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Shows 1 - 40 from 103 results
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Attributed to Herman G. Herkomer, 1863–1935
Self-Portrait ?
(ca. 1895)
- Materials & TechniquesOil on panel
- Dimensions7 1/4 x 6 inches (18.4 x 15.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Hans and Agnes Platenius
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Sir David Wilkie, 1785–1841
Self-Portrait
(ca. 1840)
- Materials & TechniquesOil on canvas
- Dimensions30 x 24 3/4 inches (76.2 x 62.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
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William Etty, 1787–1849
Self-Portrait
(1823)
- Materials & TechniquesOil on paper laid down on wood
- Dimensions7 1/2 x 5 1/2 inches (19.1 x 14 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Friends of British Art Fund, and Paul Mellon Fund
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On view
Benjamin West, 1738–1820
The Artist and His Family
(ca. 1772)
- Materials & TechniquesOil on canvas
- Dimensions20 1/2 x 26 1/4 inches (52.1 x 66.7 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Daniel Maclise, 1806–1870
Henry Sass
(between 1830 and 1835)
- Materials & TechniquesBlack chalk, graphite, watercolor, and red chalk on medium, slightly textured, blue wove paper
- DimensionsSheet: 7 7/16 × 5 1/2 inches (18.9 × 14 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Henri Charles Guérard, 1846–1897
Portrait of Whistler
(ca. 1888)
- Materials & TechniquesEtching, aquatint, and roulette, printed in brown ink on moderately thick, moderately textured, beige laid paper
- DimensionsSheet: 16 7/8 x 12 5/8 inches (42.8 x 32 cm), Plate: 12 15/16 x 8 7/8 inches (32.9 x 22.6 cm), Image: 8 3/4 x 7 5/16 inches (22.2 x 18.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Jeanne K. Welcher
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Accessible in the Study Room
Henri Charles Guérard, 1846–1897
Portrait of Whistler
(1888)
- Materials & TechniquesEtching, drypoint, aquatint and roulette, printed in brown ink on medium, slightly textured, cream laid paper
- DimensionsSheet: 17 3/8 x 12 5/16 inches (44.1 x 31.3 cm), Plate: 13 x 8 13/16 inches (33 x 22.4 cm), Image: 8 3/4 x 7 3/16 inches (22.3 x 18.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Jeanne K. Welcher
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Accessible in the Study Room
William Dickinson, 1746–1823
Sir Anthony Van Dyck
(1780)
- Materials & TechniquesMezzotint on moderately thick, slightly textured, beige laid paper
- DimensionsSheet: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm), Image: 12 1/16 × 9 7/8 inches (30.6 × 25.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Corner, 1788–1825
Sir Anthony van Dyck
(1825)
- Materials & TechniquesEtching and engraving with chine collé on moderately thick, moderately textured, cream wove paper
- DimensionsSheet: 13 1/16 × 9 1/8 inches (33.1 × 23.1 cm), Plate: 10 7/16 × 7 15/16 inches (26.5 × 20.1 cm), Chine collé: 10 1/4 × 7 3/4 inches (26 × 19.7 cm), Image: 5 3/8 × 3 3/16 inches (13.7 × 8.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Francesco de Grado, active 1693
Antonio Vandyck
(ca. 1693)
- Materials & TechniquesEtching, line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 8 7/8 × 6 3/8 inches (22.5 × 16.2 cm), Plate: 7 15/16 × 5 7/16 inches (20.2 × 13.8 cm), Image: 7 11/16 × 5 1/4 inches (19.5 × 13.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Thomas Fry, 1789–1843
Benjamin West, Esq. President of the Royal Academy
(1820)
- Materials & TechniquesStipple engraving and etching on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 8 11/16 × 6 inches (22.1 × 15.3 cm), Image: 5 11/16 × 4 7/16 inches (14.4 × 11.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Benjamin West, R.A
(1809)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm), Plate: 10 11/16 x 8 inches (27.2 x 20.3 cm), Image: 10 11/16 x 8 inches (27.2 x 20.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Francis Wheatley, R.A
(between 1802 and 1814)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 17 15/16 x 11 5/16 inches (45.5 x 28.8 cm), Plate: 10 13/16 x 7 15/16 inches (27.5 x 20.2 cm), Image: 10 13/16 x 7 15/16 inches (27.5 x 20.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by James Charles Armytage, 1802–1897
Sir David Wilkie
(after 1829)
- Materials & TechniquesLine engraving, stipple engraving, and etching on thick, slightly textured, beige wove paper
- DimensionsSheet: 17 1/16 x 11 3/4 inches (43.4 x 29.8 cm), Plate: 14 3/8 x 10 15/16 inches (36.5 x 27.8 cm), Image: 9 3/16 x 6 5/8 inches (23.4 x 16.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Drummond, active 1800–1850
William Wyon
(1835)
- Materials & TechniquesLithograph with chine collé on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 10 13/16 x 8 1/16 inches (27.4 x 20.5 cm), Sheet: 8 1/8 x 7 1/16 inches (20.7 x 18 cm), Image: 4 11/16 x 4 5/8 inches (11.9 x 11.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Valentine Green, 1739–1813
John Hamilton Mortimer, Esq
(1779)
- Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 17 15/16 × 12 7/8 inches (45.5 × 32.7 cm), Image: 16 × 12 7/8 inches (40.6 × 32.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Portrait Study of Thomas Hearne
(1809)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 12 9/16 x 10 5/16 inches (31.9 x 26.2 cm), Plate: 10 3/4 x 7 7/8 inches (27.3 x 20 cm), Image: 10 3/4 x 7 7/8 inches (27.3 x 20 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and... [Read more]
(1810)
- Materials & TechniquesStipple engraving and etching on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, brown wove paper
- DimensionsMount: 4 9/16 x 3 13/16 inches (11.6 x 9.7 cm), Sheet: 4 1/2 x 3 5/16 inches (11.4 x 8.4 cm), Image: 3 9/16 x 2 13/16 inches (9 x 7.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Godefroy Engelmann, 1788–1839
G. Engelmann
(undated)
- Materials & TechniquesLithograph with chine collé on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 10 13/16 x 8 3/16 inches (27.5 x 20.8 cm), Sheet: 9 7/16 x 7 inches (23.9 x 17.8 cm), Image: 6 7/16 x 4 3/4 inches (16.3 x 12 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Richard Cosway, R. A
(1811)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 13 15/16 x 9 13/16 inches (35.4 x 25 cm), Plate: 10 11/16 x 8 inches (27.2 x 20.3 cm), Image: 10 11/16 x 8 inches (27.2 x 20.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Joseph Wilton, R.A
(1810)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 17 15/16 x 11 3/4 inches (45.6 x 29.8 cm), Plate: 10 11/16 x 8 1/16 inches (27.2 x 20.4 cm), Image: 10 11/16 x 8 1/16 inches (27.2 x 20.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
John Zoffany, R.A
(1814)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm), Plate: 10 13/16 x 8 inches (27.4 x 20.3 cm), Image: 10 13/16 x 8 inches (27.4 x 20.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Robert Austin, 1895–1973
Portrait of the Artist
(1921)
- Materials & TechniquesDrypoint on moderately thick, smooth, cream laid paper
- DimensionsSheet: 13 x 10 11/16 inches (33 x 27.2 cm), Plate: 9 13/16 x 7 15/16 inches (25 x 20.2 cm), Image: 9 3/4 x 7 7/8 inches (24.8 x 20 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
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Accessible in the Study Room
Henri Charles Guérard, 1846–1897
Portrait of Whistler
(ca. 1888)
- Materials & TechniquesEtching, aquatint, and roulette, printed in brown ink on moderately thick, smooth, beige Japanese paper
- DimensionsSheet: 18 5/8 x 12 13/16 inches (47.3 x 32.5 cm), Plate: 12 15/16 x 8 7/8 inches (32.8 x 22.5 cm), Image: 8 11/16 x 7 1/4 inches (22.1 x 18.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Jeanne K. Welcher
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Accessible in the Study Room
Valentine Green, 1739–1813
Valentine Green
(1788)
- Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 19 × 15 inches (48.3 × 38.1 cm), Image: 17 5/16 × 14 7/8 inches (44 × 37.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Ozias Humphry
(1806)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 12 11/16 x 9 9/16 inches (32.2 x 24.3 cm), Plate: 10 3/4 x 8 inches (27.3 x 20.3 cm), Image: 6 11/16 x 4 1/8 inches (17 x 10.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Chauncey Brewster Tinker
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Accessible in the Study Room
Print made by Thomas Chambars, ca. 1724–1789
Sir Peter Paul Rubens
(undated)
- Materials & TechniquesEtching on moderately thick, smooth, cream wove paper
