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"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..."... [Read more]

1804 to 1820

"The banks of the Thames are clouded..." (Plate 5)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

On view

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

On view

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

"The clouds of Albions Druid Temples..." (Plate 60)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

"Then all the Males conjoined into One Male..." (Plate 69)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

"And this the form of mighty Hand..." (Plate 70)

On view

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate... [Read more]

1804 to 1820

"The Four Zoa's clouded rage..." (Plate 74)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

"Encompass'd by the frozen Net..." (Plate 80)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

"I have mock'd those who refused cruelty..." (Plate 81)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

"Became a Space & an Allegory..." (Plate 85)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

"Albion cold lays on his Rock..." (Plate 94)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

II. "Man by his reasoning power can only compare..." (Plate 4)

Accessible in the Study Room

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

1793

America, A Prophecy; Title Page (Plate 2)

On view

Print made by William Blake, 1757–1827

America, A Prophecy; Title Page (Plate 2)

1793

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Accessible in the Study Room

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

On view

Print made by William Blake, 1757–1827

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..."... [Read more]

1793

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Accessible in the Study Room

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Accessible in the Study Room

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

A Prophecy. "The deep of winter came..." (Plate 5)

Accessible in the Study Room

Print made by William Blake, 1757–1827

A Prophecy. "The deep of winter came..." (Plate 5)

1794

Accessible in the Study Room

Print made by William Blake, 1757–1827

Plague (Plate 13)

1794

"Shot from the heights of Enitharmon..." (Plate 17)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Accessible in the Study Room

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

Los with the child Orc and Enitharmon (Plate 18)

Accessible in the Study Room

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

Accessible in the Study Room

Print made by William Blake, 1757–1827

Albion's Angel; Frontispiece (Plate 1)

1793

"The Ox in the slaughter house moans..." (Plate 26)

Accessible in the Study Room

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

On view

William Blake, 1757–1827

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..."... [Read more]

between 1797 and 1798

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

Accessible in the Study Room

William Blake, 1757–1827

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields... [Read more]

between 1797 and 1798

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

Accessible in the Study Room

William Blake, 1757–1827

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain... [Read more]

between 1797 and 1798

A Shepherd Reading the Epitaph (Design 115)

Accessible in the Study Room

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

Accessible in the Study Room

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands"... [Read more]

between 1797 and 1798

"A brace of warriors... rustling in their silks and tissues..."(Design 27)

Accessible in the Study Room

William Blake, 1757–1827

"A brace of warriors... rustling in their silks and tissues..."(Design... [Read more]

between 1797 and 1798

"Up stairs in a whirlwind rattle..." (Design 29)

Accessible in the Study Room

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

Accessible in the Study Room

William Blake, 1757–1827

Ode on the Spring; Title Page

between 1797 and 1798

The Progress of Poesy, A Pindaric Ode; Title Page

Accessible in the Study Room

William Blake, 1757–1827

The Progress of Poesy, A Pindaric Ode; Title Page

between 1797 and 1798

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

Accessible in the Study Room

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they... [Read more]

between 1797 and 1798