–1790

The Fortune Teller

1784

Print made by Robert Austin, 1895–1973

The Puppet Master

1926

Francesco Bartolozzi, 1728–1815

Sheet of Anatomical Studies of the Shoulder Muscles

1796

Francesco Bartolozzi, 1728–1815

Sheet of Anatomical Studies of Postcranial Bones

1795

Print made by George Richmond, 1809–1896

The Shepherd

1827

Francesco Bartolozzi, 1728–1815

William Beckford, Esquire, Twice Lord Mayor Of London

1772

Print made by Robert Austin, 1895–1973

Woman Praying

1928

Print made by Robert Austin, 1895–1973

The Belfry

1930

Print made by Robert Austin, 1895–1973

The Puppet Master

1926

Print made by Jan de Bisschop, 1628–1671

The Entombment of Christ

1671

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

Print made by Thomas Cook, 1744–1818

Analysis of Beauty

1808

Francesco Bartolozzi, 1728–1815

Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola?... [Read more]

1773

Charles Grignion, 1717–1810

A Macarony at a Sale of Pictures

1771

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Daniel Allen, active 1830s

A Scaramouch

Print made by Frederick Christian Lewis the Elder, 1779–1856

A Young Roman Mother Admiring her Infant

1830

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Frontispiece: Hercules Fighting the Hydra

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633