'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
9
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
10
John Frederick Herring, 1795–1865
The Royal Mail Coach on the Road
1841
Not on view
11
Frederick Richard Lee, 1798–1879
Southampton Water, near Hamble
after 1837
Not on view
12
unknown artist
Mountainous Landscape with Figures and Cattle
1806 to 1807
Not on view
13
Samuel John Egbert Jones, active 1820–1845
Pheasant Shooting
mid-19th century
Not on view
14
Harold Gilman, 1876–1919
Nude in an Interior
ca. 1911
Not on view
15
Thomas Bardwell, 1704–1767
Portrait of a Lady
ca. 1740
Not on view
16
Thomas Bardwell, 1704–1767
Portrait of a Gentleman
ca. 1740
Not on view
17
Gwen John, 1876–1939
Seated Woman in a Broad-Brimmed Hat
undated
Not on view
18
Richard Parkes Bonington, 1802–1828
Barges on a River
1826
Not on view
19
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
20
Richard Parkes Bonington, 1802–1828
Grand Canal, Venice
1826
Not on view
21
Arthur Devis, 1712–1787
An Unknown Woman in a Drawing Room
between 1740 and 1741
Not on view
22
Arthur Devis, 1712–1787
An Unknown Man in a Library
between 1740 and 1741
Not on view
23
Herbert Haseltine, 1877–1962
The Chaser: Sergeant Murphy
cast 1963 (original model 1926)
Not on view
24
Herbert Haseltine, 1877–1962
Harboro’ Nulli Secundus, Shire Stallion
1968
Not on view
25
Robert Polhill Bevan, 1865–1925
Crocks
undated
26
Robert Polhill Bevan, 1865–1925
Sketch of a Horse
undated
27
Robert Polhill Bevan, 1865–1925
Farm Buildings and Well, Poland
ca. 1908
28
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
29
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
30
George Stubbs, 1724–1806
Human Skeleton, Anterior View (Final study)
1795 to 1806
31
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
1795 to 1806
32
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
33
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
34
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
35
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
36
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
1795 to 1806
37
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
1795 to 1806
38
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
39
William Hogarth, 1697–1764
Hudibras and the Lawyer (no.7)
40
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
41
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
42
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
43
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
44
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
45
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
46
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
47
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
48
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
49
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
50
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
51
Joseph Mallord William Turner, 1775–1851
Dent de Lion, Margate
ca. 1791
52
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
66
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
67
George Romney, 1734–1802
Mother and Son
undated
68
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
69
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
70
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
71
Henry Barlow Carter, 1804–1868
Scarborough Harbour, Yorkshire - Moonlight
1850
72
Thomas William Wood, 1855–1872
A Lion
undated
73
Paul Sandby, 1731–1809
Music by Moonlight
1782 or 1788
74
Francois Boitard, ca. 1670–1715
A Design of Masks
1710
75
attributed to John Middleton, 1826–1856
Woodland Scene with a Path Across a Stream
undated
76
William Marlow, 1740–1813
View of Leghorn
undated
77
Aaron Edwin Penley, 1807–1870
Cloud Study
undated
78
pupil of John Varley, 1778–1842
A Village Street
undated
79
John MacWhirter, 1839–1911
Drifting
undated
80
Octavius Oakley, 1800–1867
A Gypsy Encampment
undated
81
Arthur Rackham, 1869–1939
Diana Coope During a Performance of The Miracle; Diana Resting
1926
82
unknown artist
Man with Hood and Landscape
undated
83
unknown artist
A Temple
ca. 1780
84
unknown artist
Design after a Greek Vase
undated
85
Samuel De Wilde, 1748–1832
The Satirist
1807
86
Mauritius Lowe, 1746–1793
An Allegory on the Plight of the Artist
between 1772 and 1790
87
Print made by Richard Purcell, active 1746–1766
The Departure
undated
88
Print made by Thomas Ryley, active ca.1744–1754
Women and Wine
ca. 1749
89
Print made by John Simon, 1675–1755
Winter
1758
90
Print made by John Simon, 1675–1755
The Power of Beauty
undated
91
Print made by John Simon, 1675–1755
The Miraculous Draught of Fishes
undated
92
Print made by John Simon, 1675–1755
The Death of Ananias
undated
93
Print made by John Simon, 1675–1755
The Gascon Punish'd or The Beau Outwitted
1741
94
Print made by John Smith, 1652–1743
Diana and Acteon
1705
95
Print made by Johann Lorenz Haid, 1702–1750
S. Petrus
early 1750s
96
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Woman with Mask
1750s
97
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis