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Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
ca. 1755
Richard Parkes Bonington A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Richard Parkes Bonington, 1802–1828, British
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
1755
Adrien Carpentiers Louis-Francois Roubiliac Modelling His Monument to Shakespeare
Adrien Carpentiers, active 1739–1778, Flemish, active in Britain (from 1739)
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Derby porcelain factory Dr. Syntax: On a Horse, Jumping a Gate
Derby porcelain factory, founded 1756, British
Dr. Syntax: On a Horse, Jumping a Gate
ca. 1810
unknown artist Dr. Syntax: Walking with a Stick
unknown artist, English Pearlware
Dr. Syntax: Walking with a Stick
ca. 1810
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806, British
The Farmer's Wife and the Raven
1786
William Hogarth The Beggar's Opera
William Hogarth, 1697–1764, British
The Beggar's Opera
1729
Benjamin West The Cave of Despair
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Cave of Despair
1772
Richard Dadd Hamlet and his Mother; The Closet Scene
Richard Dadd, 1817–1886, British
Hamlet and his Mother; The Closet Scene
1846
Johan Joseph Zoffany RA Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760)
Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
1767
Walter Crane The Lady of Shalott
Walter Crane, 1845–1915, British
The Lady of Shalott
1862
Johan Joseph Zoffany RA David Garrick and his wife by his Temple to Shakespeare, Hampton
Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760)
David Garrick and his wife by his Temple to Shakespeare, Hampton
ca. 1762
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823, British
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Benjamin van der Gucht Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
Benjamin van der Gucht, 1753–1794, British
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Robert Smirke The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii
between 1798 and 1801
unknown artist Procession of Characters from Shakespeare's Plays
unknown artist, nineteenth century
Procession of Characters from Shakespeare's Plays
ca. 1840
Benjamin Wilson David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
Benjamin Wilson, 1721–1788, British
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
William Hodges Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
Landscape by William Hodges, 1744–1797, British
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
James Stephanoff Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
James Stephanoff, 1787–1874, British
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Herbert Stoppelaer Shylock and Tubal from "The Merchant of Venice"
Herbert Stoppelaer, active 1730–1775, Irish
Shylock and Tubal from "The Merchant of Venice"
1767 to 1769
George Cruikshank Herne's Oak from 'The Merry Wives of Windsor,' V, v
George Cruikshank, 1792–1878, British
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
George Cruikshank The First Appearance of William Shakespeare on the Stage of the Globe Theatre
George Cruikshank, 1792–1878, British
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Thomas Stothard Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
Thomas Stothard, 1755–1834, British
Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
1806
John S. Clifton Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
John S. Clifton, active 1852–1869, British
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840, German, active in Britain (1781–88)
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Thomas Stothard The Return of Othello, 'Othello,' Act II, Scene II
Thomas Stothard, 1755–1834, British
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Thomas Stothard Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
Thomas Stothard, 1755–1834, British
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
John Cawse Falstaff and the recruits, from "Henry IV, Part II"
John Cawse, 1779–1862, British
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Philippe-Jacques de Loutherbourg Falstaff with the Body of Hotspur
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Falstaff with the Body of Hotspur
ca. 1786
Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Virgil's Tomb by Moonlight, with Silius Italicus
1779
Robert Smirke The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Robert Smirke The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Edward Alcock Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
Edward Alcock, active 1750–ca. 1778, British
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Charles Hunt Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
Charles Hunt, 1803–1877, British
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Gilbert Stuart Newton Shylock and Jessica from the 'Merchant of Venice,' II, ii
Gilbert Stuart Newton, 1794–1835, British
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
James Northcote Master Betty as Hamlet, before a bust of Shakespeare
James Northcote, 1746–1831, British
Master Betty as Hamlet, before a bust of Shakespeare
between 1804 and 1806
Joseph Noel Paton Puck and Fairies, from "A Midsummer Night's Dream"
Joseph Noel Paton, 1821–1901, British
Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
unknown artist Prospero, Miranda and Ariel, from "The Tempest"
unknown artist, eighteenth century
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Robert Smirke The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Robert Smirke The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
between 1798 and 1801
John Atkinson Grimshaw "The Lady of Shalott"
John Atkinson Grimshaw, 1836–1893, British
"The Lady of Shalott"
ca. 1875
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798, British
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798, British
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889, British
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Robert Smirke The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Robert Smirke The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
unknown artist Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
unknown artist, eighteenth century
Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
between 1770 and 1780
Angelica Kauffmann RA Rinaldo and Armida
Angelica Kauffmann RA, 1741–1807, Swiss, active in Britain (1766–81)
Rinaldo and Armida
1771
Marcellus Laroon the Younger Scene from Shakespeare's "Henry IV, Part I"
Marcellus Laroon the Younger, 1679–1772, British
Scene from Shakespeare's "Henry IV, Part I"
1746
Benjamin West Cymon and Iphigenia
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Cymon and Iphigenia
ca. 1766
Gilbert Stuart Newton Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
Gilbert Stuart Newton, 1794–1835, British
Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
1826
William Blake The Horse
William Blake, 1757–1827, British
The Horse
ca. 1805
Derby porcelain factory Dr. Syntax: Losing His Temper
Derby porcelain factory, founded 1756, British
Dr. Syntax: Losing His Temper
ca. 1810
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801, British
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Study for 'The Red Cross Knight'
ca. 1793
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824, British
The Ghost of Clytemnestra Awakening the Furies
1781
Joseph Gott Sylvia and the Wounded Stag
Joseph Gott, 1786–1860, British, active in Italy
Sylvia and the Wounded Stag
1824
Sawrey Gilpin Gulliver Addressing the Houyhnhnms
Sawrey Gilpin, 1733–1807, British
Gulliver Addressing the Houyhnhnms
1769
Sawrey Gilpin Gulliver Taking His Final Leave of the Land of the Houyhnhnms
Sawrey Gilpin, 1733–1807, British
Gulliver Taking His Final Leave of the Land of the Houyhnhnms
1769
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801, British
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Charles Robert Leslie Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
Charles Robert Leslie, 1794–1859, British
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
William Mulready Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
William Mulready, 1786–1863, Irish
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
William Blake For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
1793
Nathaniel Hone RA Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
Print made by Nathaniel Hone RA, 1718–1784, Irish
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
Sawrey Gilpin Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
Sawrey Gilpin, 1733–1807, British
Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
between 1768 and 1769
Bernard Lens The Judgement of Paris
Print made by Bernard Lens, 1659–1725, British
The Judgement of Paris
undated
Bernard Lens Acteon and Diana
Print made by Bernard Lens, 1659–1725, British
Acteon and Diana
undated
John Hall Comedies
Print made by John Hall, 1739–1797, British
Comedies
ca. 1776
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790, British
Hamlet
1809
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844, Dutch
Here Nature List'ning Stood
1795
Daniel Berger Die Maussalle.... - "Hamlet," Act III, Scene II
Print made by Daniel Berger, 1744–1824, German
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780
unknown artist The Young Roscius
Print made by unknown artist, ( J. B. )
The Young Roscius
1804
Francesco Bartolozzi RA Queen Katherine's Dream - "Henry VIII"
Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)
Queen Katherine's Dream - "Henry VIII"
William Bromley David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Print made by William Bromley, 1769–1842, British
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
Daniel Nikolaus Chodowieki Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856, Austrian
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851, British
The Infant
1824
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851, British
The Justice
1824
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Great Actor between Tragedy and Comedy
1834
Francesco Bartolozzi RA Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)
Ophelia: There Is Rue for You and Here's Some for Me
1784
Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"
Print made by Henry William Bunbury, 1750–1811, British
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
Daniel Nikolaus Chodowieki ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878, British
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857