- DimensionsSheet: 8 7/8 x 6 9/16 inches (22.5 x 16.6 cm), Plate: 6 5/8 x 5 1/16 inches (16.8 x 12.8 cm), Image: 5 1/16 x 4 7/16 inches (12.9 x 11.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Richard Dagley, ca. 1765–1841
Paul Sandby
(1831)
- Materials & TechniquesStipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 6 3/8 x 4 7/8 inches (16.2 x 12.4 cm), Plate: 6 1/16 x 4 1/2 inches (15.4 x 11.5 cm), Image: 4 5/8 x 3 11/16 inches (11.8 x 9.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Joshua Kirby Baldrey, 1754–1826
Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)
(1798)
- Materials & TechniquesStipple engraving and etching on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream wove paper
- DimensionsMount: 7 5/8 x 4 3/8 inches (19.4 x 11.1 cm), Sheet: 5 7/8 x 3 9/16 inches (14.9 x 9 cm), Image: 4 7/16 x 3 1/4 inches (11.2 x 8.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Henry Griffiths, 1835–1849
Martin Archer Shee
(1846)
- Materials & TechniquesStipple engraving on medium, slightly textured, beige wove paper
- DimensionsSheet: 7 11/16 × 5 inches (19.5 × 12.7 cm), Image: 4 1/4 × 3 3/4 inches (10.8 × 9.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Daniell, 1769–1837
Paul Sandby
(1809)
- Materials & TechniquesSoft-ground etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 12 13/16 x 10 1/8 inches (32.5 x 25.7 cm), Plate: 10 5/8 x 7 15/16 inches (27 x 20.2 cm), Image: 10 5/8 x 7 15/16 inches (27 x 20.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
John Faber the Younger, ca. 1695–1756
Samuel Scott
(between 1731 and 1733)
- Materials & TechniquesMezzotint on moderately thick, slightly textured, cream laid paper
- DimensionsSheet: 12 7/16 × 9 7/16 inches (31.6 × 23.9 cm), Image: 11 3/8 x 9 7/16 inches (28.9 x 23.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Thomas Fry, 1789–1843
Martin Archer Shee, Esq., R. A
(1817)
- Materials & TechniquesCrayon manner with stipple engraving on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 14 11/16 × 10 7/8 inches (37.3 × 27.7 cm), Image: 6 11/16 × 6 1/2 inches (17 × 16.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Samuel Freeman, 1773–1857
John Smith
(undated)
- Materials & TechniquesStipple engraving and etching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 8 13/16 × 5 9/16 inches (22.4 × 14.2 cm), Image: 4 5/8 × 3 3/4 inches (11.7 × 9.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Whiston Barney, active 1805–1817
Thomas Stewardson
(between 1805 and 1808)
- Materials & TechniquesMezzotint on moderately thick, slightly textured, beige laid paper
- DimensionsSheet: 17 3/4 × 12 7/16 inches (45.1 × 31.6 cm), Image: 12 3/16 × 10 3/16 inches (31 × 25.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Henry Hoppner Meyer, ca. 1782–1847
Henry Tilson, Painter
(between 1800 and 1840)
- Materials & TechniquesEtching and stipple engraving on medium, slightly textured, cream wove paper
- DimensionsSheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm), Image: 12 1/8 × 10 inches (30.8 × 25.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Thomas Chambars, ca. 1724–1789
Henry Tilson
(1762)
- Materials & TechniquesEtching on moderately thick, smooth, beige wove paper
- DimensionsSheet: 11 13/16 x 8 7/8 inches (30 x 22.6 cm), Plate: 6 9/16 x 5 1/8 inches (16.6 x 13 cm), Image: 5 11/16 x 4 3/4 inches (14.4 x 12.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by unknown artist
Peter Vanderbank (1649–1697)
(undated)
- Materials & TechniquesEtching on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 4 5/8 × 3 3/4 inches (11.7 × 9.6 cm), Image: 2 1/2 × 2 1/8 inches (6.4 × 5.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by William Fairland, active 1828–1835
Sir Anthony Van Dyke
(1828)
- Materials & TechniquesLithograph with chine collé on moderately thick, smooth, beige wove paper
- DimensionsSheet: 14 11/16 x 11 1/8 inches (37.3 x 28.2 cm), Sheet: 9 3/16 x 6 13/16 inches (23.4 x 17.3 cm), Image: 7 1/8 x 5 9/16 inches (18.1 x 14.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Paul François Arnold Cardon, called "Dornac", 1859–1941
Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs)... [Read more]
(1893)
- Materials & TechniquesAlbumen print on thin, smooth, wove paper
- DimensionsSheet: 10 1/4 x 8 inches (26 x 20.3 cm), Mount: 17 × 14 inches (43.2 × 35.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943