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Robert Polhill Bevan, 1865–1925

Study for the Horse Dealers

(ca. 1917)

• Materials & TechniquesGraphite, squared for transfer
• DimensionsSheet: 11 3/4 x 11 1/4in. (29.8 x 28.6cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Found, with further sketches in the margin

• Materials & TechniquesGraphite, crayon and wash
• DimensionsSheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm), Image: 9 7/8 x 13 5/16in. (25.1 x 33.8cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Hay Carts, Cumberland Market (sketch)

(ca. 1915)

• Materials & TechniquesBlack chalk on thin, smooth, beige wove tracing paper
• DimensionsSheet: 14 × 18 1/4 inches (35.6 × 46.4 cm), Image: 10 5/16 × 13 inches (26.2 × 33 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Study for Hay Carts, Cumberland Market

(ca. 1915)

• Materials & TechniquesBlack chalk on medium, smooth, cream wove paper
• DimensionsSheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Horse Dealers

(ca. 1918)

• Materials & TechniquesBlack chalk and graphite, incised for transfer; verso: red chalk on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 3/8 × 17 1/16 inches (34 × 43.3 cm), Image: 11 × 15 inches (27.9 × 38.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Skylark

(1850)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm), Plate: 4 3/4 x 3 13/16 inches (12 x 9.7 cm), Image: 3 15/16 x 2 15/16 inches (10 x 7.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

(1874)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm), Plate: 6 15/16 x 9 15/16 inches (17.6 x 25.3 cm), Image: 5 3/16 x 7 13/16 inches (13.1 x 19.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

(begun before 1861)

• Materials & TechniquesEtching and drypoint, with plate tone on thick, smooth, cream wove paper
• DimensionsSheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm), Plate: 7 1/16 x 9 15/16 inches (17.9 x 25.2 cm), Image: 5 3/16 x 7 13/16 inches (13.2 x 19.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Skylark

(1850)

• Materials & TechniquesEtching and drypoint with chine collé on thick, smooth, cream wove paper
• DimensionsSheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm), Plate: 4 13/16 x 4 1/2 inches (12.3 x 11.5 cm), Image: 3 7/8 x 2 15/16 inches (9.8 x 7.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Skylark

(1850)

• Materials & TechniquesEtching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
• DimensionsSheet: 4 13/16 x 4 inches (12.3 x 10.1 cm), Plate: 4 13/16 x 4 inches (12.3 x 10.1 cm), Image: 3 15/16 x 2 7/8 inches (10 x 7.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

(begun before 1861)

• Materials & TechniquesEtching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
• DimensionsSheet: 7 x 9 15/16 inches (17.8 x 25.2 cm), Plate: 6 7/8 x 9 7/8 inches (17.5 x 25.1 cm), Image: 5 1/8 x 7 13/16 inches (13 x 19.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

(etching begun before 1861; impression printed in 1926)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream wove paper
• DimensionsSheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm), Plate: 7 x 9 13/16 inches (17.8 x 25 cm), Image: 5 3/16 x 7 3/4 inches (13.2 x 19.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

(1858)

• Materials & TechniquesEtching and drypoint on thick, smooth, cream wove paper
• DimensionsSheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm), Plate: 7 5/8 x 10 3/8 inches (19.3 x 26.4 cm), Image: 5 3/16 x 7 15/16 inches (13.2 x 20.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Blake, 1757–1827

The Pastorals of Virgil, Volume 1

(1821)

• Materials & TechniquesBound volume of wood-engravings and letterpress on medium, slightly textured, cream wove paper
• DimensionsSpine: 7 1/8 inches (18.1 cm), Sheet: 7 x 4 1/8 inches (17.8 x 10.5 cm), Image: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Blake, 1757–1827

The Pastorals of Virgil, Volume 2

(1821)

• Materials & TechniquesBound volume of wood-engravings and letterpress on medium, slightly textured, cream wove paper
• DimensionsSpine: 7 1/8 inches (18.1 cm), Sheet: 7 x 4 1/8 inches (17.8 x 10.5 cm), Image: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Romney, 1734–1802

Sketch of a Family Group

(undated)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream wove paper
• DimensionsSheet: 3 3/4 x 3 7/8 inches (9.5 x 9.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Sketch of Female Figure

(undated)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 2 3/4 x 3 1/2 inches (7 x 8.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Head of a Young Boy

(undated)

• Materials & TechniquesGraphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 3 1/2 x 2 3/4 inches (8.9 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Standing Figure of a Woman (Psyche)

(undated)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 3/4 × 2 1/4 inches (12.1 × 5.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Old Maids

(undated)

• Materials & TechniquesGraphite and watercolor on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 3/8 × 2 3/4 inches (11.1 × 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Seated Female Figure with Two Children

(undated)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 3/8 × 5 5/8 inches (11.1 × 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Mother and Child

(undated)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream wove paper
• DimensionsSheet: 4 1/2 × 5 3/4 inches (11.4 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

George Romney, 1734–1802

Figure of a Standing Woman

(undated)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 1/2 × 2 3/8 inches (11.4 × 6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

Print made by Francesco Bartolozzi, 1728–1815

March

(1793)

• Materials & TechniquesStipple engraving and etching, hand colored on medium, moderately textured, cream wove paper
• DimensionsSheet: 16 1/4 x 13 1/4 inches (41.3 x 33.7 cm), Plate: 14 x 10 15/16 inches (35.6 x 27.8 cm), Image: 12 1/16 x 10 1/16 inches (30.7 x 25.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

June

(1789)

• Materials & TechniquesStipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
• DimensionsSheet: 16 5/16 x 13 1/4 inches (41.4 x 33.6 cm), Plate: 14 1/16 x 11 inches (35.7 x 28 cm), Image: 12 1/8 x 10 1/8 inches (30.8 x 25.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

July

(1789)

• Materials & TechniquesStipple engraving and etching, hand colored on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 16 1/4 x 13 1/4 inches (41.2 x 33.7 cm), Plate: 14 1/16 x 11 inches (35.7 x 27.9 cm), Image: 12 3/16 x 10 1/16 inches (30.9 x 25.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

August

(1793)

• Materials & TechniquesStipple engraving and etching, hand colored on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 16 1/4 x 13 1/4 inches (41.2 x 33.7 cm), Plate: 14 3/8 x 11 inches (36.5 x 28 cm), Image: 11 15/16 x 9 15/16 inches (30.4 x 25.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

February

(1793)

• Materials & TechniquesStipple engraving and etching, hand colored on medium, moderately textured, cream wove paper
• DimensionsSheet: 16 1/8 x 13 5/16 inches (41 x 33.8 cm), Plate: 14 3/16 x 11 inches (36 x 27.9 cm), Image: 8 1/8 x 9 15/16 inches (20.7 x 25.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

September

(1793)

• Materials & TechniquesStipple engraving and etching on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 16 3/16 x 13 3/16 inches (41.1 x 33.5 cm), Plate: 14 1/8 x 11 inches (35.8 x 27.9 cm), Image: 11 15/16 x 10 1/16 inches (30.4 x 25.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Lee Hankey, 1869–1952

Drapery Market

(1919)

• Materials & TechniquesEtching on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 15 x 17 5/16 inches (38.1 x 43.9 cm), Plate: 11 7/8 x 13 7/8 inches (30.2 x 35.2 cm), Image: 11 7/8 x 13 7/8 inches (30.2 x 35.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

Print made by Douglas Percy Bliss, 1900–1984

Anglers

(ca. 1925)

• Materials & TechniquesWoodcut on medium, slightly textured, beige laid paper
• DimensionsSheet: 6 15/16 x 8 1/16 inches (17.6 x 20.5 cm), Image: 4 5/16 x 5 9/16 inches (10.9 x 14.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

Print made by Sir Henry Rushbury, 1889–1968

Constable Centenary: John Constable R.A. at Flatford Mill

(1937)

• Materials & TechniquesLithograph
• DimensionsSheet: 39 1/8 x 49 13/16 inches (99.4 x 126.5 cm), Mount: 40 11/16 x 51 inches (103.3 x 129.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

William Lee Hankey, 1869–1952

The Hilltop

(1912)

• Materials & TechniquesEtching and aquatint on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 11 5/8 x 14 5/16 inches (29.6 x 36.3 cm), Plate: 9 15/16 x 12 3/8 inches (25.3 x 31.4 cm), Image: 9 15/16 x 12 3/8 inches (25.3 x 31.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

William Lee Hankey, 1869–1952

Lizette et Pierre

(1918)

• Materials & TechniquesEtching and drypoint on thick, slightly textured, white wove paper
• DimensionsSheet: 15 5/16 x 11 1/8 inches (38.9 x 28.2 cm), Plate: 9 3/4 x 6 5/16 inches (24.7 x 16.1 cm), Image: 9 3/4 x 6 5/16 inches (24.7 x 16.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Martin Hardie, 1875–1952

The Farm on the Hilltop

(1926)

• Materials & TechniquesEtching on laid paper
• DimensionsSheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Heywood Hardy, 1843–1933

Halfway House

(undated)

• Materials & TechniquesEtching on thin, slightly textured, beige Asian paper
• DimensionsSheet: 10 1/2 x 15 13/16 inches (26.7 x 40.2 cm), Plate: 8 1/8 x 10 15/16 inches (20.7 x 27.8 cm), Image: 6 9/16 x 9 7/16 inches (16.6 x 24 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

unknown artist

Nevilles Court

(between 1911 and 1924)

• Materials & TechniquesEtching on medium, slightly textured, cream Asian paper
• DimensionsSheet: 18 1/16 x 12 5/16 inches (45.9 x 31.3 cm), Plate: 12 7/16 x 7 1/16 inches (31.6 x 17.9 cm), Image: 12 7/16 x 7 1/16 inches (31.6 x 17.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

unknown artist

Shakespeare's Birthplace, Henley Street, Stratford-on-Avon

(undated)

• Materials & TechniquesEtching on medium, slightly textured, cream Asian paper
• DimensionsSheet: 9 15/16 x 15 9/16 inches (25.2 x 39.6 cm), Plate: 6 9/16 x 11 15/16 inches (16.7 x 30.3 cm), Image: 6 9/16 x 11 15/16 inches (16.7 x 30.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

(1813)

• Materials & TechniquesEtching on medium, smooth, beige wove paper
• DimensionsSheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm), Image: 14 5/16 × 10 1/2 inches (36.4 × 26.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Crome, 1768–1821

The Back of the Mills

(ca. 1812)

• Materials & TechniquesEtching on medium, slightly textured, beige wove paper
• DimensionsSheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm), Plate: 9 1/16 x 6 15/16 inches (23 x 17.7 cm), Image: 8 11/16 x 6 11/16 inches (22.1 x 17 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection