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Genre religious and mythological subject
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1
- "The Lady of Shalott"
- ca. 1875
- Not on view
2
- Venus and Cupid
- 1809
- Not on view
3
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
4
- The Vine
- 1852
5
- The Morning of Life
- 1860-1861
6
- The Vine
- 1852
7
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
8
- The Vine
- 1852
9
- The Vine
- 1852
10
- Procris and Cephalus
- 1812
11
- Christ and the Woman of Samaria
- 1819
12
- The Deluge
- between 1813 and 1823
13
- Jason
- 1807
14
- Apuleia in Search of Apuleius
- between 1813 and 1823
15
- Apuleia in Search of Apuleius
- between 1813 and 1823
16
- Glaucus and Scylla
- 1813 to 1823
17
- Glaucus and Scylla
- between 1813 and 1823
18
- Glaucus and Scylla
- between 1813 and 1823
19
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
20
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
22
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
23
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
24
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
25
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
26
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
27
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
28
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
29
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
30
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
32
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
33
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
34
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
39
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
40
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
41
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
42
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
43
- Jerusalem, Plate 76
- 1804 to 1820
44
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
45
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
46
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
47
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
48
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
49
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
50
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
51
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
52
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
53
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
54
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
55
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
56
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
57
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
58
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
59
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
60
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
61
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
62
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
63
- An Allegory of Love
- Undated
64
- Lot and His Family
- ca. 1718
65
- Venus, after Masters of Tarrochi
- undated
66
- A Large Christmas Card
- 1895
67
- The Arts
- undated
68
- Pamphilia
- undated
69
- The Woman at the Well
- undated
70
- Christ with Three Figures
- undated
71
- The Baptism of Christ
- undated
72
- Apollo and Daphne
- between 1770 and 1799
73
- The Rescue of Lot
- 1833
74
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
75
- The Rising of the Waters
- undated
76
- Cain and Abel
- undated
77
- Adam and Eve
- undated
78
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
79
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
80
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
81
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
82
- Madonna with a Rabbit
- undated
83
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
84
- Florence, from the Chiesa al Monte
- 1820
85
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
86
- The Rape of Persephone
- undated
87
- Florence, from the Chiesa al Monte
- 1820
88
- Florence, from the Chiesa al Monte
- 1820
89
- Epiphany
- 1919
90
- Christ Appears to Mary Magdalene (John 20:13-14)
- before 1836
91
- Tobit and the Angel
- undated
92
- Venus and Cupid
- ca. 1768
93
- A Bacchanian Scene
- undated
94
- Nymphs Bathing
- undated
95
- St. John in the Wilderness
- undated
96
- Venus Holding the Apple of Paris
- 1695
97
- Cupid
- undated
98
- Maria Magdilena
- undated
99
- Venus Witholding Adonis From the Chase
- undated
100
- Judah and Tamar
- undated