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Joseph Farington Westminster Abbey and Bridge
Joseph Farington, 1747–1821, British
Westminster Abbey and Bridge
1794
John Constable Somerset House Terrace from Waterloo Bridge
John Constable, 1776–1837, British
Somerset House Terrace from Waterloo Bridge
ca. 1819
unknown artist A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
unknown artist, eighteenth century
A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
ca. 1804
unknown artist The Burning of the Houses of Parliament
unknown artist, nineteenth century
The Burning of the Houses of Parliament
ca. 1834
Robert Polhill Bevan Aldwych
Robert Polhill Bevan, 1865–1925, British
Aldwych
1924
George Arnald A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
George Arnald, 1763–1841, British
A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
1808
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Westminster from Near the Terrace of Somerset House
ca. 1750
unknown artist An Imaginary View of Westminster Bridge
Unknown artist, mid-eighteenth century
An Imaginary View of Westminster Bridge
mid-18th century
Samuel Scott Arches of Westminster Bridge
Samuel Scott, 1701/2–1772, British
Arches of Westminster Bridge
ca. 1750
James Duffield Harding The Great Exhibition of 1851
James Duffield Harding, 1798–1863, British
The Great Exhibition of 1851
1851
Samuel Scott The Building of Westminster Bridge
Samuel Scott, 1701/2–1772, British
The Building of Westminster Bridge
ca. 1742
Samuel Scott Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
Samuel Scott, 1701/2–1772, British
Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
John Varley Westminster Abbey from Tothill Fields
John Varley, 1778–1842, British
Westminster Abbey from Tothill Fields
1832
Samuel Scott View on the Thames with Westminster Bridge
Samuel Scott, 1701/2–1772, British
View on the Thames with Westminster Bridge
between 1743 and 1744
Richard Wilson RA View of the Wilderness in St. James's Park
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56)
View of the Wilderness in St. James's Park
between 1770 and 1775
Daniel Turner A View of Westminster Bridge
Daniel Turner, active 1782–1805, British
A View of Westminster Bridge
early 19th century
unknown artist The Interior of Westminster Abbey
unknown artist, eighteenth century
The Interior of Westminster Abbey
ca. 1714
Sir Alfred J. Munnings October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament
Sir Alfred J. Munnings, 1878–1959, British
October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament
undated
Edward Edwards Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
Edward Edwards, 1738–1806, British
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Claude de Jongh The Thames at Westminster
Claude de Jongh, ca. 1600–1663, Dutch, active in Britain (1615, 1625, 1627, 1628)
The Thames at Westminster
ca. 1630
Claude de Jongh The Thames at Westminster Stairs
Claude de Jongh, ca. 1600–1663, Dutch, active in Britain (1615, 1625, 1627, 1628)
The Thames at Westminster Stairs
1631
Canaletto Westminster Bridge, with the Lord Mayor's Procession on the Thames
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
George Sidney Shepherd The Serpentine, Hyde Park
Attributed to George Sidney Shepherd, 1784–1862, British
The Serpentine, Hyde Park
mid-19th century
John Ferneley William Massey-Stanley driving his Cabriolet in Hyde Park
John Ferneley, 1782–1860, British
William Massey-Stanley driving his Cabriolet in Hyde Park
1833
George Morland St. James's Park
George Morland, 1763–1804, British
St. James's Park
between 1788 and 1790
unknown artist A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
unknown artist, eighteenth century
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Frederick Nash Somerset House, London
Frederick Nash, 1782–1856, British
Somerset House, London
ca. 1825
Frederick Nash Westminster Bridge
Frederick Nash, 1782–1856, British
Westminster Bridge
ca. 1825
Spencer Frederick Gore Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
Spencer Frederick Gore Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
Spencer Frederick Gore Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
Spencer Frederick Gore Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
Spencer Frederick Gore Cave of the Golden Calf: Study of a Tree House with Primitive People
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
John Linnell Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
John Linnell, 1792–1882, British
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
William Payne Private View of the Royal Academy
William Payne, active 1850s, British
Private View of the Royal Academy
1858
Spencer Frederick Gore Cave of the Golden Calf: Tree House, Design for Panels with Animals
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Stage
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Study for Stage
1912
Spencer Frederick Gore Cave of the Golden Calf: Sketches of a Stage and Bar
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
Spencer Frederick Gore Cave of the Golden Calf: Interior of a Theatre
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Interior of a Theatre
1912
George Cruikshank Monstrosities of 1822 - Pt. 5
Print made by George Cruikshank, 1792–1878, British
Monstrosities of 1822 - Pt. 5
1835
Sir Muirhead Bone Somerset House
Print made by Sir Muirhead Bone, 1876–1953, British
Somerset House
1905
Sir Muirhead Bone Demolition of St. James's Hall, Interior
Print made by Sir Muirhead Bone, 1876–1953, British
Demolition of St. James's Hall, Interior
1906
Thomas Shotter Boys Buckingham Palace from St. James's Park
Print made by Thomas Shotter Boys, 1803–1874, British
Buckingham Palace from St. James's Park
1842
Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
Stanley Anderson Somerset House, London
Print made by Stanley Anderson, 1884–1966, British
Somerset House, London
1910
Thomas Shotter Boys Westminster Abbey, Hospital &c.
