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Joseph Mallord William Turner, 1775–1851

Chateaux de St. Michael, Bonneville, Savoy

(exhibited 1803)

• Materials & TechniquesOil on canvas
• Dimensions36 x 48 inches (91.4 x 121.9 cm), Frame: 45 1/2 × 58 × 4 inches (115.6 × 147.3 × 10.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

A Morning at Tattersalls (with further sketches in left margin folded... [Read more]

(undated)

• Materials & TechniquesBlack chalk and colored washes on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 13 3/8 × 17 inches (34 × 43.2 cm), Image: 8 1/4 × 9 5/16 inches (21 × 23.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

(ca. 1818)

• Materials & TechniquesWatercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Joseph Mallord William Turner, 1775–1851

Dartmoor: The Source of the Tamar and the Torridge

(ca. 1813)

• Materials & TechniquesWatercolor, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Lear, 1812–1888

Val di Roppa, Corfu, 22 May 1868

(1868)

• Materials & TechniquesPen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 14 × 20 inches (35.6 × 50.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

John Ferneley, 1782–1860

Archery Meeting in Bradgate Park, Leicestershire

(1850)

• Materials & TechniquesOil on canvas
• Dimensions46 1/2 x 99 inches (118.1 x 251.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

An Imaginary View of Westminster Bridge

(mid-18th century)

• Materials & TechniquesOil on canvas
• Dimensions28 1/4 × 36 1/4 inches (71.8 × 92.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to George Sidney Shepherd, 1784–1862

The Serpentine, Hyde Park

(mid-19th century)

• Materials & TechniquesOil on panel
• Dimensions6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Pieter Angillis, 1685–1734

Covent Garden

(ca. 1726)

• Materials & TechniquesOil on copper
• Dimensions18 13/16 x 24 13/16 inches (47.8 x 63 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Lincoln's Inn, the Chapel, and Old Hall, London

(ca. 1730)

• Materials & TechniquesOil on canvas
• Dimensions34 3/4 x 49 3/4 inches (88.3 x 126.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Augustus Wall Callcott, 1779–1844

A View of Richmond Bridge, on the Thames

(between 1807 and 1810)

• Materials & TechniquesOil on paper on board
• Dimensions7 1/2 × 10 1/2 inches (19.1 × 26.7 cm), Frame: 10 5/8 × 13 5/8 inches (27 × 34.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Canaletto, 1697–1768

The City from Near the Terrace of Somerset House

(ca. 1750)

• Materials & TechniquesOil on canvas
• DimensionsFrame: 21 × 34 1/2 inches (53.3 × 87.6 cm), 15 3/16 x 28 11/16 inches (38.6 x 72.9 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

James Holland, 1799–1870

The Lady Betty Germain Bedroom at Knole, Kent

(1845)

• Materials & TechniquesOil on canvas
• Dimensions27 x 37 1/2 inches (68.6 x 95.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Walter Richard Sickert, 1860–1942

The Beach at Scheveningen

(1887)

• Materials & TechniquesOil on canvas
• Dimensions20 x 24 inches (50.8 x 61 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Richard Parkes Bonington, 1802–1828

Calais Jetty, France

(ca. 1824)

• Materials & TechniquesOil on panel
• Dimensions11 3/4 x 13 7/8 inches (29.8 x 35.2 cm), Frame: 15 1/2 × 18 inches (39.4 × 45.7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

James Holland, 1799–1870

Torre Dos Clerigos, Oporto, Portugal

(1837)

• Materials & TechniquesOil on canvas
• Dimensions21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Paul Sandby, 1731–1809

An Unfinished View of the West Gate, Canterbury

(between 1780 and 1785)

• Materials & TechniquesPen and brown ink and oil on paper laid down on panel
• Dimensions17 7/8 x 25 inches (45.4 x 63.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

William Tasker, 1808–1852

Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the... [Read more]

(ca. 1839)

• Materials & TechniquesOil on canvas
• Dimensions19 1/2 x 29 5/8 inches (49.5 x 75.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Fisher, 1788–1832

Osmington: A View to the Village

(ca. 1820)

• Materials & TechniquesOil on canvas
• Dimensions5 3/4 x 10 inches (14.6 x 25.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

The Wolverhampton Racecourse

(1837)

• Materials & TechniquesOil on canvas
• Dimensions23 x 33 inches (58.4 x 83.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

William Tasker, 1808–1852

The Liverpool and National Steeplechase at Aintree, 1843

(ca. 1843)

• Materials & TechniquesOil on canvas
• Dimensions34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Geoffrey Tibble, 1909–1952

Fitzroy Street (William Coldstream and Graham Bell in an Interior)

(ca. 1935)

• Materials & TechniquesOil on canvas
• Dimensions27 x 32 inches (68.6 x 81.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

George Vincent, 1796–1832

A View of Cheddar Gorge

(ca. 1820)

• Materials & TechniquesOil on canvas
• Dimensions36 x 48 inches (91.4 x 121.9 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

George Vincent, 1796–1832

A View of Thames Street, Windsor

(1827 to 1830)

• Materials & TechniquesOil on canvas
• Dimensions26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Peter Tillemans, 1684–1734

The Round Course at Newmarket, Cambridgeshire, Preparing for the... [Read more]

(ca. 1725)

• Materials & TechniquesOil on canvas
• Dimensions34 1/4 × 49 1/2 inches (87 × 125.7 cm), Frame: 38 × 52 3/4 × 2 1/8 inches (96.5 × 134 × 5.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Salmon, 1775–ca.1845

The Low Lighthouse, North Shields

(1828)

• Materials & TechniquesOil on panel
• Dimensions16 1/2 x 25 3/4 inches (41.9 x 65.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Joseph Stannard, 1797–1830

Buckenham Ferry, on the River Yare, Norfolk

(1826)

• Materials & TechniquesOil on panel
• Dimensions15 3/4 x 24 inches (40 x 61 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Pieter Angillis, 1685–1734

Vegetable Seller, Covent Garden

(ca. 1726)

• Materials & TechniquesOil on panel
• Dimensions13 5/8 x 10 5/8 inches (34.6 x 27 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Charles Turner, 1774–1857

An Extensive View of the Oxford Races

(ca. 1820)

• Materials & TechniquesOil on canvas
• Dimensions25 1/8 x 36 1/4 inches (63.8 x 92.1 cm), Frame: 32 3/8 × 43 1/4 × 2 inches (82.2 × 109.9 × 5.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Alfred Joseph Woolmer, 1805–1892

Interior of the British Institution (Old Master Exhibition, Summer... [Read more]

(1833)

• Materials & TechniquesOil on canvas
• Dimensions28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Julius Caesar Ibbetson, 1759–1817

Langdale Pikes from Lowood

(between 1800 and 1806)

• Materials & TechniquesOil on canvas
• Dimensions14 x 19 inches (35.6 x 48.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Linnell, 1792–1882

Hanson Toot, View in Dovedale

(1815, reworked, 1846, 1854, and 1870)

• Materials & TechniquesOil on canvas
• Dimensions24 1/2 x 35 1/2 inches (62.2 x 90.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Jacques-Laurent Agasse, 1767–1849

The Chalon Family in London

(ca. 1800)

• Materials & TechniquesOil on Academy Board
• Dimensions5 3/8 x 7 3/4 inches (13.7 x 19.7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Fund

Charles Philips, 1708–1747

Tea Party at Lord Harrington's House, St. James's

(1730)

• Materials & TechniquesOil on canvas
• Dimensions40 1/4 x 49 3/4 inches (102.2 x 126.4 cm), Frame: 51 1/4 × 61 1/4 × 2 1/2 inches (130.2 × 155.6 × 6.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

James Pollard, 1792–1867

North Country Mails at the Peacock, Islington

(1821)

• Materials & TechniquesOil on canvas
• Dimensions43 x 60 3/4 inches (109.2 x 154.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Paul Sandby, 1731–1809

Bridgenorth, Shropshire

(ca. 1801)

• Materials & TechniquesGouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm), Frame: 38 5/8 x 47 1/4 x 1 1/2 inches (98.1 x 120 x 3.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Edward Radclyffe, 1809–1863

Calais Pier

(after 1832)

• Materials & TechniquesEtching on medium, smooth, cream wove paper
• DimensionsSheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm), Image: 7 1/4 x 10 1/8 inches (18.4 x 25.7 cm), Plate: 9 1/4 x 11 7/8 inches (23.5 x 30.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Thomas Rowlandson, 1756–1827

The Return of the Fleet to Great Yarmouth in 1797

(1797)

• Materials & TechniquesWatercolor and pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Stag at Bay - Scene near Taplow, Berks

(between 1795 and 1801)

• Materials & TechniquesWatercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
• DimensionsSheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing... [Read more]

(1791)

• Materials & TechniquesStipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm), Plate: 13 11/16 x 16 9/16 inches (34.7 x 42 cm), Image: 11 9/16 x 15 13/16 inches (29.3 x 40.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection