Search the collections
Shows 1 - 100 from 7127 results
-
Ben Nicholson, 1894–1982
Jan 20 1948 (still life, Newlyn)
(1948)
- Materials & TechniquesOil on canvas, laid on board
- Dimensions31 3/4 x 20 1/4 inches (80.6 x 51.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
On view
Ben Nicholson, 1894–1982
May 1955 (Gwithian)
(1955)
- Materials & TechniquesOil on canvas
- Dimensions41 3/4 x 41 3/4 inches (106 x 106 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Ben Nicholson, 1894–1982
July 15 1949 (St Ives harbour)
(1949)
- Materials & TechniquesOil and pencil on canvas
- Dimensions13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Ben Nicholson, 1894–1982
1947 (Mousehole, Cornwall)
(1947)
- Materials & TechniquesOil and pencil on board
- Dimensions7 5/8 x 9 inches (19.4 x 22.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Purchased with funds from Neil Phillips, Yale LLB 1951, and Ivan Phillips, Yale BA 1956, in memory of their parents, The Hon. Lazarus Phillips and Rosalie Phillips
-
Accessible in the Study Room
George Romney, 1734–1802
At Edgware Row
(undated)
- Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream laid paper
- DimensionsSheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
-
On view
Walter Richard Sickert, 1860–1942
The Camden Town Murder, or What Shall We Do for the Rent?
(ca. 1908)
- Materials & TechniquesOil on canvas
- Dimensions10 1/16 × 14 inches (25.6 × 35.6 cm), Frame: 17 1/8 × 21 × 3 inches (43.5 × 53.3 × 7.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
On view
Charles Ginner, 1878–1952
The Fruit Stall, King's Cross
(1914)
- Materials & TechniquesOil on canvas
- Dimensions25 3/4 x 22 inches (65.4 x 55.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
Sir Alfred J. Munnings, 1878–1959
Point-to-Point Meeting
(1920)
- Materials & TechniquesOil on canvas
- Dimensions20 x 24 1/8 inches (50.8 x 61.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Duncan Grant, 1885–1978
At Eleanor: Vanessa Bell
(1915)
- Materials & TechniquesOil on canvas
- Dimensions29 15/16 x 21 7/8 inches (76 x 55.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
Walter Richard Sickert, 1860–1942
Glover's Island from Richmond Hill
(1932)
- Materials & TechniquesOil on canvas
- Dimensions23 x 35 inches (58.4 x 88.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
-
Walter Richard Sickert, 1860–1942
Mr. Sheepshanks's House, Camden Crescent, Bath
(1917 to 1918)
- Materials & TechniquesOil on board
- Dimensions14 15/16 × 11 inches (37.9 × 27.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
-
Augustus Edwin John, 1878–1961
Dorelia in the Garden at Alderney Manor, Dorset
(ca. 1911)
- Materials & TechniquesOil on panel
- Dimensions20 × 11 7/8 inches (50.8 × 30.2 cm), Frame: 20 1/2 × 12 1/4 × 1 1/4 inches (52.1 × 31.1 × 3.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Edward Brian Seago, 1910–1974
The Red Buoy, Pin Mill
(undated)
- Materials & TechniquesOil on board
- Dimensions8 5/8 x 10 3/4 inches (21.9 x 27.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Peter Brook, 1927–2009
Cumbrian Village Bowling Team and Supporters Playing Away and Waiting for... [Read more]
(late 1960s)
- Materials & TechniquesOil on canvas
- Dimensions20 x 24 inches (50.8 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Iola S. Haverstick Fund
-
R. B. Kitaj, 1932–2007
School of London Diasporists
(1988 to 2004)
- Materials & TechniquesOil on canvas
- Dimensions36 x 60 inches (91.4 x 152.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of the artist
-
John Tunnard, 1900–1971
Forecast
(1945)
- Materials & TechniquesOil on gesso-prepared board
- Dimensions24 x 22 3/4 inches (61 x 57.8 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Friends of British Art Fund
-
Peter Biegel, 1913–1988
A Fox on the Run - Gidding Windmill in the Distance
(20th century)
- Materials & TechniquesOil on canvas
- Dimensions10 x 14 inches (25.4 x 35.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Neil Cawthorne, 1936–1978
Last Run of the Day: The Quorn