Print made by Thomas Shotter Boys, 1803–1874, British
Westminster Abbey, Hospital &c
1842
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867, British
The Great Exhibition: Exterior View from the Southwest
1851
George Baxter Gems of the Great Exhibition No. 4: The Foreign Department
Print made by George Baxter, 1804–1867, British
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
Pietro Antonio Martini Exhibition of Royal Academy
Print made by Pietro Antonio Martini, 1738–1797, Italian
Exhibition of Royal Academy
1787
John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Print made by John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
unknown artist Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
Print made by unknown artist, (J. Hawkesworth)
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
T. Clarke Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
unknown artist Entrance of the House of Lords with the Office of Ordnance
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
Henry Melville The Kind Proroguing Parliament
Print made by Henry Melville, active 1826–1841, British
The Kind Proroguing Parliament
1834
John Thomas Smith A Doorway in one of the Cellars Under the Old House of Lords
Print made by John Thomas Smith, 1766–1833, British
A Doorway in one of the Cellars Under the Old House of Lords
1804
unknown artist New Rooms at Westminster for the Bishops
unknown artist, nineteenth century
New Rooms at Westminster for the Bishops
undated
unknown artist Peers' Entrance
unknown artist, nineteenth century
Peers' Entrance
undated
John Greig The Painted Chamber, Westminster
Print made by John Greig, active 1800–1853, British
The Painted Chamber, Westminster
1804
James Basire Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Print made by James Basire, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
James Basire Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire, 1769–1822, British
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
James Basire Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire, 1769–1822, British
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
Charles James Richardson Sections of Room under Painted Chamber
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
T. Kearnan The House of Lords, as Restored after the Fire
Print made by T. Kearnan, active 1821–1850, British
The House of Lords, as Restored after the Fire
1835
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835, British
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
Charles J. Hullmandel Henry the Seventh's Chapel, North Side
Print made by Charles J. Hullmandel, 1789–1850, British
Henry the Seventh's Chapel, North Side
undated
William Capon Henry VII Chapel
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
Herbert Railton Henry VII's Shrine
Print made by Herbert Railton, 1857–1910, British
Henry VII's Shrine
ca. 1890
John Carter South East View of the Towers of the Abbey, &c. from College St. Westminster
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
John Carter View of Modern Gateway in South East Angle of Dean's Yard
John Carter, 1748–1817, British
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
John Carter Door-way in Wall of South Precints of Westminster Abbey
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
John Carter Buildings on East Side of Dean's Yard
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
John Carter Figure study, Henry VII Chapel
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
Day & Co. Chimney piece, Star Chamber, Westminster
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Westminster
ca. 1845
John Carter East View of Modern Buildings in Continuation from St Stephen's Chapel
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
unknown artist St. Stephen's Chapel, Speaker's House, &c. from the River
unknown artist, nineteenth century
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
William Francis Starling Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Print made by William Francis Starling, active first half 19th century, British
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
John Thomas Smith Eight Illustrations of Westminster
Print made by John Thomas Smith, 1766–1833, British
Eight Illustrations of Westminster
1806
unknown artist Section of the House of Commons as it is at Present
unknown artist, nineteenth century
Section of the House of Commons as it is at Present
ca. 1800
James Basire Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
Robert William Billings Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874, British
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Capitals, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
James Basire Plate VIII: St Stephen's Chapel
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
James Basire Plate XI: St Stephen's Chapel
Print made by James Basire, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Half the Plan of Ceiling, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802