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Charles Ginner, 1878–1952

The Fruit Stall, King's Cross

(1914)

• Materials & TechniquesOil on canvas
• Dimensions25 3/4 x 22 inches (65.4 x 55.9 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Fund

Ellen Lanyon, 1926–2013

Bermondsey Market

(1951)

• Materials & TechniquesOil on linoleum
• DimensionsFrame: 25 1/2 × 29 inches (64.8 × 73.7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of The Libra Foundation

Unknown artist (Company style)

A Marriage Procession by Night, Patna

(between 1810 and 1840)

• Materials & TechniquesWatercolor and gouache on thick, slightly textured, cream wove paper
• DimensionsSheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Helen Bradley, 1900–1979

The End of a Perfect Day

(1967)

• Materials & TechniquesOil on canvas
• Dimensions21 x 36 inches (53.3 x 91.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

Cecil Rochfort D'Oyly John, 1906–1993

Cafe Tabac

(undated)

• Materials & TechniquesOil on canvas
• Dimensions17 × 23 inches (43.2 × 58.4 cm), Frame: 21 3/4 × 27 7/8 × 1 3/8 inches (55.2 × 70.8 × 3.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

Cecil Rochfort D'Oyly John, 1906–1993

Cafe Tabac #2

(undated)

• Materials & TechniquesOil on canvas
• Dimensions18 x 26 inches (45.7 x 66 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

David Holt, 1928–2014

Coastal Watcher

(1963)

• Materials & TechniquesOil on panel
• Dimensions33 x 43 inches (83.8 x 109.2 cm), Frame: 34 1/2 x 43 3/4 inches (87.6 x 111.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

Albert Goodwin, 1845–1932

Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

(undated)

• Materials & TechniquesWatercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
• DimensionsSheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm), Sheet: 10 × 14 3/4 inches (25.4 × 37.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Brighton Town and Church

(ca. 1780)

• Materials & TechniquesWatercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Battersea Bridge

(undated)

• Materials & TechniquesWatercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 11 15/16 × 19 1/2 inches (30.4 × 49.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Frank Short, 1857–1945

The Southdown Bus Approaching the Buckle Inn

(undated)

• Materials & TechniquesGraphite on medium, smooth, cream wove paper
• DimensionsSheet: 9 1/8 × 12 inches (23.2 × 30.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Daniel Bell

Print made by James McBey, 1883–1959

Sotto Portico, Venice

(1925)

• Materials & TechniquesEtching on medium, slightly textured, light blue laid paper
• DimensionsSheet: 14 1/4 × 11 3/8 inches (36.2 × 28.9 cm), Image: 12 3/8 × 8 3/4 inches (31.4 × 22.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

(after 1833)

• Materials & TechniquesTransfer lithograph on medium, moderately textured, cream laid paper
• DimensionsSheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm), Image: 9 3/4 x 6 7/8 inches (24.7 x 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Ernest Stephen Lumsden, 1883–1948

The Jasmine Sellers

(1914)

• Materials & TechniquesEtching on medium, slightly textured, beige wove paper
• DimensionsSheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm), Plate: 7 3/4 × 10 inches (19.7 × 25.4 cm), Image: 7 3/4 × 10 inches (19.7 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Ernest Stephen Lumsden, 1883–1948

Jaipur Evening No. 2

(1913)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm), Image: 9 × 14 inches (22.9 × 35.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Ernest Stephen Lumsden, 1883–1948

Feeding the Birds

(1921)

• Materials & TechniquesEtching with drypoint on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), Plate: 8 5/8 × 14 3/8 inches (21.9 × 36.5 cm), Image: 8 5/8 × 14 3/8 inches (21.9 × 36.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Six Venice Etchings, Title Page

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 12 7/8 x 9 1/16 inches (32.7 x 23 cm), Plate: 8 7/8 x 6 9/16 inches (22.5 x 16.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

The Rialto

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 18 1/4 x 12 7/8 inches (46.4 x 32.7 cm), Plate: 10 13/16 x 8 1/8 inches (27.4 x 20.6 cm), Image: 10 9/16 x 7 7/8 inches (26.8 x 20 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

San Lorenzo

(undated)

• Materials & TechniquesEtching and drypoint on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 16 7/8 x 13 9/16 inches (42.9 x 34.4 cm), Plate: 8 1/16 x 7 1/4 inches (20.5 x 18.4 cm), Image: 7 7/8 x 7 1/16 inches (20 x 18 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Robert Austin, 1895–1973

A Roman Madonna

(1922)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 10 1/4 x 8 1/8 inches (26.1 x 20.7 cm), Plate: 6 15/16 x 5 15/16 inches (17.6 x 15.1 cm), Image: 6 11/16 x 5 3/4 inches (17 x 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Robert Austin, 1895–1973

The Stone Breaker

(1925)

• Materials & TechniquesEtching and drypoint on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 8 3/16 x 10 13/16 inches (20.8 x 27.4 cm), Plate: 4 3/16 x 5 3/8 inches (10.7 x 13.7 cm), Image: 4 1/8 x 5 1/4 inches (10.4 x 13.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Robert Austin, 1895–1973

The Belfry

(1930)

• Materials & TechniquesLine engraving and etching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 10 7/8 x 8 9/16 inches (27.6 x 21.8 cm), Plate: 6 9/16 x 4 3/4 inches (16.7 x 12 cm), Image: 6 1/8 x 4 5/8 inches (15.5 x 11.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Futtock Shrouds

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 11/16 x 7 15/16 inches (29.7 x 20.2 cm), Plate: 9 x 5 13/16 inches (22.9 x 14.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Harold Hugo, Hon. M.A. 1963

Print made by Edmund Blampied, 1886–1966

Loading Vraic, St. Malo

(1926)

• Materials & TechniquesDrypoint on medium, moderately textured, cream laid paper
• DimensionsSheet: 10 1/16 x 15 1/2 inches (25.5 x 39.4 cm), Plate: 6 7/8 x 10 1/16 inches (17.5 x 25.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Sir Muirhead Bone, 1876–1953

Windy Night, Stockholm

(1935)

• Materials & TechniquesDrypoint on moderately thick, slightly textured, cream Asian paper
• DimensionsSheet: 15 3/4 x 10 13/16 inches (40 x 27.5 cm), Plate: 11 7/8 x 7 11/16 inches (30.2 x 19.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Stanley Anderson, 1884–1966

Smithfield

(undated)

• Materials & TechniquesDrypoint and etching on medium, slightly textured, cream Asian paper
• DimensionsSheet: 12 15/16 x 14 5/8 inches (32.9 x 37.1 cm), Plate: 8 3/4 x 10 7/8 inches (22.3 x 27.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Charles William Cain, 1893–1962

Bridge of Boats, Baghdad

(1921)

• Materials & TechniquesDrypoint on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 10 1/16 x 15 7/16 inches (25.5 x 39.2 cm), Plate: 4 1/8 x 8 7/16 inches (10.4 x 21.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Henry Wilfrid Deville, 1871–?

Singer Building

(undated)

• Materials & TechniquesEtching and drypoint on thin, slightly textured, cream laid paper
• DimensionsSheet: 8 13/16 x 6 7/8 inches (22.4 x 17.4 cm), Plate: 6 1/8 x 4 inches (15.5 x 10.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by John Copley, 1875–1950

An Autumn Afternoon on Hampstead Heath

(1939)

• Materials & TechniquesEtching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm), Plate: 13 15/16 x 10 9/16 inches (35.4 x 26.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Edward Julius Detmold, 1883–1957

The Spirit of the East

(between 1923 and 1924)

• Materials & TechniquesDrypoint and etching on moderately thick, very smooth, beige Asian paper
• DimensionsSheet: 16 7/16 x 12 1/8 inches (41.8 x 30.8 cm), Plate: 10 x 8 11/16 inches (25.4 x 22.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Charles William Cain, 1893–1962

Irrawaddy Nights

(undated)

• Materials & TechniquesDrypoint on moderately thick, slightly textured, light blue laid paper
• DimensionsSheet: 13 1/16 x 17 9/16 inches (33.2 x 44.6 cm), Plate: 9 13/16 x 14 13/16 inches (25 x 37.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Bruce Davidson, born 1933

Brighton

(1960)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsImage: 8 5/8 × 13 inches (21.9 × 33 cm), Sheet: 10 7/8 x 13 7/8in. (27.6 x 35.2cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Bruce Davidson, born 1933

Hastings

(1960)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsImage: 8 5/8 × 13 inches (21.9 × 33 cm), Sheet: 10 7/8 x 13 7/8in. (27.6 x 35.2cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Bruce Davidson, born 1933

London

(1960)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 5/8 × 12 7/8 inches (21.9 × 32.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Friends of British Art Fund

Bruce Davidson, born 1933

London

(1960)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 7/8 × 13 1/8 inches (22.5 × 33.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Richard S. and Jeanne Press

Bruce Davidson, born 1933

Pete

(1965)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 13 5/16 × 8 3/8 inches (33.9 × 21.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Bruce Davidson, born 1933

Boy with Glasses Pushing Carriage

(1965)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Bruce Davidson, born 1933

Girl Next to Tombstone with Eyes Closed

(1965)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Bruce Davidson, born 1933

Woman Looking Over her Shoulder on Empty Street

(1965)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

Bruce Davidson, born 1933

Man Sweeping Street, Horses

(1965)

• Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
• DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965