(ca. 1975)
- Materials & TechniquesOil on canvas
- Dimensions20 1/4 x 30 1/4 inches (51.4 x 76.8 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Douglas Stannus Gray, 1890–1959
Cricket on the Green, Southwick
(1953)
- Materials & TechniquesOil on canvas
- Dimensions20 x 30 inches (50.8 x 76.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir John Lavery, 1856–1941
Jockeys and Owners at Epsom
(1923)
- Materials & TechniquesOil on panel
- Dimensions20 x 24 inches (50.8 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
On the Downs
(1933)
- Materials & TechniquesOil on canvas
- Dimensions30 x 36 1/4 inches (76.2 x 92.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
Portrait of Lord Derby's Stallion, "Fairway", painted at Newmarket
(1936)
- Materials & TechniquesOil on canvas
- Dimensions19 1/4 x 23 1/4 inches (48.9 x 59.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
Saddling Up for the Grand National, 1919: Before the Snowstorm (sketch)
(1919)
- Materials & TechniquesOil on canvas
- Dimensions21 1/2 x 29 3/4 inches (54.6 x 75.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
The Saddling Paddock, Cheltenham March Meeting (sketch)
(ca. 1947)
- Materials & TechniquesOil on heavy card
- Dimensions14 x 28 inches (35.6 x 71.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
Newmarket Again
(ca. 1952)
- Materials & TechniquesOil on panel
- Dimensions17 3/4 x 24 inches (45.1 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Lionel Edwards, 1878–1966
High Leicestershire
(1961)
- Materials & TechniquesOil on canvas
- Dimensions20 x 24 inches (50.8 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Neil Cawthorne, 1936–1978
Full Cry: The Quorn
(ca. 1975)
- Materials & TechniquesOil on canvas
- Dimensions18 x 24 inches (45.7 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Bertram Priestman, 1868–1951
The Aquitania coming up Southampton Water, 1930
(ca. 1930)
- Materials & TechniquesOil on canvas
- Dimensions25 x 30 1/8 inches (63.5 x 76.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
unknown artist
Morecambe Sands
(undated)
- Materials & TechniquesOil on canvas
- Dimensions9 × 12 inches (22.9 × 30.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Monique Goldstrom in honor of Michael Goldstrom's role "Hersh" in "Modern Orthodox" by Daniel Goldfarb at Long Wharf Theatre
-
L. S. Lowry, 1887–1976
Sands at Lytham
(1956)
- Materials & TechniquesOil on canvas
- Dimensions7 3/4 x 12 inches (19.7 x 30.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Regan Pritzker
-
Edward Brian Seago, 1910–1974
After the Barge Race, Pin Mill
(undated)
- Materials & TechniquesOil on board
- Dimensions11 x 16 inches (27.9 x 40.6 cm), Frame: 16 1/2 x 21 1/2 inches (41.9 x 54.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
-
Helen Bradley, 1900–1979
The End of a Perfect Day
(1967)
- Materials & TechniquesOil on canvas
- Dimensions21 x 36 inches (53.3 x 91.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
-
L. S. Lowry, 1887–1976
St. Annes-on-Sea
(1957)
- Materials & TechniquesOil on canvas
- Dimensions11 x 18 1/2 inches (27.9 x 47 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Regan Pritzker
-
Sir Alfred J. Munnings, 1878–1959
October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament
(undated)
- Materials & TechniquesOil on panel
- Dimensions6 1/2 × 16 3/16 inches (16.5 × 41.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Graham Bell, 1910–1943
Thomasson Park, Bolton
(1938)
- Materials & TechniquesOil on canvas
- Dimensions20 x 24 inches (50.8 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
unknown artist
The Wolverhampton Racecourse
(1837)
- Materials & TechniquesOil on canvas
- Dimensions23 x 33 inches (58.4 x 83.8 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Walter Richard Sickert, 1860–1942
A Theatrical Incident: "As You Like It"
(1938)
- Materials & TechniquesOil on canvas
- Dimensions40 x 36 inches (101.6 x 91.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
-
Malcolm Drummond, 1880–1945
The Princess of Wales Pub, Trafalgar Square: Mrs. Francis behind the Bar
(ca. 1931)
- Materials & TechniquesOil on canvas
- Dimensions26 x 17 1/16 inches (66 x 43.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
Lucien Pissarro, 1863–1944
Blackpool Vale, Devon
(1921)
- Materials & TechniquesOil on canvas
- Dimensions30 × 34 1/2 inches (76.2 × 87.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
-
On view
Geoffrey Tibble, 1909–1952
Fitzroy Street (William Coldstream and Graham Bell in an Interior)
(ca. 1935)
- Materials & TechniquesOil on canvas
- Dimensions27 x 32 inches (68.6 x 81.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
-
Ruskin Spear, 1911–1990
Channel Coast
(ca. 1975)
- Materials & TechniquesOil on masonite board
- Dimensions20 x 24 inches (50.8 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
-
John Minton, 1917–1957
Cornish Landscape
(1946)
- Materials & TechniquesOil on canvas
- Dimensions20 x 24 inches (50.8 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
-
Peter Lanyon, 1918–1964
Landscape: Towednack, Cornwall
(ca. 1939)
- Materials & TechniquesOil on board
- Dimensions13 × 16 inches (33 × 40.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
-
Walter Greaves, 1846–1930
The Black Lion, Chelsea by Night
(ca. 1890)
- Materials & TechniquesOil on panel
- Dimensions10 1/4 × 14 1/8 inches (26 × 35.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
-
David Jones, 1895–1974
Walled Garden
(between 1930 and 1932)
- Materials & TechniquesOil on board
- Dimensions20 × 24 inches (50.8 × 61 cm), Frame: 25 × 29 inches (63.5 × 73.7 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
Gilbert Spencer, 1892–1979
Cottages at Durweston, Dorset
(ca. 1923)
- Materials & TechniquesOil on panel
- Dimensions12 3/4 x 16 inches (32.4 x 40.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
Walter Richard Sickert, 1860–1942
Pulteney Bridge, Bath
(between 1916 and 1917)
- Materials & TechniquesOil on canvas
- Dimensions28 1/2 x 45 1/4 inches (72.4 x 114.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Cecil Charles Windsor Aldin, 1870–1935
Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')
(1925)
- Materials & TechniquesOil on canvas
- Dimensions18 1/2 x 23 3/4 inches (47 x 60.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Peter Biegel, 1913–1988
Over the Sawdust! South & West, Wilts. Point-to-Point
(1953)
- Materials & TechniquesOil on canvas
- Dimensions20 1/8 × 24 1/8 inches (51.1 × 61.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir John Lavery, 1856–1941
Houghton Meeting, Newmarket, 1913
(1913)
- Materials & TechniquesOil on canvas
- Dimensions25 x 30 inches (63.5 x 76.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
Newmarket Start
(ca. 1947)
- Materials & TechniquesOil on panel
- Dimensions20 1/8 x 24 inches (51.1 x 61 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir Alfred J. Munnings, 1878–1959
Start at Newmarket: Study No. 4
(ca. 1947)
- Materials & TechniquesOil on panel
- Dimensions36 x 72 1/4 inches (91.4 x 183.5 cm), Frame: 43 3/4 × 79 3/4 × 3 1/4 inches (111.1 × 202.6 × 8.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Sir John Lavery, 1856–1941
String Out Exercising at Newmarket, 1913
(1913)
- Materials & TechniquesOil on canvas
- Dimensions25 x 30 1/8 inches (63.5 x 76.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Edward Brian Seago, 1910–1974
Sketches of Eleven Hounds of the Tedworth Park Hunt
(1935)
- Materials & TechniquesOil on panel
- Dimensions20 x 29 1/4 inches (50.8 x 74.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Keith Vaughan, 1912–1977
Harrow Hill after Snow
(1968)
- Materials & TechniquesOil on canvas
- Dimensions40 x 36 inches (101.6 x 91.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
-
unknown artist
Restoration Procession of Charles II at Cheapside
(mid-18th century)
- Materials & TechniquesOil on canvas
- Dimensions50 x 40 inches (127 x 101.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Frederick & Robert Sparrow & Co.
Front views of F. & R. Sparrow & Co.'s original London genuine tea... [Read more]
([1823])
- Materials & Techniques
- Dimensions1 folded sheet (2 unnumbered pages) : illustrations ; 23 x 29 cm, folded to 23 x 14 cm
- CollectionRare Books and Manuscripts
- Credit line22939754970008651|Yale Center for British Art, Paul Mellon Fund
-
Accessible in the Study Room
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
(after 1852)
- Materials & TechniquesAquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
- DimensionsMount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm), Sheet: 6 1/4 x 4 7/16 inches (15.8 x 11.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
(after 1893)
- Materials & TechniquesAquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
- DimensionsMount: 9 x 6 5/16 inches (22.9 x 16 cm), Sheet: 7 1/2 x 5 1/8 inches (19 x 13 cm), Plate: 6 3/4 x 4 11/16 inches (17.2 x 11.9 cm), Image: 6 1/4 x 4 7/16 inches (15.9 x 11.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
(after 1893)
- Materials & TechniquesAquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
- DimensionsMount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm), Sheet: 7 7/16 x 5 1/16 inches (18.9 x 12.8 cm), Plate: 6 3/4 x 4 5/8 inches (17.1 x 11.8 cm), Image: 6 1/4 x 4 3/8 inches (15.8 x 11.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
A bit of rock from Boston
([approximately 1900])
- Materials & Techniques
- Dimensions1 folded sheet ([12] panels) : illustrations ; x 41 cm, folded to 7 x 4 cm, attached to covers 10 x 6 cm
- CollectionRare Books and Manuscripts
- Credit line22879492800008651|Yale Center for British Art, Friends of British Art Fund
-
Accessible in the Study Room
Lionel Edwards, 1878–1966
Newmarket - Pulling Up
(1933)
- Materials & TechniquesWatercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
- DimensionsSheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Lionel Edwards, 1878–1966
The Quorn towards Ashby de la Zouch, Leicestershire
(1919)
- Materials & TechniquesWatercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
- DimensionsMount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm), Sheet: 19 3/16 × 24 3/4 inches (48.7 × 62.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Gaynor Chapman, 1935–2000
Country Walks: The Naturalist
(1963)
- Materials & TechniquesLithograph
- DimensionsSheet: 39 15/16 x 25 inches (101.4 x 63.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Anna Katrina Zinkeisen, 1901–1976
Richmond Horse Show
(1934)
- Materials & TechniquesLithograph
- DimensionsSheet: 10 7/16 x 12 1/2 inches (26.5 x 31.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Charles Ginner, 1878–1952
Shepherd Market
(undated)
- Materials & TechniquesPen and black ink and watercolor on parchment
- DimensionsSheet: 18 3/4 x 13 1/4 inches (47.6 x 33.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Patricia Cornwell
-
Accessible in the Study Room
Print made by Robert Spence, 1871–1964
Conversion of Elizabeth Trelawney
(between 1897 and 1909)
- Materials & TechniquesEtching and drypoint on medium, slightly textured, beige wove paper
- DimensionsSheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm), Plate: 6 7/8 x 9 15/16 inches (17.5 x 25.2 cm), Image: 6 1/4 x 9 13/16 inches (15.9 x 25 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the George School, Newtown, Pennsylvania
-
Accessible in the Study Room
Print made by Robert Spence, 1871–1964
George Fox Preaching at Carlisle
(between 1897 and 1912)
- Materials & TechniquesEtching and drypoint on moderately thick, slightly textured, beige laid paper
- DimensionsSheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm), Plate: 7 3/8 x 9 3/4 inches (18.8 x 24.7 cm), Image: 6 5/8 x 9 11/16 inches (16.9 x 24.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the George School, Newtown, Pennsylvania
-
Accessible in the Study Room
Print made by Robert Spence, 1871–1964
George Fox and the Dead Cromwell
(between 1897 and 1898)
- Materials & TechniquesEtching and drypoint on moderately thick, slightly textured, greened white laid paper
- DimensionsSheet: 9 1/2 x 12 inches (24.2 x 30.5 cm), Plate: 6 15/16 x 8 15/16 inches (17.6 x 22.7 cm), Image: 6 5/16 x 8 7/8 inches (16.1 x 22.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the George School, Newtown, Pennsylvania
-
Accessible in the Study Room
Benjamin Getzel Lewis, 1900–1966
Central Bus Routes North-East Area
(ca. 1955)
- Materials & TechniquesLithograph on thin, smooth, cream wove paper
- DimensionsSheet: 39 7/8 x 49 13/16 inches (101.3 x 126.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Benjamin Getzel Lewis, 1900–1966
Central Bus Routes South-East Area
(ca. 1955)
- Materials & TechniquesLithograph on thin, smooth, cream wove paper
- DimensionsSheet: 39 7/8 x 49 7/8 inches (101.3 x 126.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Benjamin Getzel Lewis, 1900–1966
Central Bus Routes North-West Area
(ca. 1955)
- Materials & TechniquesLithograph on thin, smooth, cream wove paper
- DimensionsSheet: 40 x 49 15/16 inches (101.6 x 126.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Benjamin Getzel Lewis, 1900–1966
Central Bus and Trolleybus Routes
(ca. 1955)
- Materials & TechniquesLithograph on thin, smooth, cream wove paper
- DimensionsSheet: 40 x 49 7/8 inches (101.6 x 126.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
unknown artist
Green Line Coach Routes
(ca. 1950s)
- Materials & TechniquesLithograph on thin, smooth, cream wove paper
- DimensionsSheet: 40 x 50 1/8 inches (101.6 x 127.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Benjamin Getzel Lewis, 1900–1966
Central Bus Routes South-West Area
(ca. 1955)
- Materials & TechniquesLithograph on thin, smooth, cream wove paper
- DimensionsSheet: 39 15/16 x 49 15/16 inches (101.4 x 126.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Donald Blake, 1908–1997
Britain: Spearhead of Attack
(between 1939 and 1945)
- Materials & TechniquesLithograph on thin, slightly textured, cream wove paper
- DimensionsSheet: 19 13/16 x 29 9/16 inches (50.3 x 75.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
(between 1890 and 1911)
- Materials & TechniquesEtching and drypoint on medium, slightly textured, beige wove paper
- DimensionsSheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm), Plate: 5 7/16 x 5 11/16 inches (13.8 x 14.4 cm), Image: 4 11/16 x 5 11/16 inches (11.9 x 14.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the George School, Newtown, Pennsylvania
-
Accessible in the Study Room
Print made by Robert Spence, 1871–1964
George Fox Comes to London After the Great Fire
(between 1890 and 1911)
- Materials & TechniquesEtching and drypoint on medium, slightly textured, beige wove paper
- DimensionsSheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm), Plate: 8 15/16 x 13 15/16 inches (22.7 x 35.4 cm), Image: 8 3/8 x 13 13/16 inches (21.3 x 35.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the George School, Newtown, Pennsylvania
-
Accessible in the Study Room
John Hassall, 1868–1948
Skegness is so Bracing
(between 1923 and 1932)
- Materials & TechniquesChromolithograph on canvas
- DimensionsSheet: 40 x 49 3/4 inches (101.6 x 126.4 cm), Mount: 43 15/16 x 53 9/16 inches (111.6 x 136 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Print made by Austin Cooper, 1890–1964
Lowestoft
(1932)
- Materials & TechniquesLithograph mounted on canvas
- DimensionsMount: 42 1/8 x 52 1/16 inches (107 x 132.2 cm), Sheet: 40 1/16 x 50 1/16 inches (101.8 x 127.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Print made by Frank H. Mason, 1876–1965
Harwich for the Continent
(1940)
- Materials & TechniquesChromolithograph on canvas
- DimensionsMount: 42 x 52 inches (106.7 x 132.1 cm), Sheet: 40 1/8 x 49 7/8 inches (101.9 x 126.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
John Aldridge, 1905–1983
Shell Guide to Norfolk
(undated)
- Materials & TechniquesLithograph
- DimensionsSheet: 29 x 20 inches (73.7 x 50.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Stanley Roy Badmin, 1906–1989
Shell Guide to Surrey
(ca. 1960)
- Materials & TechniquesLithograph
- DimensionsSheet: 29 1/2 x 20 inches (74.9 x 50.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Print made by John Northcote Nash, 1893–1977
Shell Guide to Cambridgeshire
(1963)
- Materials & TechniquesLithograph
- DimensionsSheet: 29 x 20 inches (73.7 x 50.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
David Gentleman, born 1930
Shell Guide to Nottinghamshire
(ca. 1961)
- Materials & TechniquesLithograph
- DimensionsSheet: 29 1/2 x 20 inches (74.9 x 50.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
-
Accessible in the Study Room
Bill Brandt, 1904–1983
Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
(1940)
- Materials & TechniquesGelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
- DimensionsMount: 20 x 15 15/16 inches (50.8 x 40.5 cm), Sheet: 13 1/2 x 11 1/2in. (34.3 x 29.2cm), Image: 13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein
-
Accessible in the Study Room
Bill Brandt, 1904–1983
People Sheltering in the Tube, Elephant and Castle Underground Station,... [Read more]
(ca. 1939)
- Materials & TechniquesGelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
- DimensionsMount: 20 x 16 inches (50.8 x 40.6 cm), Sheet: 13 1/2 x 11 1/2 inches (34.3 x 29.2 cm), Image: 13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein
-
Accessible in the Study Room
Print made by unknown artist
Part of Westminster
(ca. 1850)
- Materials & TechniquesLine engraving on moderately textured, moderately thick, white wove paper
- DimensionsSheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm), Plate: 5 7/16 × 7 15/16 inches (13.8 × 20.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Print made by William Francis Starling, active first half 19th century
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
(1843)
- Materials & TechniquesLine engraving on smooth, moderately thick, cream wove paper
- DimensionsSheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Print made by unknown artist
Part of the Front of the Vestibule
(1843)
- Materials & TechniquesLine engraving on smooth, thick, cream wove paper
- DimensionsSheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Saxton, Christopher, 1542?-
[The travellers guide
([1686?])
- Materials & Techniques
- Dimensions1 atlas ([10] sheets) : hand colored maps ; sheets 28 x 69 cm, and smaller
- CollectionRare Books and Manuscripts
- Credit line
-
Accessible in the Study Room
Print made by John Piper, 1903–1992
King's College, Cambridge, from Trinity
(ca. 1954)
- Materials & TechniquesLithograph on moderately thick, moderately textured, white wove paper
- DimensionsSheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm), Image: 16 1/4 x 21 5/8 inches (41.3 x 54.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Colin Sorensen, active 1964–2001
Two Studies of Clare College
(1964)
- Materials & TechniquesBrown wash, graphite, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
- DimensionsSheet: 11 5/8 × 8 11/16 inches (29.5 × 22.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Colin Sorensen, active 1964–2001
Two Studies of Clare College
(1964)
- Materials & TechniquesBrown wash, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
- DimensionsSheet: 11 9/16 × 8 9/16 inches (29.4 × 21.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Sir Alfred J. Munnings, 1878–1959
The Stands at Epsom (drawn on an Australia Club invitation)
(undated)
- Materials & TechniquesGraphite on medium, smooth, cream wove paper
- DimensionsSheet: 6 7/8 × 4 15/16 inches (17.5 × 12.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Bruce Davidson, born 1933
London
(1960)
- Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
- DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 3/4 × 13 1/8 inches (22.2 × 33.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Friends of British Art Fund
-
Accessible in the Study Room
Bruce Davidson, born 1933
London
(1960)
- Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
- DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 3/4 × 13 1/4 inches (22.2 × 33.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Richard S. and Jeanne Press
-
Accessible in the Study Room
Bruce Davidson, born 1933
Brighton
(1960)
- Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
- DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 7/8 × 13 1/4 inches (22.5 × 33.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Richard S. and Jeanne Press
-
Accessible in the Study Room
Bruce Davidson, born 1933
Hastings
(1960)
- Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
- DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 7/8 × 13 1/4 inches (22.5 × 33.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Richard S. and Jeanne Press
-
Accessible in the Study Room
Bruce Davidson, born 1933
London
(1960)
- Materials & TechniquesGelatin silver print on moderately thick, semigloss photographic paper
- DimensionsSheet: 11 x 14 inches (27.9 x 35.6 cm), Image: 8 7/8 × 13 inches (22.5 × 33 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Richard S. and Jeanne Press
