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Shows 1 - 40 from 47 results
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Accessible in the Study Room
George Romney, 1734–1802
King Lear Awakened by Cordelia
ca. 1770
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Accessible in the Study Room
George Romney, 1734–1802
King Lear Awakened by Cordelia
ca. 1774
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Accessible in the Study Room
George Romney, 1734–1802
The Witches' Cavern
1792-1793
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Accessible in the Study Room
George Romney, 1734–1802
The Banquet Scene
ca. 1792
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Accessible in the Study Room
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
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Accessible in the Study Room
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
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Accessible in the Study Room
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
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Accessible in the Study Room
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
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Accessible in the Study Room
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
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Accessible in the Study Room
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
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Accessible in the Study Room
unknown artist
The Death of Cordelia
undated
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Accessible in the Study Room
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
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Accessible in the Study Room
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
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Accessible in the Study Room
Robert Smirke, 1752–1845
Prospero and Ariel
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Anne Page and Slender
1821
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Accessible in the Study Room
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
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Accessible in the Study Room
Robert Smirke, 1752–1845
Claudio and Isabella
1823
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Accessible in the Study Room
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
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Accessible in the Study Room
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
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Accessible in the Study Room
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Katherina and Grumio
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
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Accessible in the Study Room
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Oberon and Puck
1825
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Accessible in the Study Room
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
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Accessible in the Study Room
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
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Accessible in the Study Room
Robert Smirke, 1752–1845
Viola and Olivia
1822
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Accessible in the Study Room
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
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Accessible in the Study Room
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
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Accessible in the Study Room
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
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Accessible in the Study Room
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
